Julie / Love on the Rocks [Import, Original recording remastered]

Julie London | Format: Audio CD

Product Details

• Audio CD (February 13, 2006)
• Original Release Date: 2006
• Number of Discs: 1
• Format: Import, Original recording remastered
• Label: EMI Europe Generic
• ASIN: B000DNVJSQ
• Also Available in: Vinyl
• Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #90,513 in Music (See Top 100 in Music)

Track Listings

1. Somebody Loves Me

2. Dream Of You

3. Daddy

4. Bye Bye Blackbird

5. Free And Easy

6. All My Life

7. When The Red Red Robin Comes A Bob Bobobbin' Along

8. Midnight Sun

9. You're Getting To Be A Habit With Me

10. Don'cha Go 'Way Mad

11. (Back Home) In Indiana

12. For You

13. Love On The Rocks

14. Guess Who I Saw Today

15. Where Are You

16. How Did He Look

17. What's New

18. A Cottage For Sale

19. The End Of A Love Affair

20. I'll Be Seeing You

See all 24 tracks on this disc

Editorial Reviews

2-on-1. The release of these two albums has been heavily influenced by requests for the many Julie London fans worldwide. Recorded in 1958, Julie is an album of relaxing jazz featuring some great standards such as 'Somebody Loves Me', 'Bye Bye Blackbird', 'You're Getting To Be A Habit With Me' and 'When The Red Red Robin Comes Bob Bob Bobobbin' Along'. Love On The Rocks is an album which contains a dozen songs expressing the emotions of a woman whose love has been spurned. Julie adds to the already expressive lyrics, the magic ingredient of her provocative style, the style that is Julie London's distinctive trademark. Outstanding tracks include 'Willow Weep For Me', 'A Cottage For Sale', 'The Man That Got Away' and 'Love On The Rocks'. EMI Gold. 2006.

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

5.0 out of 5 stars Two Masterpieces on one CD, May 23, 2006

By 

Joan Crawford "Jon" (Lansing, MI USA) - See all my reviews

This review is from: Julie / Love on the Rocks (Audio CD)

"Julie" (1957) is an upbeat album full of swinging, jazzy standards. There isn't a slow or sad track in the whole set, and Julie proves she can swing with the best of 'em. This album is comparable to many of Sinatra's swing concept albums of the '50s, and is just as good. Some of my favorite songs on this album are "Back Home in Indiana" and "All My Life." There is also an excellent, upbeat rendition of the Glen Gray hit, "For You." This would be an excellent album to play as background music at an elegant cocktail party.

"Love on the Rocks" (1963) is the exact opposite. It is a concept album which tells the story of a break-up. Julie shows her acting talent through her performances of these torch songs--the sadness conveyed in her voice feels genuine. These story albums are my favorite; Sinatra did a few, but in my opinion Julie London mastered the art. She is such a subtle singer as to not overwhelm the songs, or make them seem depressing. What makes this particular album such a standout is the selection of songs, including: "Where are You," "What's New," "A Cottage for Sale," "The End of a Love Affair," "I'll be Seeing You," "Don't Worry about Me," "The Man that Got Away," and "Willow Weep for Me." Julie's renditions of these songs are unique and among the best ever. As you can see, the song cuts are premium choices and I wouldn't be surprised if Julie had a hand in selecting the tracks herself.

Two masterpieces on one CD--and so different! The albums sound better than ever remastered on CD, too. You can't go wrong!

10 of 12 people found the following review helpful:

5.0 out of 5 stars Don't We Just About Have All Julie's Records On Cd?, July 13, 2006

By 

Michael C. Danford (Platte City, Mo.) - See all my reviews
(REAL NAME)   

This review is from: Julie / Love on the Rocks (Audio CD)

I just got this cd in the mail. It is excellent. I have all the
EMI two-fers so as anyone can tell I am a died-in-the-wool Julie fan. I have the vinyl version of Julie, and so I am glad it was
re-mastered in the original mono.
On another note, I was reading through Julie's discography and
two more that would make a nice pair for a cd release would be,
Send For Me(1960) and Whatever Julie Wants(1961). I have never heard these but the reviews are pretty good. For a good version
of the song "Send For Me", I recommend the cd "Julie In Person At
The Americana". As for EMI's next release, how about the above
mentioned lp's. Are you listening EMI?

2 of 2 people found the following review helpful:

5.0 out of 5 stars Two brilliant albums typical of Julie's music, April 3, 2009

By 

Peter Durward Harris "Pete the music fan" (Leicester England) - See all my reviews
(TOP 100 REVIEWER)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Julie / Love on the Rocks (Audio CD)

Julie London had her critics and plenty of them, not only among those who didn't like her style of music, but also among those who think that plenty of other people could do better. Sure, Julie's voice had its limitations, but Julie knew that and invariably recorded material that showed her voice to best advantage. As a consequence, her album were filled with romantic ballads and those presented in this twofer are no exception. Julie's music changed through the years, with the very sparse backing of her early albums giving way to a more substantial orchestral backing, but Julie's sultry voice was always the dominant instrument throughout. The contrast in musical backing is illustrated here, with the first album, Julie, dating from 1957 and the second, Love on the rocks, dating from 1963. There's a further contrast provided by the moods of the respective album, with the first album being mainly upbeat and the second album being all about heartbreak. Although some of the songs will be very familiar to fans of the Great American Songbook, there are plenty of less famous songs including at least one original song on each album from the pen of Julie's husband and record producer, Bobby Troup.

The first album opens with Somebody loves me, from a 1924 Broadway musical. Two instrumental versions (Paul Whiteman, Ray Miller) were enormously popular that year, while two vocal versions (Marion Harris, Cliff Edwards) were successful in 1925. Another popular song from the twenties featured here is Bye bye blackbird., which was originally successful for Gene Austin in 1926. (It is worth noting that Gene Austin was the most popular singer in America during the late twenties and his other successes included Yes sir that's my baby, Five feet two eyes of blue, Tonight you belong to me, My blue heaven and Carolina moon, all of which have stood the test of time well even though Gene Austin himself is largely forgotten.) Completing a trio of twenties classics is When the red red robin comes a bob bobbin' along. Several singers were successful with this song in 1926, none more so than Al Jolson. Doris Day had a minor hit when reviving it in 1953. From the thirties, there's the classic You're getting to be a habit with me. Diana Krall fans know this song from her album, Love scenes, but Bing Crosby was the original artist in 1933, it being one his early successes that laid the foundation for a great career. There are many other great, if less famous, songs, on this album.

The second album is a concept album based on the title track. As you can imagine, all the songs are very sad, exploring the different emotions and events in the life of a spurned woman. I don't know what inspired Julie to record this album. Perhaps it was about her first huband (Bobby Troup was her second), but whatever the reason, Julie was, as ever, in top form when recording it. Among the great songs here are What's new?, I'll be seeing you, Don't worry 'bout me and Willow weep for me, but there are many other wonderful songs including my favorite here, A cottage for sale, which was originally successful for Guy Lombardo in 1930.

Julie recorded many excellent albums and the two presented here are among the best. Most of her albums have now appeared on CD, showing that her music remains popular despite the critics.