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Julius Knipl, Real Estate Photographer: Stories [Paperback]

Ben Katchor , Michael Chabon
4.5 out of 5 stars  See all reviews (12 customer reviews)

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Book Description

September 1, 1996
Julius Knipl, the rumpled antihero of Ben Katchor's cult cartoon strip, comes alive in this all-new collection of strange and strangely absorbing urban adventures. The Knipl stories collected here resurrect a lost metropolis and its residents, summoning up half-forgotten yesterdays and celebrating the surreal substrate of the quotidien.

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Julius Knipl, Real Estate Photographer: Stories + Julius Knipl, Real Estate Photographer: The Beauty Supply District + The Cardboard Valise
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Editorial Reviews

Amazon.com Review

Ben Katchor's dreamscape is peopled by transistor radio listeners, door-knob triers, false eyebrow importers, and a late-night-perambulating real estate photographer named Julius Knipl. The vaguely melancholy stories in his eight-panel comic strips reflect a fondness for the forgotten, the obscure, and the merely overlooked. What happens to the city's wholesale calendar salesmen in February? Who buys last year's tinned seedless grapes? Katchor's shadowed line drawings of a gray metropolis evoke musty smells, the shuffling steps of retirees, and a proliferating autumnal chill. Readers who enjoy his work in their local weekly papers, as well as NPR listeners who have been held captive by the "Knipl Radio-Cartoons" will be glad to linger a little longer in the dream life of Katchor's world.

Review

[A]fter years of peregrinating with Knipl in search of vanished places and forgotten dreams, I'm convinced that his creator, Ben Katchor, is the most poetic, deeply layered artist ever to draw a comic strip ... sort of a Max Beckman with dialogue balloons.... Mr. Katchor should take comfort and a great deal of pride in knowing that he has created perhaps the most original comic strip since ... "Krazy Kat" more than 80 years ago. -- The New York Times Book Review, Edward Sorel

Product Details

  • Paperback: 112 pages
  • Publisher: Little, Brown and Company; 1st edition (September 1, 1996)
  • Language: English
  • ISBN-10: 0316482943
  • ISBN-13: 978-0316482943
  • Product Dimensions: 11 x 0.4 x 8.5 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #822,254 in Books (See Top 100 in Books)

More About the Author

Ben Katchor's picture-stories and drawings have appeared in the Forward, Metropolis Magazine, and The New Yorker. His weekly strips include: Julius Knipl, Real Estate Photographer, The Jew of New York, The Cardboard Valise, Hotel & Farm and most recently Shoehorn Technique. He was the recipient of a Guggenheim Memorial Foundation Fellowship, a MacArthur Foundation Fellowship, was a fellow at The American Academy in Berlin and the Cullman Center for Scholars and Writers at the New York Public Library.
Katchor's libretto and drawings for The Carbon Copy Building, a collaboration with Bang on a Can, received an Obie Award for Best New American Work.
More recently, he has collaborated with musician Mark Mulcahy on "The Rosenbach Company," a sung-through musical biography of Abe Rosenbach, the preeminent rare-book dealer of the 20th century, "The Slugbearers of Kayrol Island," which won an Obie Award in 2008, "A Checkroom Romance," a love story about the culture and architecture of the coat-check room and most recently, "Up From the Stacks," the story of a page retrieving books from the stacks of The New York Public c. 1970.
He is an Associate Professor at Parsons, The New School for Design in New York City.
For more information visit www.katchor.com

Customer Reviews

4.5 out of 5 stars
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Most Helpful Customer Reviews
14 of 14 people found the following review helpful
4.0 out of 5 stars So sad and terrifying you'll laugh your head off November 5, 2000
Format:Paperback
A "knipl" is colloquial Yiddish for a secret stash, like money saved for a rainy day or some last relic of an old way of life. Those populating the unnamed city of Ben Katchor's extended graphic novel are essentially gripped by nostalgia for a way of life that probably never existed. In cartoon vignettes, they pine for the days when you could visit the famed "Pygmy Penitentiary" (attempted breakouts scheduled every hour) and pick up some of Virosh Sherue's bottled rain water on the way home. Many try to preserve their way of life, if only because they fear change ("Static Day" is an official holiday) and grab a hold on the present as if it were a lifeline (one man has dozens of items on lay-away in stores thruought the city, because the goods are kept perpetually new until he has to pick them up). And the city doesn't lack for opportunists - like street toughs who scavenge TV antennae from buildings that have gone cable; tour operators who bus tourists through the decayed parts of the city (the driver soon becomes the primaddona) or show biz operators who conceive of turning manual labor into public spectacle. For much of the city, it's business as usual as reporters for the vile evening combinator scour the city for tales of the dreams of its populace, or as bra-strap statisticians try to chart the rise and fall of the city's fortunes. The titular real estate photographer notes all dispassionately. Katchor parodies and mourns his citizens at the same time, yet he never condescends to them not tries to milk them for tears. Instead, Katchor, through the lens of his alter ego, a real estate photographer seems to have mastered the perfect balance of bittersweet, a quest that, for his charachters, seems one more casualty lost to the years.
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14 of 15 people found the following review helpful
4.0 out of 5 stars Julius Knipl, where are you now? March 27, 2001
Format:Paperback
Julius Knipl: Real Estate Photographer Stories is a collection of Ben Katchor's comics about about middle-class guys in New York City. At first glance each comic (usually 4 or 8 panels) seems to have no point, and the tone tends to remind me of the Jim books (I Made Some Brownies, And They Were Pretty Good, etc.), but Katchor seems to have staked out some pretty bizarre literary territory with these little stories.

