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Jumper [Soundtrack]

John Powell Audio CD
3.8 out of 5 stars  See all reviews (6 customer reviews)

Price: $17.49 & FREE Shipping on orders over $35. Details
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Amazon Price New from Used from
MP3 Music, 21 Songs, 2008 $9.49  
Audio CD, Soundtrack, 2008 $17.49  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. My Day So Far 1:03$0.99  Buy MP3 
listen  2. Splash 1:30$0.99  Buy MP3 
listen  3. First Jumps 1:37$0.99  Buy MP3 
listen  4. Bridges, Rules, Banking 3:25$0.99  Buy MP3 
listen  5. Surf's Up 1:11$0.99  Buy MP3 
listen  6. 1000 Volts 3:47$0.99  Buy MP3 
listen  7. Roland Snoops 1:43$0.99  Buy MP3 
listen  8. You Hear Me Laughing 1:01$0.99  Buy MP3 
listen  9. Coliseum Tour 1:46$0.99  Buy MP3 
listen10. Coliseum Fight 2:24$0.99  Buy MP3 
listen11. Echo of Mom0:49$0.99  Buy MP3 
listen12. Airport Departure 1:58$0.99  Buy MP3 
listen13. In Hospital0:56$0.99  Buy MP3 
listen14. It's Sayonara0:56$0.99  Buy MP3 
listen15. Race to Millie 1:24$0.99  Buy MP3 
listen16. David Comes Clean 3:24$0.99  Buy MP3 
listen17. Roland at the Lair 4:55$0.99  Buy MP3 
listen18. Jumper vs. Jumper 2:18$0.99  Buy MP3 
listen19. The Sacrifice 4:45$0.99  Buy MP3 
listen20. A Head Start 1:43$0.99  Buy MP3 
listen21. A Jump Off 1:36$0.99  Buy MP3 

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Product Details

  • Composer: John Powell
  • Audio CD (February 19, 2008)
  • Number of Discs: 1
  • Format: Soundtrack
  • Label: Lakeshore Records
  • ASIN: B0012OTVBC
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #357,261 in Music (See Top 100 in Music)

Editorial Reviews


Customer Reviews

3.8 out of 5 stars
3.8 out of 5 stars
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Most Helpful Customer Reviews
3 of 3 people found the following review helpful
4.0 out of 5 stars Really quite good! August 5, 2008
Format:Audio CD
This is a wonderfully written score, that combines electronic music, with guitar, and orchestra. Usually, I prefer the songs on a CD like this that are reflective, thematic, or slower. But in this case, even the action cues are fantastic! If you are even looking at this page, something about the music from this movie caught your attention - and I say, "Go for it." You will not be disappointed.
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5.0 out of 5 stars Different and fun May 29, 2013
Format:Audio CD|Verified Purchase
This is a movie with an interesting concept, the special effects are the best and it has a great cast. I would recommend it for excellent action, no explicit sex scenes, just simple fun entertainment.
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2 of 4 people found the following review helpful
3.0 out of 5 stars Middle-of-the-road technothriller September 8, 2009
Format:Audio CD
Jumper is an enjoyably dumb action adventure movie about people who can teleport anywhere they wish, and the people who wish to stop them. Star Wars's Hayden Christensen stars as David Rice, a young man who discovers that, through a genetic anomaly, he can teleport himself anywhere, at any time. After severl years of enjoying the carefree existence, he comes in contact with a fellow jumper named Griffin (Jamie Bell), who tells him that there have been jumpers through time, and that a war has been raging between these people, and a group of people dedicated to exterminating them - one of whom is the ruthless Roland (Samuel L. Jackson). The film was directed by Doug Liman, the director of the original Bourne Identity, and as such brought his regular composer, John Powell, on board with him.

By Powell's high standards, Jumper is fairly nondescript score, but Powell's nondescript action-thriller scores tend to be better than most other people's, so there is still a fair bit to enjoy. The main theme, as heard in the opening cue "My Day So Far", is actually pretty cool, with a syncopated piano line and a jazzy brass melody augmented by all manner of creative synth programming; unfortunately, Powell doesn't revisit the theme until the final cue, "Jump Off", which is real wasted opportunity - the theme is constructed well enough that it could form the basis of the action music, and I really don't know why Powell chose not to do this.

Instead, the rest of the score is made up of suspense and action music; much of it actually sounds like a slightly more exotic version of his Bourne scores; the cleverly-layered electronic loops and high energy forward-momentum rhythms, augmented by orchestral touches here and there, plus the occasional flurry of a guitar or a wailing voice.
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