'The Journey Home' is the story of a young boy's struggle towards maturity, set against a shocking portrait of Ireland: a tough urban landscape, not a rural Eden. Francis Hanrahan, the shy child of grey suburban streets, is Francy at home to his country-born parents. But when he meets Shay, an older, wilder image of himself, he becomes Hano, and is cast out into the night-time world of Dublin -- a world of drugs, all-night drinking sessions in bars and snooker halls, and the stench of political corruption.
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Book Description
Editorial Reviews
From Publishers Weekly
Set in the suburbs of Dublin in the early '80s, this novel—Irish poet, playwright and novelist Bolger's third—chillingly portrays a bleak Ireland that offers its youth few options. When Francis Hano Hanrahan finds temporary employment at the voters' register's office, he meets Shay, a charismatic trickster who spins entertainment out of their dreary workplace. As Shay's sidekick, Hano gets caught up in Dublin's nightlife and becomes further estranged from his parents. Before the year is over, Shay leaves for the factories of Germany and Hano's father dies. Left responsible for his mother and four younger siblings, Hano has little choice but to work for local tycoon Pascal Plunkett, whose brother Patrick is a junior minister in the national government. As Pascal's chauffeur and sometime heavy, Hano finds himself ensnared in the Plunkett brothers' ruthless world. By the time Shay returns from the continent, both young men have been irrevocably damaged, and their attempt to free themselves from the Plunketts ends in tragedy. Bolger generates intensity and lyricism from his characters' despair as they spiral into criminality. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
From The New Yorker
Bolger’s 1990 novel, never before published in the United States, moves between the industrial rigidity of nineteen-eighties Dublin, with its dull suburbs, and the haunted bogs of rural Ireland. Its pages bristle with murder, sexual assault, illegal boxing matches, and rigged elections, but at its center is a friendship, significant for its simplicity, between Hano and Shay, two newly independent young men. Facing limited prospects in a city taken over by a family of thugs, each surrenders a portion of his innocence before the book’s final, explosive tragedy, an event that enables Hano to see that "home" is really a compilation of small, meaningful events and connections: "I loved that home more than any place in the world for no reason that I could explain, except that I was a part of it and so was Shay."
Copyright © 2008 Click here to subscribe to The New Yorker --This text refers to the Hardcover edition.
Copyright © 2008 Click here to subscribe to The New Yorker --This text refers to the Hardcover edition.
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
4.0 out of 5 stars
Good, but don't believe the critics,
By Newton Munnow "Newton Munnow" (Atlanta, Georgia) - See all my reviews
This review is from: The Journey Home (James A. Michener Fiction) (Hardcover)
Bolger writes well. Sometimes he writes too well. Take the very first paragraph of the book and you'll come across not one but two strong, beautiful metaphors. Only they demand to be read twice, so you read them twice, then wonder at their proximity and then worry that things are going to be moving rather slowly. On the whole, they don't. Part of the book is about a couple on the run from an unnamed crime, part a poetic confession from beyond the grave and part an account of how it all came about. Of the three separate tales, only the latter is truly riveting. The description of Hano and Shay's friendship is spot-on, revelling in its aimlessness, energy and displacement. Dublin comes alive and seems at odds with the other parts of Ireland that Bolger displays. It's Ireland on the move, only its inhabitants haven't figured out where yet. The Old Ireland, the green sod, is gone. The Celtic Tiger hasn't yet arrived and that's what makes this novel, written in 1990, amazingly prescient. Its only weakness comes from the dialogue placed in the mouth of sixteen year old Katie, who never rises above being a two dimensional mouthpiece for the author. She stops in the middle of her escape, again and again, to deliver thoughtful, wordy descriptions of her place, or lack thereof, in the world. There's much to be impressed with and 'THe Journey Home' is worth the read, but this is a book with a distracting streak of purple prose and a single character bent on undermining the solidity of those who share the page.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Like slogging through a bog at times but worthy...,
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Amazon Verified Purchase(What's this?)
This review is from: The Journey Home (James A. Michener Fiction) (Hardcover)
The story is set in Dublin during its dark days in the 1980's (high unemployment, high crime, mass exodus, etc). There are three main characters in the story: Francis Hanrahan ("Hano" or "Francy"), Seamus ("Shay") and Cait ("Katie"). Hano, 19 years old, is befriended by Shay at his first job. Shay is 21 - he is fearless, confident and popular - he shows Hano the way about the office and town. Hano looks up to Shay as he would an older brother and best friend. Katie, 16, a troubled teenager who lost her parents - and is a drug addict - also comes under Shay's spell and is a key player in the story line.I wish someone had explained to me upfront that the story is told from 3 different vantage points: 1) Hano and Katie on the Run: Shay is dead. Hano and Katie are on the run from the authorities (and the mob?) through Ireland after Hano commits a serious crime. Story is told in the third person. 2) Shay's ghost speaking to Katie (this is all in italics) 3) Hano speaks of his life and his relationship with his family, Shay and Katie. The story starts in the middle and zig zags backward and forward (without much notice) between the three story lines. The third track (Hano speaking of his life) is by far the most engaging. I found the other story lines in track 1 and 2 to bring environmental context to the plot but add murkiness and confusion. (Track 3 was that good and outweighed rather sluggish Tracks 1 and 2.) You are "treated" to a visually depicted dark side of humanity in this novel - including but not limited to: heavy drinking, bare knuckled fist fights for sport with unwilling participants, drug fueled parties, human degradation, poverty, physical and sexual violence, corruption by police and politicians, and the fruits of high employment - all painting a picture of desperation/suffocation and frightening hopelessness. Yet, while everyone is looking to flee Dublin, they can't seem to leave it behind -- as the promised land in Europe and/or America leaves them feeling empty and yearning for the homeland (and what "it was" as opposed to "what it has become"). As Bolger writes: "Home was not the place where you were born but the place you created for yourself, where you did not need to explain, where you finally became what you were." This book will likely not appeal to the casual reader looking for a light and breezy page turner - this is another book assigned to you by your college professor in your "Advanced Literature" class......deep, introspective, beautifully written and reflecting the environment of the times. My ratings scheme with 10 being high grade: Page Turner: 6.5 (Dense, thick, dark and gloomy) Memorable: 10 Character Development: 8 Live the Story: 9 Flow / Easy to Follow: 4
2 of 2 people found the following review helpful:
5.0 out of 5 stars
The Journey Home,
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Amazon Verified Purchase(What's this?)
This review is from: The Journey Home (Paperback)
Surprising that there's not a review of this book, which was, only a few weeks ago, featured on the cover of the Times Book Review. Deservedly so, in my opinion. Mr. Bolger, of whom I wasn't familiar, can write as well as John Banville, though with less flamboyance. This novel, also published by the University of Texas press, is a gritty look at life in Ireland as seen through the eyes of a young man. A glimpse of the end is shown on the first page; flashbacks are skillfully woven throughout. Hano, we eventually learn, is abused by an older man. He later loses his best friend. A thriller of sorts, since murder is involved. Darkly sad most of the time, but also intensely vivid in its descriptions of people and places, the part of Ireland tourist rarely see. Well worth reading.
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