Jt [Original recording remastered]

James Taylor | Format: Audio CD

Product Details

• Audio CD (April 25, 2000)
• Number of Discs: 1
• Format: Original recording remastered
• Label: Sony
• ASIN: B00004SVK4
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (30 customer reviews)
• Amazon Best Sellers Rank: #65,823 in Music (See Top 100 in Music)

Editorial Reviews

JAMES TAYLOR COLLECTION/JT Label: Sony Release Date: 4/25/2000 1 Your Smiling Face - 2:47 2 There We Are - 3:01 3 Honey Don't Leave L.A. - 3:06 4 Another Grey Morning - 2:44 5 Bartender's Blues - 4:12 6 Secret O' Life - 3:35 7 Handy Man - 3:18 8 I Was Only Telling a Lie - 3:24 9 Looking for Love on Broadway - 2:21 10 Terra Nova - 4:32 11 Traffic Jam - 1:58 12 If I Keep My Heart out of Sight - 2:57

Customer Reviews

Most Helpful Customer Reviews

15 of 16 people found the following review helpful:

4.0 out of 5 stars Two sides of James Taylor, May 22, 2002

By 

Neal C. Reynolds (Indianapolis, Indiana) - See all my reviews
(VINE VOICE)    (TOP 1000 REVIEWER)    (REAL NAME)   

This review is from: Jt (Audio CD)

There are two aspects of this singer shown here. Certainly, the trade mark pop hits are here, the songs that again have the folksy and self-revealing lyrics and music such as "Your Smiling Face", "There We Are", "Secret of Life", "Handy Man" and "Terra Nova". "Secret of Life" especially is of his highest quality. All five make this an album which will please his fans.

However, he also expresses a darker side of life, a more cynical point of being. "Honey Don't Leave L.A." expresses one who's smitten by a typical "Hollywood" girl, one who is trying for the big time, for the glamour, for the luxury. "Another Grey Morning" portrays depression, a deep down despair. "Bartender's Blues" gives a sardonic look at life, cynicism mixed again with a type of despair. The stories implied in "I Was Only Telling A Lie" and "Looking For Love On Broadway" speak of deception, emptiness, even futility. And "Traffic Jam" might at first bring a smile to those who cope with the crowded freeways regularly. But then, by the last line, you realize (if you didn't already) that the song is about more than the physical situation described. And then there's "If I Keep My Heart Out Of Sight", again where the singer is looking for love from a woman who is just looking for good times. We men can very much cheer James for this song, because while many women claim that it's the man who is just looking for momentary pleasure, we men know it works both ways. And as always, James expresses it so that those of us who've been there can appreciate the song.

This is an outstanding album, and while it does have a dark side, this is James Taylor at his usual high level.

11 of 11 people found the following review helpful:

5.0 out of 5 stars A Quiet Classic, February 2, 2001

By 

Dan Pine (Pompano Beach, FL United States) - See all my reviews

This review is from: Jt (Audio CD)

James Taylor introduced us to his distinctive form of intelligent and simplistic pop stylings since the early 1970's. This album was released within 7 years into his recording career and is one of his finest, most consistent collections to date. There is a logical flow that glides from one melodic track to the next.

At the time of release, the album was considered a middle of the road rock and roll album. Like his earlier works, the music of Sweet Baby James has aged like a fine wine. With the inclusion of soft, sweet, emotionally tender and melodic selections, the album quickly achieved platinum status selling over a million copies and spawned many adult contemporary classics. It is still as engaging, if not more today, since it has received the remastering treatment.

