Most Helpful Customer Reviews
61 of 64 people found the following review helpful:
5.0 out of 5 stars
Showdown: Marc Anthony vs. Brutus., January 7, 2005
Shakespeare's plays are an inextinguishable source of inspiration for movie-makers. His works are approached from very different stands: as transposition to other time and surroundings as "West Side Story" (1961) and "Ran" (1985); from a very personal optic as "Titus" (2000) and "Looking for Richard" (1996) or as in the present case with a classic approach.
I've seen this movie when I was a kid, keep a very deep impression from it and remained a Brando's fan forever. I saw it again many times afterwards. I was always delighted by the play and the outstanding acting given by Brando, Mason and the rest of the cast.
This is one of the greatest Shakespeare's historical tragedies. Focuses on the last days of Julius Caesar's life, but the main characters are: Brutus, torn apart by his love to the Republic and his loyalty to Caesar and Marc Anthony, unfaltering in his love for Caesar and will to revenge his murder.
The cast (a mix of British & Americans actors and actresses) gives an overwhelming performance. First of all Brando's Mark Anthony, especially when giving his mournful speech; words are Shakespeare's the powerful way to cast them Marlon's.
James Mason is equally inspired, he transmit to the audience all the storms that rage in Brutus' soul, his moral suffering and final choice.
Only one little step below is John Gielgud's Cassius, the "black eminence" of the conspiracy. The viewer will also enjoy Greer Garson, Deborah Kerr and Edmond O'Brian performances.
A great movie for Shakespeare lovers and general public!
Reviewed by Max Yofre.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
33 of 34 people found the following review helpful:
5.0 out of 5 stars
Riveting production of Shakespeare's Great Roman Tragedy... Fine DVD transfer from Warner, November 26, 2006
This is a thoroughly riveting production of Shakespeare's tragedy. It boasts a stellar cast and excellent production values. I found it strange that it is touted as a Marlon Brando film when Brando doesn't actually play the central role. That honour belongs to James Mason who provides a brilliant portrait of the tormented Brutus, the one truly noble man in this whole sad affair. Sir John Gielgud is also outstanding as the envious, conniving but weak Cassius. Brando's performance, great as it is, should be seen in the context of the equally great performances of those around him. In Robert Osborne's introduction, we are told how Brando sought Gielgud's help in preparing for his role; recording Gielgud's delivery of Antony's lines, and assiduously listening to and studying from them. The final effect is electrifying. This is not the boring Shakespeare dreaded by schoolkids the world over. This is gripping, searing stuff that, as Laurence Fishburne says in the accompanying documentary, made Shakespeare "the Aaron Spelling of his day." The one sore spot was Louis Calhern's Caesar who looks more like Hollywood's caricature of a Roman Patrician than Shakespeare's intended character. But that's a minor quibble for Caesar is really just a minor figure, even though the play does bear his name.
I was delighted by the reviewer who pointed out the interpretational possibilities regarding Brutus' character and motivations. However I disagree with him when he says that the film failed in its depiction of Brutus. The reviewer's preference for a darker, more self-aware Brutus is fascinating to explore but this is a Hollywood film from the early 1950s and we should see it in that context. The beauty of Shakespeare is that it can be interpreted in so many different ways. However, in the end, it is the producer who has to decide how he wants to depict the character on stage. The producers in this case, chose this particular interpretation; a relatively straightforward, clearcut view of Brutus; that of the essentially good, noble, but naive hero. It is as valid an interpretation as the one proposed by the reviewer. I agree that the darker view could make the film even more fascinating to watch. But it does not mean that the present interpretation is a failure. It is a perfectly valid interpretation in an altogther fine film. If this wonderful production can spark interest in viewers to find out more and to question further the original play, then it will have done far more than anyone could hope for.
Warner has finally made this classic film available on DVD in a fine transfer preserving its original 1.33:1 aspect ratio (Full Screen). The B&W print looks largely excellent, with very good contrast and excellent grey shading. There are a few segments where flutters of dirt and nicks suddenly appear but they are thankfully rare. Film grain is visible throughout but is never obtrusive. The original Mono sound has been remastered to give a very creditable sounding DD 5.1 track. Speech is crystal clear and largely front-centered. Strangely there is also a French language track. It was bizarre listening to Shakespeare in French. Optional English, French, Spanish and Portuguese subtitles are included. There is a fine 20-minute documentary "The Rise of Two Legends," on Brando's role in this and other films. There are also trailers for 4 of the 5 films being released as part of the Marlon Brando Collection. If this interests you, you might want to consider getting the entire boxed-set because there is a substantial difference in price and quite some savings to be made.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
38 of 40 people found the following review helpful:
5.0 out of 5 stars
All Hail Caesar!!!, February 5, 2005
and this magnificent production of one the Bard's most memorable plays. This movie boasts an all star cast, and each do a splendid job of portraying their characters, my favorite being John Geilgud, one of the all-time great Shakespearean actors who's Cassius is an emotional boilerplate of envy. James Mason's Brutus is his friend and exact emotional opposite: a self-controlled, even-tempered, honor-loving man. Watching the interplay of these two opposites was for me the most thrilling part of the movie. I can't imagine any actors playing these roles other than Mason and Geilgud. Also, Brando's Mark Antony was marvelous to behold. How he skillfully moves the crowd to riot was nothing less than a virtuoso display of acting that proves Brando to be the genius that he was.
If you like Shakespeare, and particularly 'Julius Caesar', but haven't seen this one yet, BUY IT, you won't be disappointed.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
|