One of my favorites concerns a man who is nearly poked in the eye with an umbrella on a rainy day. He's telling a companion his story, when a bystander overhears and tells him that many city residents are actually suffering from eye injuries on a day like this. This eye-injury enthusiast takes our man to the hospital, to see him "offer condolences to the families of the injured."

Another story concerns a group of volunteers who man phone lines all night, just to take calls from concerned citizens who have heard fire engine or ambulance sirens. Lots of the stories are about businessmen with bizarre, pathetic, or just loopy invention ideas: a suitcase that turns into a wastebasket, a storefront which sells rock candy, but only wholesale...

The text is punctuated by hilarious proper names, such as:

Blood & Sawdust Brand Cirkus Straws

The Ascending Colon, with Horace Bismuth and Vivian Scybala

Citric Acid Council

Viosh Shirue's Natural Rainwater Cistern

Katchor doesn't look down at his characters or approach them with anything similar to condescension. If I am motivated to feel anything at all after reading this, it's a bit more humility and compassion for my fellow man. At times these little stories are laugh-aloud funny, but mostly they just bring a smile and a little chuckle.

I am glad I ran across this book.

ken32

And yes, these pieces were not created to be consumed en masse. If you find a few amusing or worthwhile, but they get tiresome after a bit, just put the book down, and read a few of them each day, as you would if your daily newspaper carried them.

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7 of 7 people found the following review helpful
4.0 out of 5 stars You can only get it here July 29, 2001
Format:Paperback
Ben Katchor's eerie cityscapes evoke the ruins of the kind of world that appeared to be happening in the background of 1950's films noir, and his fanciful industries, charities, and fraternal organizations hearken back to the same imagined time. Reading his work, one becomes nostalgic for a time that never existed. This form of humor is subtle. In fact, it is not the humor for which I buy Katchor's work as much as it is for that strange feeling of fictional nostalgia. You can get humor anywhere, but Katchor's world view is unique to the man himself. If you ever get jaded, remember this review: immersing yourself in a book of Katchor's is unlike anything you've ever felt before.
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Most Recent Customer Reviews
5.0 out of 5 stars Knipl-colored glasses
I have always loved Julius Knipl, and I can't understand why he and his creator are not better known. Read more
Published 1 month ago by Anthony Gini
5.0 out of 5 stars "Wawazat?" Finding the City in the Not So Distant Past
Ben Katchor's marvelous collection of eight-panel short stories, "Julius Knipl Real Estate Photographer", would surely have won the 1996 National Book Award for literary comic... Read more
Published 9 months ago by David R. Anderson
5.0 out of 5 stars "Unique" is an overused word.
But the Julius Knipl graphic stories surely are. They are not remotely like anything else I've ever seen. Read more
Published on December 3, 2008 by flickfreak
5.0 out of 5 stars wonderful
these haunting stories are a notch above the first julius knipl book. one can only wonder where katchor is taking us with this series. Read more
Published on May 3, 2002 by Yakov Hadash
5.0 out of 5 stars For sure funny, but in a strange beautiful intoxicating way.
It's like a hilarious dream that makes perfect sense but you can't explain it, and it permeates your whole day. Read more
Published on October 23, 1999
5.0 out of 5 stars it's humanity in a comic
I lived in New York between 1986 and 1989. Knipl's city is that city as much as it is the "Depression Era" city of a reader below's father. Read more
Published on September 12, 1999 by Bill Chaisson
2.0 out of 5 stars Initially intriguing but ultimately cloying
Sometimes the lack of critical distance in online reviews compels me to chip in with a two-star spoiler, if only to temper the five stars rashes that seem to be endemic. Read more
Published on July 28, 1999
5.0 out of 5 stars Ben Katchor is a genius
This is just about my favorite book. I read the review in the New York Times, which was a rave. I went out and bought it, struggled with the panels at first, but once I got the... Read more
Published on June 11, 1999 by Douglas Stone
5.0 out of 5 stars Cartoons describing decay, longing, and gentle solemnity
I first heard about Ben Katchor when one of his strips had been dramatised on NPR's Weekend Edition. Read more
Published on January 21, 1999 by Dwayne Dixon
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