The album opens with his optimistic ode to love, "Your Smiling Face," which did quite respectively on the pop charts (#20) at the time. This became a staple of late 1970's mor radio as was "Handy Man." This track peaked at #4 and won a grammy for best pop performance male at the 1978 grammy awards (his 2nd/several years back he won the same category for "Fire And Rain.") "Honey Don't Leave LA" was a moderate success, a mid-tempo bluesy track that featured several notable artists: Danny Kortchmar(who penned the track), Peter Asher(mainly known for producing the majority of Linda Ronstadt's work/Asher also produced this album), and Saxaphone extrodinaire, David Sanborn. Russell Kunkel who has worked with many A list performers (Linda Ronstadt/Stevie Nicks/etc.) performs on many tracks including playing castanets on the beautiful,"Looking For Love On Broadway." The set of songs was produced by Val Garay (who produced many acts including Kim Carnes and The Motels) in the early 1980's.

The album is a superstar fest. Several key vocalists of the decade also make an appearance. Linda Ronstadt backs up JT on the gorgeous country-tinged, honky tonk "Bartender's Blues." JT receives assistance from his ex-wife, Carly Simon who performs an exquisite harmony vocal on the stunning, "Terra Nova" (also penned by the couple).

The album has it's share of melodic and enchanting ballads. "Secret O'Life" is the most engaging highlight. It is a simple, beautiful musical wisdom piece about the pleasures of learning to grow older more gracefully. "There We Are" is a love song penned for his then wife, Carly Simon." "Another Gray Morning" brings the listener into the dark side of the singer-songwriter. "If I Keep My Heart Out Of Sight" serves as a perfect closer to the collection.

JT picks up the pace with more upbeat and funky rhythms with "I Was Only Telling A Lie" and "Honey, Don't Leave LA." One of the oddest selections is the neurotic "Traffic Jam" in which Taylor performs a pseudo-rap of sorts that touches upon his experiences with drug abuse through the years.

If you are a fan of lite california rock that typifies the singer-songwriter movement that categorized midstream 1970's pop music, then you'll enjoy this beautiful collection of songs. One of JT's finest moments.

6 of 6 people found the following review helpful:

5.0 out of 5 stars The MoFi SACD = Beautiful Analog Sound, June 4, 2011

By 

B. Falcon (Washington DC) - See all my reviews

This review is from: JT (Audio CD)

Not sure if this will be a fair review. I was only a passive JT listener until I got this SACD. My new appreciation for all things Carole King led me to explore more of James Taylor's recordings. With that said, I can't compare this to the original LP, cassette, 8 track, reel to reel, CD, mp3... so sorry. What I will say is that the music on this album is nothing short of phenomenal, and I can't believe I've waited this long to give JT a spin. Nice mellow easy listening tunes perfect for a Sunday morning listening session, or unwind with your liquor of choice after a long day at the workplace. I suppose as we grow older our musical taste develop into something a bit more refined and not so angst ridden. I've been very pleased with all the MoFi SACDs I've acquired so far, and this one does not disappoint in the least. Without a frame of reference to go by in terms of previous versions of this album, I can only say that MFSL mastering duo of Shawn R. Britton and Rob LoVerde has once again given us a reference quality mastering worthy of the MoFi label. Nothing comes off as ear-bleeding shrill or lifeless and dull, but rather that rich, creamy, full signature sound we've now come to expect from MoFi SACD releases. Instruments sound natural, not overbearing but perhaps just a tad laid back on a few tracks, allowing one to fully take in JT's soothing vocals. I use Yamaha source components for SACD playback, which are just a tad on the warm side of neutral to my ears. The overall presentation of this recording is very mellow and warm, and you tend to forget that you're listening to a digital transfer rather than an analog format. Amazing. You know it's an excellent mastering job when you pay no attention to the trivial technical details, but become totally immersed in the music instead. This release follows the current MFSL trend of mini-LP style packaging with the disc housed in a scratch resistant sleeve, further protected by a hard paper outer sleeve, which provides a detailed description of the proprietary GAIN2 mastering system. There are no additional booklet with liner notes. The mini gatefold fits right in with other current MoFi SACD releases. Overall, this SACD is well worth the cash whether you're a hardcore or even a passive fan. While I can't say with absolute certainty that this is THE definitive version, I would be surprised if there is another version out there that is sonically superior. Buy with confidence.