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The Journal of Hélène Berr [Paperback]

Hélène Berr (Author)
4.4 out of 5 stars  See all reviews (12 customer reviews)

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Book Description

November 3, 2009

Not since The Diary of Anne Frank has there been such a book as this: The joyful but ultimately heartbreaking journal of a young Jewish woman in occupied Paris, now being published for the first time, 63 years after her death in a Nazi concentration camp.

On April 7, 1942, Hélène Berr, a 21-year-old Jewish student of English literature at the Sorbonne, took up her pen and started to keep a journal, writing with verve and style about her everyday life in Paris — about her studies, her friends, her growing affection for the “boy with the grey eyes,” about the sun in the dewdrops, and about the effect of the growing restrictions imposed by France’s Nazi occupiers. Berr brought a keen literary sensibility to her writing, a talent that renders the story it relates all the more rich, all the more heartbreaking.

The first day Berr has to wear the yellow star on her coat, she writes, “I held my head high and looked people so straight in the eye they turned away. But it’s hard.” More, many more, humiliations were to follow, which she records, now with a view to posterity. She wants the journal to go to her fiancé, who has enrolled with the Free French Forces, as she knows she may not live much longer. She was right. The final entry is dated February 15, 1944, and ends with the chilling words: “Horror! Horror! Horror!” Berr and her family were arrested three weeks later. She went — as was discovered later — on the death march from Auschwitz to Bergen-Belsen, where she died of typhus in April 1945, within a month of Anne Frank and just days before the liberation of the camp.

The journal did eventually reach her fiancé, and for over fifty years it was kept private. In 2002, it was donated to the Memorial of the Shoah in Paris. Before it was first published in France in January 2008, translation rights had already been sold for twelve languages.


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Editorial Reviews

From Publishers Weekly

Starred Review. Iwas abruptly assailed by the feeling that I had to describe reality, writes Berr midway through this urgent firsthand account of the devastation of Paris's Jewish community during WWII. This journal, which begins in 1942 as the record of a young woman's intense and buzzing inner life, becomes over time a record of human suffering: How will the world be cleansed unless it is made to understand the full extent of the evil it is doing? Berr, daughter of a prosperous assimilated Jewish family, was forced to quit her studies at the Sorbonne, joined an underground network to save Jewish children, saw her father arrested and beloved friends deported. But as compelling as external trials are the thoughts and feeling of this brilliant, passionate and brave young woman. As the noose tightens around Paris's Jews, Berr wonders if she still has the right to find momentary pleasure in reading; she questions herself for falling into instinctive, primitive hatred of Germans. Yet in one overpowering moment of rage, she rails against impassive Parisian Christians who crucify Christ every day. Berr died in Bergen-Belsen in 1944, five days before the camp's liberation, but her vibrant voice—full of anguish, compassion, indignation and defiance—springs from these pages—as extraordinary a document of occupied France as Irène Némirovsky's Suite Française. Photos. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Review

“Reading The Journal of Hélène Berr, a diary of denial, heartbreak, and resistance that her family’s cook passed on to surviving relatives after Hélène’s death at Bergen-Belsen, is like watching a sunset: an inevitable, achingly vivid journey into the dark.”
O, The Oprah Magazine

“[A] brilliant, passionate and brave young woman. . . . Her vibrant voice — full of anguish, compassion, indignation and defiance — springs from these pages — as extraordinary a document of occupied France as Irène Némirovsky’s Suite Française.
Publishers Weekly (starred review)

“The publishing sensation of 2008 . . . We seem to understand for the first time the horror and absurdity Jews had to face every day in occupied Paris.”
Liberation (Paris)

“A work of exceptional literary and historical qualities.”
Sud Ouest

“Deserves to be a publishing sensation.”
Ottawa Citizen --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 304 pages
  • Publisher: Weinstein Books; 1 edition (November 3, 2009)
  • Language: English
  • ISBN-10: 1602860947
  • ISBN-13: 978-1602860940
  • Product Dimensions: 8.5 x 5.5 x 0.9 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #252,839 in Books (See Top 100 in Books)

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Customer Reviews

12 Reviews
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 (8)
4 star:
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Average Customer Review
4.4 out of 5 stars (12 customer reviews)
 
 
 
