offers Theo Adams bold, showpiece singing of stunning technique. Youll never forget this performance
Written for: Arts Beat Magazine
Product Description
Julius Caesar (Giulio Cesare), the opera, centers around Cleopatra's manipulation of Caesae and Ptolemy, and how this changed the course of Egypt's history. We see Caesar (sung by the unforgettable Theo Adam), not as an ideal ruler, but as a man with his faults and weaknesses.
Julius Caesar might as well have been called "Cleopatra," for her character is so richly and fascinatingly drawn in the music. The development and sequencing of arias (she has 8 in all) represents one of Handel's greatest achievements in terms of insight into human character. Few other musical scores contain so many numbers that have become so well known to the public.
George Frideric Handel was the foremost composer of his day, writing in the style of the Italian school of "opera seria" (grand opera). He reached the peak of his brilliant career in London, where he completely dominated the opera scene. Most of the leads in his operas, in this case the heroic role of Caesar, were written for a "castrato," a male singer who, after a barbarous operation followed by long and arduous training, had developed a soprano or alto voice of such exquisite virtuosity and with such thrillinh qualities as to be thought irresistible at the time. In modern times, these castrato roles are usually given to baritones or tenor.
The great Theo Adam's remarkable performance as Caesar is the highlight of this superior production. No opera of Handel's has been more successful, in his own day or in ours, than Giulio Cesare.