Customer Reviews

Julie / Love on the Rocks

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"Julie" (1957) is an upbeat album full of swinging, jazzy standards. There isn't a slow or sad track in the whole set, and Julie proves she can swing with the best of 'em. This album is comparable to many of Sinatra's swing concept albums of the '50s, and is just as good. Some of my favorite songs on this album are "Back Home in Indiana" and "All My Life." There is also an excellent, upbeat rendition of the Glen Gray hit, "For You." This would be an excellent album to play as background music at an elegant cocktail party.

"Love on the Rocks" (1963) is the exact opposite. It is a concept album which tells the story of a break-up. Julie shows her acting talent through her performances of these torch songs--the sadness conveyed in her voice feels genuine. These story albums are my favorite; Sinatra did a few, but in my opinion Julie London mastered the art. She is such a subtle singer as to not overwhelm the songs, or make them seem depressing. What makes this particular album such a standout is the selection of songs, including: "Where are You," "What's New," "A Cottage for Sale," "The End of a Love Affair," "I'll be Seeing You," "Don't Worry about Me," "The Man that Got Away," and "Willow Weep for Me." Julie's renditions of these songs are unique and among the best ever. As you can see, the song cuts are premium choices and I wouldn't be surprised if Julie had a hand in selecting the tracks herself.

Two masterpieces on one CD--and so different! The albums sound better than ever remastered on CD, too. You can't go wrong!

I just got this cd in the mail. It is excellent. I have all the
EMI two-fers so as anyone can tell I am a died-in-the-wool Julie fan. I have the vinyl version of Julie, and so I am glad it was
re-mastered in the original mono.
On another note, I was reading through Julie's discography and
two more that would make a nice pair for a cd release would be,
Send For Me(1960) and Whatever Julie Wants(1961). I have never heard these but the reviews are pretty good. For a good version
of the song "Send For Me", I recommend the cd "Julie In Person At
The Americana". As for EMI's next release, how about the above
mentioned lp's. Are you listening EMI?

Julie London had her critics and plenty of them, not only among those who didn't like her style of music, but also among those who think that plenty of other people could do better. Sure, Julie's voice had its limitations, but Julie knew that and invariably recorded material that showed her voice to best advantage. As a consequence, her album were filled with romantic ballads and those presented in this twofer are no exception. Julie's music changed through the years, with the very sparse backing of her early albums giving way to a more substantial orchestral backing, but Julie's sultry voice was always the dominant instrument throughout. The contrast in musical backing is illustrated here, with the first album, Julie, dating from 1957 and the second, Love on the rocks, dating from 1963. There's a further contrast provided by the moods of the respective album, with the first album being mainly upbeat and the second album being all about heartbreak. Although some of the songs will be very familiar to fans of the Great American Songbook, there are plenty of less famous songs including at least one original song on each album from the pen of Julie's husband and record producer, Bobby Troup.

The first album opens with Somebody loves me, from a 1924 Broadway musical. Two instrumental versions (Paul Whiteman, Ray Miller) were enormously popular that year, while two vocal versions (Marion Harris, Cliff Edwards) were successful in 1925. Another popular song from the twenties featured here is Bye bye blackbird., which was originally successful for Gene Austin in 1926. (It is worth noting that Gene Austin was the most popular singer in America during the late twenties and his other successes included Yes sir that's my baby, Five feet two eyes of blue, Tonight you belong to me, My blue heaven and Carolina moon, all of which have stood the test of time well even though Gene Austin himself is largely forgotten.) Completing a trio of twenties classics is When the red red robin comes a bob bobbin' along. Several singers were successful with this song in 1926, none more so than Al Jolson. Doris Day had a minor hit when reviving it in 1953. From the thirties, there's the classic You're getting to be a habit with me. Diana Krall fans know this song from her album, Love scenes, but Bing Crosby was the original artist in 1933, it being one his early successes that laid the foundation for a great career. There are many other great, if less famous, songs, on this album.

The second album is a concept album based on the title track. As you can imagine, all the songs are very sad, exploring the different emotions and events in the life of a spurned woman. I don't know what inspired Julie to record this album. Perhaps it was about her first huband (Bobby Troup was her second), but whatever the reason, Julie was, as ever, in top form when recording it. Among the great songs here are What's new?, I'll be seeing you, Don't worry 'bout me and Willow weep for me, but there are many other wonderful songs including my favorite here, A cottage for sale, which was originally successful for Guy Lombardo in 1930.

Julie recorded many excellent albums and the two presented here are among the best. Most of her albums have now appeared on CD, showing that her music remains popular despite the critics.

You will see me standing by her side bragging her up,
I am only one of thousands that have found Julie and been able to enjoy her.
I remembered her as a child while I listened to my parents praise her talent.

Thanks to the technology of the present.
Without it Julie and many of her counter parts of the 40's and 50's equally as talented would have been lost.....
Go to the past, The Music History left to us in totally incredible in many cases. Just as is the Art and writings from that era.
Julie London tops that list.

How can you miss with this artist? Wonderful selections and as always a marvelous one of a kind voice!

Smooth, sultry, smoky and in the groove is how to describe Julie on these great songs. I had only been exposed to her debut album which was done with bass and guitar only and these songs are backed by a nice combination of strings, horns and percussion...Julie sounds great either way and I am thrilled by this double offering...Julie rules...