 
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29 of 31 people found the following review helpful:
5.0 out of 5 stars History Through The Eyes Of One, November 26, 2008
I had a sense of sinking and could only repeat: Stop. Stop. Stop.,
every fiber of my body engaged in stopping the unrelenting forward march of the Nazis. Of course I knew ultimately what was in store for the young French Jew Helene Berr, but as I read the new English translation of The Journal Of Helene Berr, I found myself helpless to do anything less than hope against hope that she and her family, and the women of the U.G.I.F. and the orphaned children, indeed all those who would be touched by the hand of evil, would be spared.
The Journal is the intimate, enchanting diary of the appealing, whip smart Helene Berr. Twenty-one, an eager, romantic student at the Sorbonne, Helene entrusts her most intimate hopes and dreams, passions and fears to her journal through the tense, horrifying years of 1942 through 1944. As the German presence in Paris becomes increasingly ubiquitous and rumors swirl and solidify into terrifying fact, Helene writes. She writes of the death of a puppy love, the flowering of a new, deeper love, the arrest of her father, the arrests and murders of friends and strangers, and her need to be courageous, not only for herself, but for others.
With wit, clarity, and an almost shocking intelligence, she allows us to see a huge historical event through the eyes of one and thereby the whole. She embodies the consternation that thousands must have felt when confronted with the order to wear the yellow star identifying them as Jews:
"This evening I've changed my mind: I now think it is cowardly not to wear it, vis-à-vis people who will. Only, if I do wear it, I want to stay very elegant and dignified at all times so that people can see what that means. I want to do whatever is most courageous. This evening I believe that means wearing the star. But where will it lead?"
As she chronicles the awful events unfolding around her from the suicides of the hopeless to the arrests of babies as young as two years old, to mothers, daughters, wives and sweethearts driven mad to her own agony as her fiancé goes off to join the Free French, Helene makes the struggle between the self and the larger world tangible. And in the end, meditating on the place of literature in the world, Christian duty, and what she fears will be her own wasted youth, Helene, brings Paris and the plight of a brave people to the world through the pen of one brave woman.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars MOVING AND VERY INTERESTING, July 29, 2009
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Helene Berr - an assimilated French Jew - started writing a journal during the German occupation in April 1942 when she was 21 years old. Her family was well-to-do and she studied at the Sorbonne. She was intelligent, cultured, and sensitive, had many friends, and loved life.

For a time her life under the Germans remained fairly normal. She continued to visit friends and the family's summer place in the country, read English literature, and played violin at small recitals. She fell in love with a young man and wrote of her passion for nature and poetry.

Things started to change for her when Jews were ordered to wear the yellow star. She began to feel different from other people and thought about fleeing to the south of France where it was supposedly safer for Jews. However, she couldn't bring herself to act in what she considered a "cowardly" way and decided to remain in Paris.

She wrote about the roundups of Jews and their transfer to transit camps like Gurs and Drancy - and from there, somewhere to the east. Many of her friends were snatched off the streets and deported with no notice whatsoever. At this point she helped out at a Jewish aid organization, taking orphaned children for nature walks and working at the group's headquarters - until the Germans closed it and the children were deported.

Her last entry in February 1944 reads: "Horror. Horror. Horror." She was deported and sent to Auschwitz and later to Bergen-Belsen. By chance, Anne Frank, the famous diary writer, was there at the same time. Helene contracted typhus (also like Anne) and died after a beating a few days before the camp was liberated.

Helene Berr's journal is unique and moving and deserves to be widely read. Her voice sounds almost contemporary and in the first part of the book she writes often and intensely of her ideals, loves, and hopes for the future. Later, after the raids begin, her entries are about helping the children and watching her friends disappear. Her journal shows what it was like for French Jews under the Nazis - something less written about than the killing fields in Poland - from the gradual erosion of civil rights to street arrests and final deportation to an unknown, tragic destination.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars An illuminating addition to any personal library or school curriculum, January 26, 2009
By 
Bookreporter (New York, New York) - See all my reviews
There is no shortage of books on the Holocaust. We have, of course, the diary of Anne Frank, which appears to be the definitive nonfiction work recording World War II. It always seems more difficult, though, to find out what the war was like in France, as most accounts by or about Jews seem to focus on eastern Europe.

Hélène Berr was a French university student at the time of the war. A violin player and student of English literature, she wrote a journal that by any account would be considered an accomplishment in style, literary analysis and flow. Her prose is beautiful, and you almost forget that you are reading about the Holocaust, as it is just as interesting to read her thoughts on music and literature.

Again, a comparison with Anne Frank seems the best way to illustrate Berr's own journal. Frank lived in the Secret Annex and had nothing else to do but write for long hours in her diary. Once she heard that diaries were going to be collected after the war, she even went back and began to edit it with the intent of publication. It was written because she was a regular girl who kept a journal whenever she had the free time. Not everyone knows what it feels like to live in Nazi-occupied Paris, but more of us do know what it feels like to be in love with two people at once or to be frustrated with your family, friends or schoolwork. In that basic humanity, we can insert ourselves immediately into Berr's world, and then we follow her into the darker times, as the Gestapo gain more and more control over it.

Berr's family struggles to hold on when her father is taken to a prison. The man she loves is forced to flee France for his safety, and she watches as friends and neighbors are taken by the Gestapo to various prisons and camps. She herself seems lucky enough, but even her education and life are deeply affected by the presence of Hitler's police in her city.

I struggle in my own reading of Holocaust literature because I don't want to seem morbid or as if I enjoy descriptions of death and inhumane treatment. Anyone who has read a book or seen a movie probably has had to take in more than enough descriptions of Nazi treatment of Jews and others. But we continue to read so that we don't forget, and because each account gives us a little something different. THE JOURNAL OF HELENE BERR seems more hopeful, partly because of its unique narrator. Berr, who was Jewish, was able to go on with her daily life for much longer than others, and because of that, we see a more realistic, young girl reaction to the ways her life was changed. How horrible it is to wear an ugly yellow star on all of your fashionable clothing. How terrible it is when you can't be mean to your mother, because she is the one who is keeping the family together while your father is in prison. Berr's thoughts seem more within reach than others, if just because it is easier not to have to fathom so many horrific experiences at death and concentration camps.

THE JOURNAL OF HELENE BERR is illustrated further with a glossary, an epilogue detailing Berr's death in Bergen-Belsen just days before its liberation, an index and more. It would be an illuminating addition to any personal library or school curriculum.

--- Reviewed by Sarah Hannah Gómez
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