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Justin Townes Earle

 
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Top Albums by Justin Townes Earle



All MP3 Downloads by Justin Townes Earle

 
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Song Title Album Time Price
listen1. Harlem River BluesBloodshot Best of 2010 Sampler 2:47FREE  Get MP3 
listen2. Harlem River BluesBloodshot Indie-Pendence Sampler 2:48FREE  Get MP3 
listen3. Harlem River BluesHarlem River Blues 2:50$0.99  Buy MP3 
listen4. Look the Other WayNothing's Gonna Change the Way You Feel About Me Now 2:29$0.89  Buy MP3 
listen5. One More Night in BrooklynHarlem River Blues 3:06$0.99  Buy MP3 
listen6. Wanderin'Harlem River Blues 2:40$0.99  Buy MP3 
listen7. Am I That Lonely Tonight?Nothing's Gonna Change the Way You Feel About Me Now 3:04$0.89  Buy MP3 
listen8. Ain't Waitin'Harlem River Blues 2:18$0.99  Buy MP3 
listen9. Christchurch Woman [Explicit]Harlem River Blues 4:13$0.99  Buy MP3 
listen10. Nothing's Gonna Change the Way You Feel About Me NowNothing's Gonna Change the Way You Feel About Me Now 3:04$0.89  Buy MP3 
Showing 1 - 10 of 60 Items
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At a Glance

Born: Jan 04 1982


Biography

Justin Townes Earle is an anomaly. He’s tall as the day is long, all angles and elbows and a hard stare, both welcoming and deadly serious. He’s Nashville North, all set up in lower Manhattan now, just like his hero Woody Guthrie, with twang and charm intact.

The aforementioned Woody Guthrie once said, “Any fool can make something complicated. It takes a genius to make it simple.” On Harlem River Blues, Justin chose the simple route. The record’s not a wall of sound produced to the rafters. It’s rockin’ and reelin’ at times, sweet and slow at others—and it’s great. Like good fried chicken, ... Read more

Justin Townes Earle is an anomaly. He’s tall as the day is long, all angles and elbows and a hard stare, both welcoming and deadly serious. He’s Nashville North, all set up in lower Manhattan now, just like his hero Woody Guthrie, with twang and charm intact.

The aforementioned Woody Guthrie once said, “Any fool can make something complicated. It takes a genius to make it simple.” On Harlem River Blues, Justin chose the simple route. The record’s not a wall of sound produced to the rafters. It’s rockin’ and reelin’ at times, sweet and slow at others—and it’s great. Like good fried chicken, a well-cut suit and a handmade guitar, there’s heaven to be found in the beautifully crafted simpler things.

Compared to the much-lauded Midnight at the Movies, Harlem River Blues is more mature and increasingly nuanced, while still embracing the raw voice and clean sound of previous standout tracks like “Mama’s Eyes.” Harlem River Blues kicks off hot with the title track’s choir of backing singers and electric guitar, slow dances through a decrepit tenement on “One More Night in Brooklyn,” and swings à la Jerry Lee Lewis on “Move Over Mama.” “Working for the MTA” is a modern day railway ballad, embracing the labor movement in classic folk singer style over some heartbreaking pedal steel from Calexico’s Paul Niehaus. With percussive guitar, killer standup bass lines by Bryn Davies and a guest appearance from Jason Isbell, this record hums along like a 6 train jumpin’ the tracks and heading straight for the Tennessee state line.

Harlem River Blues straddles not only the Mason- Dixon, but time itself. As versed in Mance Lipscomb as he is in M. Ward and sporting Marc Jacobs suspenders, Justin Townes Earle is a man beyond eras. With Harlem River Blues, a record that’s perfect for late Indian summer nights on either the front porch or fire escape, Justin’s found yet another way to be a timeless original.

This biography was provided by the artist or their representative.

Justin Townes Earle is an anomaly. He’s tall as the day is long, all angles and elbows and a hard stare, both welcoming and deadly serious. He’s Nashville North, all set up in lower Manhattan now, just like his hero Woody Guthrie, with twang and charm intact.

The aforementioned Woody Guthrie once said, “Any fool can make something complicated. It takes a genius to make it simple.” On Harlem River Blues, Justin chose the simple route. The record’s not a wall of sound produced to the rafters. It’s rockin’ and reelin’ at times, sweet and slow at others—and it’s great. Like good fried chicken, a well-cut suit and a handmade guitar, there’s heaven to be found in the beautifully crafted simpler things.

Compared to the much-lauded Midnight at the Movies, Harlem River Blues is more mature and increasingly nuanced, while still embracing the raw voice and clean sound of previous standout tracks like “Mama’s Eyes.” Harlem River Blues kicks off hot with the title track’s choir of backing singers and electric guitar, slow dances through a decrepit tenement on “One More Night in Brooklyn,” and swings à la Jerry Lee Lewis on “Move Over Mama.” “Working for the MTA” is a modern day railway ballad, embracing the labor movement in classic folk singer style over some heartbreaking pedal steel from Calexico’s Paul Niehaus. With percussive guitar, killer standup bass lines by Bryn Davies and a guest appearance from Jason Isbell, this record hums along like a 6 train jumpin’ the tracks and heading straight for the Tennessee state line.

Harlem River Blues straddles not only the Mason- Dixon, but time itself. As versed in Mance Lipscomb as he is in M. Ward and sporting Marc Jacobs suspenders, Justin Townes Earle is a man beyond eras. With Harlem River Blues, a record that’s perfect for late Indian summer nights on either the front porch or fire escape, Justin’s found yet another way to be a timeless original.

This biography was provided by the artist or their representative.

Justin Townes Earle is an anomaly. He’s tall as the day is long, all angles and elbows and a hard stare, both welcoming and deadly serious. He’s Nashville North, all set up in lower Manhattan now, just like his hero Woody Guthrie, with twang and charm intact.

The aforementioned Woody Guthrie once said, “Any fool can make something complicated. It takes a genius to make it simple.” On Harlem River Blues, Justin chose the simple route. The record’s not a wall of sound produced to the rafters. It’s rockin’ and reelin’ at times, sweet and slow at others—and it’s great. Like good fried chicken, a well-cut suit and a handmade guitar, there’s heaven to be found in the beautifully crafted simpler things.

Compared to the much-lauded Midnight at the Movies, Harlem River Blues is more mature and increasingly nuanced, while still embracing the raw voice and clean sound of previous standout tracks like “Mama’s Eyes.” Harlem River Blues kicks off hot with the title track’s choir of backing singers and electric guitar, slow dances through a decrepit tenement on “One More Night in Brooklyn,” and swings à la Jerry Lee Lewis on “Move Over Mama.” “Working for the MTA” is a modern day railway ballad, embracing the labor movement in classic folk singer style over some heartbreaking pedal steel from Calexico’s Paul Niehaus. With percussive guitar, killer standup bass lines by Bryn Davies and a guest appearance from Jason Isbell, this record hums along like a 6 train jumpin’ the tracks and heading straight for the Tennessee state line.

Harlem River Blues straddles not only the Mason- Dixon, but time itself. As versed in Mance Lipscomb as he is in M. Ward and sporting Marc Jacobs suspenders, Justin Townes Earle is a man beyond eras. With Harlem River Blues, a record that’s perfect for late Indian summer nights on either the front porch or fire escape, Justin’s found yet another way to be a timeless original.

This biography was provided by the artist or their representative.

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