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Josh White: Society Blues
 
 
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Josh White: Society Blues [Hardcover]

Elijah Wald (Author)
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

December 1, 2000
A gifted and charismatic entertainer, Josh White (1914-1969) was one of the best-known folk-blues artists of his day. In the early 1960s, one survey ranked him as America's third most popular male folksinger, surpassed only by Pete Seeger and Bob Dylan. He appeared on national television, performed at numerous college concerts and club dates, and released several dozen albums-all featuring his distinctive guitar style, supple voice, and unique showmanship.

In this compelling biography, Elijah Wald traces White's journey from the "colored" side of Greenville, South Carolina, to the heights of Manhattan café society. He explores the complexities of White's music, his struggles with discrimination and stereotypes, his political involvements, and his sometimes raucous personal life.

White was always drawn to music and by the age of ten was leading blind blues and gospel singers around the South. By the 1930s he had become a blues recording star himself, and in the 1940s he was discovered by a white audience and regularly appeared in New York cabarets alongside such artists as Billie Holiday. He also became an outspoken proponent of civil rights and frequently appeared at rallies and benefits, singing songs against segregation. He was one of the few black figures to star on Broadway and appear in Hollywood films, the only black solo peformer to have his own national tour, and a daring sex symbol with adoring fans on both sides of the color line.

In the 1950s, White won acclaim in Europe, then saw his achievements collapse in the polarized political ferment of the McCarthy era. Attempting to strike a balance that would keep his career afloat, he instead succeeded in alienating both political camps. Although still a star in England, he became the forgotten man at home until his resurrection in the folk revival.



Editorial Reviews

Review

Society Blues incorporates a skillful and thought-provoking critique of the ideological presuppositions that guide the promotion of authenticity. Wald achieves this goal by sticking to the details of White's career, not generalizing about its implications, yet the point comes across with clarity and conviction.
–David Sanjek, American Studies, Fall 2002

[An] affectionate, careful biography..
–The Washington Post --This text refers to the Paperback edition.

About the Author

Elijah Wald wrote on music for the Boston Globe for 15 years. He is the author of Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas. Harper Collins/RAYO, 2001, and coauthor of Mississippi: River of Song, which accompanied a PBS series for which he served as a consultant. He maintains a website on his writing and performing, www.elijahwald.com. --This text refers to the Paperback edition.

Product Details

  • Hardcover: 336 pages
  • Publisher: Univ of Massachusetts Pr; 1ST edition (December 1, 2000)
  • Language: English
  • ISBN-10: 1558492690
  • ISBN-13: 978-1558492691
  • Product Dimensions: 9.5 x 6.3 x 1.2 inches
  • Shipping Weight: 1.8 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,891,246 in Books (See Top 100 in Books)

More About the Author

For information about Elijah Wald, his books, his recordings, his other writings, and so forth and so on, visit http://www.elijahwald.com

 

Customer Reviews

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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars More Than a Bluesman; A Great Human Being, June 18, 2008
By 
D. B Pepper "neonx83" (Plainview, NY United States) - See all my reviews
(REAL NAME)   
Josh White was a wonderful human being who didn't see the world in terms of color or political ideologies. There were many chapters to his life. He was raised in a God-fearing, respectable home, took to leading blind Bluesmen across the south and collecting change for them, while being abused, became a Blues star in the 1930s, a darling of the folk scene in New York City, a man whose talent and humanity were rejected because of his supposed connection to Communism, and there is a great more to tell. Unfortunately, the left perceived him to be a sell-out, and the right kept hounding him about his supposed ties to Communist groups. He gladly answered their questions each time, because he had nothing to hide, but this made him seem like a traitor to the hardcore left wing community. In Europe, he was a superstar, performing in front of thousands, and a very dear friend of Franklin and Eleanor Roosevelt. In the 1960s, it was very hard for him to find work in America, both because of the previous decade's scare over Communism and Josh's supposed softcore Blues, which many white Blues enthusiasts who supported the Blues Revival were not interested in. Josh was a man who always took care of his family, and although he had many affairs with women of all shapes, sizes, and races, he loved his wife dearly. I cried while reading the end of this book. Any and every American should read this book cover to cover, and also own the Yazoo dvd of his performances, which is five-star material, in which every facet of this man's act is meticulously planned and pulled off magnificently. He is an unforgettable individual who paved the way for countless black entertainers of a much lower quality.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Some we forget, April 18, 2004
By 
M. Beck (carmel, in United States) - See all my reviews
(REAL NAME)   
It's a shame that so little is made of Josh White these days. He was a seminal figure in the early folk boom, an accomplished Piedmont style bluesman, and one of the most popular folk artists of his time. In his early days he backed Leroy Carr and recorded some fine blues. Later he fell in with the New York folk scene recording for Moe Asch. During this period he recorded with the Almanac Singers, Leadbelly and the Union Boys. His later Electra records were part of most folk enthusiasts collections. Elijah Wald did a great service in writing this book, shedding much needed light on a vital but overlooked career.
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5.0 out of 5 stars Another must read from Elijah Wald, April 8, 2011
Another must read from Elijah Wald. I say this not just as a Blues fan or music collector, though through this book I did discover a major player so to speak in the realm of acoustic Blues guitar. Indeed, this thrilling and moving biography is enlightning on many levels. It sheds light on a gaping hole in the blues/folk continuum that led to the big Folk revival of the 60's. That missing link is Josh White himself and his gripping story is a stunning saga
weaving brutal racism, the fear based politics of hysterical anti-Communism,
the making and breaking of trends in Pop culture. Through this soulful, intimate portrait, Josh White truly emerges, warts and all as an ignored national treasure.
Wald analyses brilliantly the mechanics of trends, public image and perceptions,
that contributed to collective amnesia regarding a first rate but outspoken Blues and Folk artist. This book is also more than a compelling slice of American history as it reveals the dramatic struggle of a dignified artist against much odds.
Highly recommended.
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Inside This Book (learn more)
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First Sentence:
It is a long walk from the bright, tree-lined business district of Greenville, South Carolina, to the narrow lanes by the railroad track on the south side, and it feels like a trip to another world and time. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
one meat ball, cafe society, folk scene, lead boy
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, African American, Mary Chase, Southern Exposure, United States, Burl Ives, Paul Robeson, Sam Gary, Red Channels, Pete Seeger, South Carolina, Blind Lemon, Alan Lomax, Eleanor Roosevelt, Libby Holman, Dennis White, San Francisco, Town Hall, Uncle Sam, Golden Gate Quartet, Oscar Brand, World War, Daily Worker, Kingston Trio, Soviet Union
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