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| Disc: 1 | |||
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| 1. J.S. Bach: Capriccio in B-flat Major “On The Departure of a Brother,” BWV 992 - Arioso: Adagio - His friends try to persuade him not to undertake the journey. 2:07 | |||
| 2. Fughetta - They tell him of the various misfortunes that may befall him abroad. 1:08 | |||
| 3. Adagissimo - The general lament of his friends. 2:57 | |||
| 4. Andante - His friends come, since they see that it must be, and take leave of him. :23 | |||
| 5. Postilion’s Aria: Allegro poco - 1:20 | |||
| 6. Fugue in imitation of the posthorn - 2:14 | |||
| 7. Mozart: Sonata in E-flat Major, K. 282 - Adagio - 7:48 | |||
| 8. Menuetto I-II - 4:26 | |||
| 9. Allegro - 3:01 | |||
| 10. J.S. Bach: Chromatic Fantasy and Fugue in D minor, BWV 903 - Fantasy - 7:40 | |||
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| Disc: 2 | |||
| 1. Bob Edwards Interviews Leon Fleisher on XM Radio's The Bob Edwards Show | |||
"The Journey" is the follow up to Leon Fleishers extraordinary Vanguard Classics release "Two Hands." Where "Two Hands" chronicled Fleishers triumphant return to performing two-handed repertoire after 35 years, "The Journey" tells the rest of the story.
The works performed on "The Journey" are the pieces of music that Fleisher was preparing to perform in solo recitals at the time that dystonia began to affect his performing career in the early 1960s.
"The Journey" matches solo piano works rarely recorded, like Stravinskys 'Serenade in A,' with the beautiful, melancholy touch that Leon Fleisher brings to popular works such as Chopins 'Berceuse' and Beethovens 'Für Elise.' The technical ability of a great pianist meets the poetic touch of a master in Bachs 'Chromatic Fantasy and Fugue' and Mozarts 'Sonata in E flat,' K. 272.
Mr. Fleisher is interviewed on Disc Two by Bob Edwards of XM Radio's 'The Bob Edwards Show.'
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Most Helpful Customer Reviews
32 of 33 people found the following review helpful:
5.0 out of 5 stars
A worthy successor to "Two Hands"!,
By SwissDave (Switzerland) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: The Journey (Audio CD)
Glad to note the recording's just that touch less distant and reverberant than "Two Hands" (far from dry!) that makes this sound so much like Fleisher does in concert, if closer, perhaps more ideally intimate than in real life. If anything Fleisher's playing now sounds even more technically secure again (jaw-dropping, actually, given his life "journey"), musically of course, I've become so partial to anything he's recorded at any stage in his career, I dare not say much: I can see why one critic has already referred to his interpretation of Mozart's K. 282 Sonata as "fussy" - it is indeed intricately detailed. So what? The better the stereo system one uses to listen to this, the more it becomes apparent no grace note's running against the flow - nothing wrong with seeing old warehorses in a new light, or is there? As to the Bach pieces, comparing the 'Traumatic' (!) Fantasy and Fugue to recordings by Edwin Fischer and Wilhelm Kempff (live on BBC Legends), I can only say that hearing it in another great interpretation is again improving my appreciation of what has always been some of the most fascinating, if never the easiest Bach to me to fully grasp. It's fascinating that Fleisher manages once again (as on "Two Hands") to set a mood for the whole disc (right away with Bach's "Arioso: Adagio" from the "On the Departure of a Brother" Capriccio, the whole of which he plays with genuine simplicity) and yet give each of these diverse compositions its due. The Bagatelle wrongly titled "Für Elise" receives one of its finest interpretations here (right now comparing it to Bruce Hungerford's more "daring" reading), for example. As happens to me so often with Fleisher, I'm also increasingly impressed with Stravinsky's Serenade, a piece I may so far not have taken seriously enough. In short, the riches here are once again far too many to enumerate...
Greetings from Switzerland, David.
12 of 14 people found the following review helpful:
5.0 out of 5 stars
Overall sublime, some drawbacks, but still rates a 5,
By
This review is from: The Journey (Audio CD)
I love Leon Fleisher for his lyrical interpretations of Bach and his amazing ability to perform Chopin. On this particular album there is a lot of Bach and a taste of Chopin. The Chopin is very reminiscent of Arthur Rubenstein and this is something I like very much about this artist.
In general, Fleisher brings an amazing sensitivity to his piano playing whatever the particular piece. His tone is simply gorgeous and it really shines through on every piece. Playing Mozart is not necessarily his strength, but this album does not devote a lot of time to this composer. His interpretations of Beethoven and Stravinsky are very well done. Fleisher is certainly not a minor player on the concert stage even after his extensive layoff. Both this album and "Two Hands" are excellent even if you have recordings all of these pieces already. I play the piano seriously myself and I am thoroughly satisfied with this purchase.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Life Affirming Journey through fascinating repertoire,
By Scriabinmahler (UK) - See all my reviews
This review is from: The Journey (Audio CD)
This 2CD set includes interesting interview with Fleisher talking about each piece recorded here, about his hand injury and his life in general. He says, dystonia gave him an opportunity to widen his horizon and enriched his life through his journey of new discoveries. Each piece on this disc reflects that positive, life affirming view, and is filled with the pure joy of music making. I like particularly Bach's Chromatic Fantasy and Fugue and Capriccio in B-flat "On The Departure of a Brother," played with sublime simplicity, and Chopin's Berceuse played with incredibly subtle rubato and tonal intricacy. Acoustics has improved a lot compared to The Two Hands. Stravinsky's kaleidoscopic piano music is very interesting and superbly played.
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