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Julius Knipl, Real Estate Photographer: The Beauty Supply District
 
 
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Julius Knipl, Real Estate Photographer: The Beauty Supply District [Hardcover]

Ben Katchor (Author)
4.8 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

June 13, 2000
Join Julius Knipl, Real Estate Photographer, on a leisurely stroll past The Institute for Soup-Nut Research and The Municipal Birthmark Registry. Savor the smell of a phone booth, circa 1961. Sign up for a guided tour of the oldest continually vacant storefront in America. Attend a championship grave-digging competition, or, should you feel you've wasted yet another day, you can check in for help at a local Misspent Youth Center.

In "The Beauty Supply District," a new twenty-four-page story, Knipl attends an evening concert and unwittingly enters the world of wholesale empathizers and chiaroscuro brokers who make the decisions critical to the production of aesthetic pleasure in all its forms -- from the shape of an olive jar to the score of a string quartet.


Editorial Reviews

Amazon.com Review

Typical of Ben Katchor's recursive, compact style, The Beauty Supply District is actually the title of three distinct entities: this collection of over 80 installments of his 8-panel comic strip "Julius Knipl, Real Estate Photographer" (appearing in The Forward and other weekly papers); a new, 24-page story with which Katchor concludes; and the subject of that final story, a commercial district on the edge of Julius Knipl's imaginary, melancholy Gotham. In the beauty supply district, the city's aesthetic needs are catered to by businesses like Synthetic A Priori Corp., Surface Meaning Refinishers Inc., and the Senseless Elaboration Parlor.

That might be a lot to digest for anyone new to Knipl's wistful, chiaroscuro world (the first two collections of this strip, Stories and Cheap Novelties, might prove more accessible). But Beauty Supply District captures Katchor's strip at the height of its form--from semi-professional gravediggers competing at the Cemetery of the Expired Coupon Redeemer to the chance discovery (at a drug store, naturally) of how production of cheap writing instruments has far outstripped the demands of poetic inspiration.

New York Times Review of Books critic Edward Sorel called Julius Knipl, Real Estate Photographer "perhaps the most original comic strip since ... 'Krazy Kat' more than 80 years ago." Enthusiastic and deserved praise, but all the more reason that--to understand and appreciate something this unique--you really ought to see it for yourself. --Paul Hughes

From Publishers Weekly

Katchor (The Jew of New York) creates whimsically poetic comic strips out of the observational found-verse he extracts from the petty commercial economy at the grungy low end of classic city life. Katchor transforms hustling salesmen, obscure municipal agencies, nonspecific ethnics and cheapo real estate brokers into wonderfully comic literary surrogates for the real world cast of smalltime urban capitalism. He's equally talented at recreating the brooding, sign-clotted, mix-matched architectural ambience of a charmingly dingy and mammoth city in his quirky but precisely rendered b&w pen-and-wash drawings. The guide to Katchor's unnamed city (it could only be New York) is Julius Knipl, Real Estate Photographer, also the name of the comic strip that Katchor has produced since 1988. This book collects strips published in weekly newspapers from 1994 to 1997, plus one original story. Knipl travels through a virtual Gotham that is both comically strange and completely familiar, visiting the oldest continually vacant storefront in America ("a rare combination of poor location and high rent"). He also stops by the Misspent Youth Center, frequented by a long line of remorseful individuals "in hope of reclaiming some part of their misspent youth." The title tale is an original, wittily metaphorical story lamenting the demise of Sensum's Symmetry Shop, in the heart of the city's beauty supply district. One of many cash-and-carry sweatshops in the district aligned with varying aesthetic theories, Sensum's offers "cumulative impressions" and quick turnarounds for commercial package design or anonymous advice to painters and composers. But the beauty supply district is soon overrun by trendy "Meaning" and "Context" vendors, and the shop goes out of business. This is a hands-down brilliant comics collection by one of America's most entertaining and intellectually satisfying cartoonists, a recent recipient of a MacArthur grant. (July)
Copyright 2000 Reed Business Information, Inc.

