About the Author
Peter Holland is the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. One of the central figures in performance-oriented Shakespeare criticism, he has also edited many Shakespeare plays, including A Midsummer Night's Dream for the Oxford Shakespeare series.
David Bevington is the Phyllis Fay Horton Distinguished Service Professor in the Humanities at the University of Chicago. A renowned text scholar, he has edited several Shakespeare editions including the Bantam Shakespeare in individual paperback volumes, The Complete Works of Shakespeare, (Longman, 2003), and Troilus and Cressida (Arden, 1998). He teaches courses in Shakespeare, Renaissance Drama, and Medieval Drama.
Dominique Raccah is founder, president, and publisher of Sourcebooks, a leading independent publisher outside of Chicago. Today Sourcebooks publishes nonfiction, fiction, and poetry. She is the series editor of Poetry Speaks and the Sourcebooks Shakespeare.
Marie Macaisa is a student and long-time fan of Shakespeare's works, leaving her previous career in high-tech to become the series editor of the Sourcebooks Shakespeare. She contributes the Cast Speaks essays for all volumes, writes the script and produces the accompanying audio, and is at work the upcoming titles in the series.
Robert Ormsby received his Ph.D. from the University of Toronto in 2005. Besides essays on Canadian performances of classical drama (Toronto Slavic Quarterly, May, 2003; Shakespeare Bulletin, Summer 2004), his publications include Descriptive Entries of Folger Library collection prompt-books for Coriolanus productions by John Philip Kemble, Samuel Phelps and Henry Irving (The Shakespeare Collection) and a review of Shakespeare and the Force of Modern Performance by W.B. Worthen. (Renaissance Quarterly, Summer 2004).