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Juju: A Social History and Ethnography of an African Popular Music (Chicago Studies in Ethnomusicology)
  
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Juju: A Social History and Ethnography of an African Popular Music (Chicago Studies in Ethnomusicology) [Hardcover]

Christopher Alan Waterman (Author)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

December 15, 1990 Chicago Studies in Ethnomusicology
Now known internationally through the recordings of King Sunny Ade and others, juju music originated more than fifty years ago among the Yoruba of Nigeria. This history and ethnography of juju is the first detailed account of the evolution and social significance of a West African popular music. Enhanced with maps, color photographs of musicians and dance parties, musical transcriptions, interviews with musicians, and a glossary of Yoruba terms, Juju is an invaluable contribution to scholarship and a boon to fans who want to discover the roots of this vibrant music.

"What's most impressive about Juju is how much Waterman makes of his purism. By concentrating on one long- lived, well-defined genre, he helps the Western reader experience 'rock' the way any proud Yoruba would—as a tributary of African music rather than vice versa."—Robert Christgau, The Village Voice

The companion cassette tape contains examples of the music discussed in the text. The music examples are primarily from commercial recordings from the 1930s to the 1980s.


Product Details

  • Hardcover: 285 pages
  • Publisher: University Of Chicago Press (December 15, 1990)
  • Language: English
  • ISBN-10: 0226874648
  • ISBN-13: 978-0226874647
  • Product Dimensions: 8.9 x 6 x 0.7 inches
  • Shipping Weight: 14.4 ounces
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,396,906 in Books (See Top 100 in Books)

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7 of 7 people found the following review helpful:
4.0 out of 5 stars Greil Marcus meets Paul Berliner, May 13, 2000
This is a good study of Juju and an essential read for anyone who likes the genre. Those interested in international pop music will probably also find it worthwhile.

I would have liked to see a little more analysis of the actual music, but that's really my only negative comment - and the chapter which breaks down a juju performance piece by piece is one of the finest works of ethnomusicology I've had the pleasure to read.

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Inside This Book (learn more)
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First Sentence:
This is a book about the relationship of music, identity, and power in a modernizing African society. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
jùjú groups, jùjú style, palmwine music, jùjú performance, jùjú ensembles, bass lamellaphone, early jùjú music, jùjú musicians, jùjú bands, palmwine guitar music, jùjú bandleaders, jùjú practitioners, chorus vocalists, supporting vocalist, cassette example, highlife musicians, double toy, band highlife, talking drummer, juju music, band captain, sámbà drum, pressure drum, tenor guitars, mosque call
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sunny Ade, Tunde King, West African, Uncle Toye, Ebenezer Obey, Toy Motion, Action Group, Blue Spots, Calabar Brass Band, Austerity Measure, Ayinde Bakare, Chief Abioro, Civil War, Jolly Orchestra, Latin American, Ojoge Daniel, Bobby Benson, Charles Keil, Gold Coast, The Entertainer, African Beats, Akanbi Wright, Dele Ojo, Johnnie Walker, Standard Yoruba
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