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Sor Juana Ines De La Cruz Le Phenix Du Mexique [Import]

Anonymous , Juan de Araujo , Roque / Mesa, Manuel de Ceruti , Andres Flores , Manuel Mesa , Antonio Duran de la Motta , Blas Tardio y Guzman , Gabriel Garrido , Alejandro Meerapfel , Furio Zanasi , Fabian Schofrin , Martin Oro , Elyma Ensemble , Ensemble Elyma , Alicia Broges , Adriana Fernandez , Rosa Dominguez Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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Product Details

  • Performer: Alejandro Meerapfel, Furio Zanasi, Fabian Schofrin, Martin Oro, Elyma Ensemble, et al.
  • Conductor: Gabriel Garrido
  • Composer: Anonymous, Juan de Araujo, Roque / Mesa, Manuel de Ceruti, Andres Flores, Manuel Mesa, et al.
  • Audio CD (April 9, 2002)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Import
  • Label: K617 Records France
  • ASIN: B00005NCMU
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #868,993 in Music (See Top 100 in Music)

1. A este edeficio célebre
2. A la cima, al monte, a la cumbre
3. Oíd el concierto
4. Dios y Joseph Apuestan
5. Sonoro clarín del viento
6. Los que tienen hambre
7. Fuego, fuego, que el templo se abrasa
8. Queditito, airecillos
9. Por celebrar del Infante
10. Ah de las mazmorras
11. Venid mortales, venid a la audiencia
12. Vengan pues hoy a la mesa
13. Los que tienen hambre
14. Si Dios se contiene
15. Escuchad dos sacristanes, for 2 voices & ensemble
16. Las flores y las estrellas

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Most Helpful Customer Reviews
6 of 6 people found the following review helpful
5.0 out of 5 stars Just incredible... May 22, 2005
*** PLEASE NOTE!! At the time of writing this review, this recording - as is unfortunately the case with many others by Ensemble Elyma - is becoming increasingly difficult to come by in the USA; however, it is worth checking the other amazon sites, especially for France and the UK, since it is usually not quite as impossible to obtain (and sometimes cheaper too!)...***

This programme, conceived jointly by Ensemble Elyma and the musicologist Bernardo Illari (UNT College of Music), draws together some of the works by composers working in the 'Real Audiencia de Charcas' (i.e. the 'Viceroyalty of Peru') which use texts taken from the villancico collections of Sor Juana Ines de la Cruz (1648-95). It focuses primarily on three composers - Juan de Araujo (1649-1712), 'maestro de capilla' at La Plata Cathedral from 1680-1712; Antonio Durán de la Mota (c.1675-1736), 'maestro de capilla' at Potosí; and lastly, the pure blood criollo Manuel (Fernandez) de Mesa (c.1725-1773), also 'maestro de capilla' at La Plata (1761-73). Overall, the selected villancicos give an excellent indication of the type of music which was heard in Bolivia (especially at La Plata) between c.1680 and c.1780. Although it is not confirmed in the liner notes (at least not in the reissue), the chosen works all seem to have been taken from the important collection of c.300 villancicos formerly owned by the musicologist Julia Elena Fortún, which was originally housed in the monastery of St Philip Neri (Sucre) and which is now kept in the Biblioteca Nacionales de Bolivia (Sucre).
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