Product Details

  • Hardcover: 112 pages
  • Publisher: Pantheon; 1st edition (June 13, 2000)
  • Language: English
  • ISBN-10: 0375401059
  • ISBN-13: 978-0375401053
  • Product Dimensions: 11.1 x 0.6 x 8.8 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,740,838 in Books (See Top 100 in Books)

More About the Author

Ben Katchor's picture-stories and drawings have appeared in the Forward, Metropolis Magazine, and The New Yorker. His weekly strips include: Julius Knipl, Real Estate Photographer, The Jew of New York, The Cardboard Valise, Hotel & Farm and most recently Shoehorn Technique. He was the recipient of a Guggenheim Memorial Foundation Fellowship, a MacArthur Foundation Fellowship, was a fellow at The American Academy in Berlin and the Cullman Center for Scholars and Writers at the New York Public Library.
Katchor's libretto and drawings for The Carbon Copy Building, a collaboration with Bang on a Can, received an Obie Award for Best New American Work.
More recently, he has collaborated with musician Mark Mulcahy on "The Rosenbach Company," a sung-through musical biography of Abe Rosenbach, the preeminent rare-book dealer of the 20th century, "The Slugbearers of Kayrol Island," which won an Obie Award in 2008, "A Checkroom Romance," a love story about the culture and architecture of the coat-check room and most recently, "Up From the Stacks," the story of a page retrieving books from the stacks of The New York Public c. 1970.
He is an Associate Professor at Parsons, The New School for Design in New York City.
For more information visit www.katchor.com

 

Customer Reviews

6 Reviews
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Average Customer Review
4.8 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

34 of 34 people found the following review helpful:
5.0 out of 5 stars Knipl's apotheosis, June 10, 2000
By 
J. Ryan Stradal (Venice, CA United States) - See all my reviews
(REAL NAME)   
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This review is from: Julius Knipl, Real Estate Photographer: The Beauty Supply District (Hardcover)
The third bound installment of Ben Katchor's "Julius Knipl, Real Estate Photographer" series finds his lonely observer at quite a distance from the simplicity and candor of "Cheap Novelties". Complex, arcane, and beautifully detailed, "The Beauty Supply District" represents, at last, a finely tuned rendition of Katchor's altogether fantastic and fully fictional Gotham. Arguably less accessible than "Cheap Novelties" or "Real Estate Photographer Stories", (I would suggest that the uninitiated read one of the aforementioned books first) it's a satisfying read for this Katchor fan, and it certainly will be for those who appreciate the moves he's made in "Cardboard Valise" and "Hotel and Farm". Katchor has sacrificed some degree of empathy in grounding Knipl increasingly less in "the actual world" but the allegories he creates in its stead are delights to be picked apart, and like a stranger's obscure promotional cap, ruminated over. The narrative that closes "Beauty Supply District" may be a sly metaphor for the real-life loss of New York City's individuality amid the burgeoning stampede of chain stores and attendant homogeneity; whatever the perspective, those 26 pages read like a warts-and-all requiem for an imperfect yet more people-oriented time. Alas, when the narrative's pretentious art fiend character makes a fateful purchase with no thought to aesthetics, the past, with its valued individuals and labored attention to detail, seems to be dealt a near-fatal blow. I can't wait to read it again and, like Knipl himself, discover what I've overlooked. Maybe I'm all wrong. That's what I love about it.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Darker than expected, December 10, 2006
This is my 2nd compilation of Knipl - the first being the "Evening Combinator". Once again, we're taken on a tour of mysterious urban setting that seems equal parts WWII-era New York, and another city mourning for the first - at once the ghost of a city and its beloved survivors. Artist Katchor deftly etches his cityscape using tragic camp - postcard artists who depict unloved streets that nobody will visit, semi-professional gravediggers, a man who seems to own some huge industrial facility on an island in the south pacific, losers who answer wrong numbers at pay phones and the obsession that men have with cafeteria buffets.

I may have been overdosed on Katchor's Knipl Camp, but something about "Beauty Supply" left me wanting. Earlier stuff like "Combinator" had their darker side, but were also balanced - Katchor sketched a city that was terrifying, depressing and yet oddly inviting, populated by characters who seemed victimized at the same time as being inspired. Here, the accent is on the dark and defeated, and the result is unsympathetic - as if his characters had grown more than tired by their own dark jokes. It's Katchor & Knipl, yet not at their witty best.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars Breathtaking!, September 1, 2001
By A Customer
Amazon Verified Purchase(What's this?)
This review is from: Julius Knipl, Real Estate Photographer: The Beauty Supply District (Hardcover)
Ben Katchor's work is unique. He notices all the things that otherwise go (undeservedly after you see his work) unnoticed. His humor is on a par with the best of all media: Keaton, Chaplin, Fields in films, for example. His artwork brings to mind Herriman & Holman. His text is as inventive as Kafka. No question about it, the guy's a genius, yet always enjoyable & entrancing.
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Inside This Book (learn more)
First Sentence:
THE STENCILING OF IDENTIFICATION NUMBERS ONTO IMMOVABLE CITY PROPERTY. Read the first page
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