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30 of 35 people found the following review helpful:
5.0 out of 5 stars
Jupiter's Darlings return with a purer rock sound, June 30, 2004
The title Jupiter's Darling derives from the story of a temptress who is a siren for powerful warmongering men. Stands to reason, as Ann and Nancy Wilson fronted the Lovemongers, and they are Jupiters' Darlings. But the info of a new Heart album coming out was a pleasant news--thank you, Eric Andrews. In looking at the cover, with the Heart logo from Dreamboat Annie and Magazine reinstated, I expected it to be a return to their classic stuff. Well, call it Dreamboat Annie and Little Queen coupled with some rock theatrics from the Brigade era, but with a churning sound akin to their greatest influence, Led Zeppelin. In other words, it's more pure rock, so don't expect any Ron Nevison-era synths.The churning heavy blues-rock "Vainglorious" features the title in a lyric, and is a throwback to Led Zeppelin's "Living Loving Maid," and their own "Tall Dark Handsome Stranger" and "Devil's Delight"; in fact that song title is included in the lyrics. The opening quiet guitar riffs at the beginning of the blues rock of "Make Me" recall that on "Crazy On You," while that of the verses and chorus is like "Black On Black" tempered by a "Crazy On You" instrumentation and tempo, while "Oldest Story In The World" features crunchy Led Zep power chords. The mystery of life's equations is demonstrated in "Things," a folksy acoustic number with sung by Nancy with echoes of Led Zep's "Over The Hills and Far Away," followed by the mid-paced "Perfect Goodbye" which fits on Desire Walks On sans the synths. The title involves a simple farewell, no crying, no fighting, but where one becomes just another face in the file. The dreamy flutes in the ballad "Enough" recall idyllic material like "Love Alive" and "Dreamboat Annie (Reprise)." A blast from the past indeed and a favourite here. Quite a contrast from the crunchy Soundgarden chords and riffs on the mid-paced "Move On." With its Little Queen-era mandolins, the haunting "I Need The Rain" sung by Nancy is a favourite, where the rain is needed to hide one's tears: "let me stay dark and safe/and this crazy rain is my last escape." With pounding drums and chords "I Give Up" is the only song involving longtime collaborator Sue Ennis. Not one of her best, considering previous work, but somewhat derivative, given a chorus melody like Meredith Brooks' "B--ch": "I give up, I give in..." The loud Soundgarden power chords in "Vainglorious" recalls "Tall Dark Handsome Stranger" from Brigade, but without the horns. The mandolins return in "No Other Love" before the dolorous cello joins shift to the power ballad intensity. A mingling of acoustic guitar, a steady quiet drumbeat a la Zep's "Ramble On" and vocals by Nancy yield "Led To One", while bluesy and Mideastern inflections characterize the mid-paced "Down the Nile." That's followed by the Primus-like frantic alternative-tinged "I'm Fine," famous words people say before they have a breakdown, in this case a premillennial one, with references to the election of 2000, "chad confetti stuff", Y2K, and WW3. The quiet acoustic guitar "Lost Angel" is a return to "Dog & Butterfly" ballad at the start, though it upshifts to fiert electric and bluesy rock mode. One of my favourites here. It calls for the title character to come and counterract the "coming fight." "Love bring your birds, bring your feathers of peace," sings Ann. One of my favourites. It ends with the quiet acoustic ditty "Hello Moonglow," benefiting from harmonies from both Wilsons. Vocally, Ann and Nancy, the only original members of the group on this album, are as strong as ever, though the lighter lilting qualities of Nancy's voice, who sings lead on a record five songs per album, have receded slightly. They have retained Mike Inez, their bassist from Alive In Seattle for Jupiter's Darling. And strong support comes from guitarist Chris Bartock, who contributes on many songs. Yes, indeed, les soeurs Wilson still know how to rock.
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