Product Details

• Actors: Harrison Ford, Sam Spruell, Peter Stebbings, Christian Camargo, Roman Podhora
• Directors: Kathryn Bigelow
• Writers: Christopher Kyle, Louis Nowra
• Producers: Basil Iwanyk, Brent O'Connor, Christine Whitaker, Dieter Nobbe, Edward S. Feldman
• Format: Anamorphic, Closed-captioned, Color, NTSC, Widescreen
• Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rated: PG-13 (Parental Guidance Suggested)
• Studio: Paramount
• DVD Release Date: December 10, 2002
• Run Time: 138 minutes
• Average Customer Review: 3.8 out of 5 stars  See all reviews (180 customer reviews)
• ASIN: B00005JLGJ
• Amazon Best Sellers Rank: #15,854 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "K-19: The Widowmaker" on IMDb

Editorial Reviews

Amazon.com

Based on an incident that was officially suppressed for 28 years, K-19: The Widowmaker is a fine addition to the "sub-genre" of submarine thrillers. The first major American film about Russian cold war heroes, it re-creates the nightmare endured in 1961 by the crew of the Soviet nuclear submarine K-19, when an exposed reactor core nearly resulted in a nuclear catastrophe. Several crewmen died, and K-19's captain (played by Harrison Ford) had to assert his command when near-mutiny favored his executive officer (Liam Neeson). This escalating tension gives the film its potent dramatic thrust, and both Ford and Neeson deliver intense performances while director Kathryn Bigelow (Near Dark, Strange Days) ably controls a sub full of seething testosterone. It's not as viscerally thrilling as the classic Das Boot or U-571, and some K-19 survivors protested the inclusion of inauthentic drinking scenes, but the movie benefits from grand-scale production values, seamless computer graphics, and a compelling real-life twist. --Jeff Shannon

Product Description

Harrison Ford, Liam Neeson, Joss Ackland. The riveting drama of a Russian submarine crew that tries to avoid a nuclear meltdown during the Cuban Missile Crisis. Based on a true story. Includes director commentary, behind-the-scenes footage and more. 2002/color/138 min/PG-13/widescreen.

Most Helpful Customer Reviews

113 of 118 people found the following review helpful

5.0 out of 5 stars emotionally compelling August 20, 2002

By Chapulina R

This exceptional film is inspired by tragic historical events. The screenplay is a composite, based equally on two separate Soviet naval disasters. The first, obviously, is the 1961 "cursed" maiden mission of K-19, Russia's pioneer nuclear-powered ballistic missile submarine. The second is a narrowly-averted catastrophe of 1986, involving the decrepit "Yankee-class" boomer, K-219. Ironically, the movie was also nearly scuttled -- before it even began production. The rough draft contained every Slavophobic stereotype and Cold War cliche', and was bitterly protested by K-19's surviving officers. They wtote a series of open letters to the producers and actors, inviting them to Russia to hear their real story. When director Katheryn Bigalow met these aging veterans and the widow of their recently-deceased Captain, she resolved to film a tribute to their courage. Much of the film's reference material comes from two superb books written by Capt. Peter Huchthausen USN-ASW (ret.): "K-19: The Widowmaker"; and "Hostile Waters". The former contains the translated memoir of Captain Nikolai Zateyev (real-life CO of the ill-fated sub) with an addendum about the film. The latter, co-authored with Capt. Igor Kurdin and novelist Robin White, tells the amazing story of K-219. I urge viewers to read both books for an even greater appreciation of the movie! You'll see that Harrison Ford is a dead-ringer for Zateyev, both physically and personality-wise. He commands the role of Vostrikov (Zateyev) to perfection. Liam Neeson's character, Capt. 2nd Rank Polenin, appears strongly based on K-219's Captain Igor Britanov, who was the compassionate father-figure popular with his crew. The Captains' contrasting styles of leadership provide the conflict in the film. Hollywood melodramatization is apparently obligatory, even when true events provide drama aplenty. The mutiny's only basis in reality concerned a dispute over whether to head the stricken K-19 for a Norwegian port or toward the last-known operational area of Soviet diesel submarines. A core meltdown, while not producing a "thermonuclear explosion", would have released a massive cloud of atomic contamination. K-19's disaster occurred far from any American interests, but K-219's runaway reactor threatened to dust the entire Eastern Seaboard with lethal plutonium. K-19's valiant third-watch did cobble together a makeshift cooling system in just the manner depicted. A fire did break out. And K-19's men suffered horrifying radiation poisoning within the core so hot as to boil their bodily fluids. But the character of Vadim Rodchenko, the young Reactor Officer who conquers paralyzing fear, clearly honors the memory of another engineer. K-219's Seaman Sergei Preminin manually shut down his overheating reactor, sacrificing his life to save Americans from a Chernobyl-in-a-tin-can mere miles off our coast. It was K-219's Britanov who defied Moscow's orders to halt evacuation, and decided to sink his sub to deprive the circling enemy of its prize. And although K-19's crew was absolved of blame and even decorated for their actions, K-219's Catain and officers were persecuted by the unforgiving Soviet system depicted in the film. Thus, while "K-19: The Widowmaker" is not entirely true to its namesake, it accurately portrays the life-and-death scenario which repeatedly plagued the USSR during the Cold War. In its desperation to play "catch-up" with its vastly superior American counterpart, the Soviet Navy would continue to risk its young submariners in hastily-designed, shoddily-built, or outright obsolete boats. Katheryn Bigalow and National Geographic deserve credit for showing the American audience the human side of these young seamen and officers who were just as gallant, dedicated, and patriotic as our own. We care about them, salute their heroism, and mourn their loss. "K-19" is visually magnificent and emotionally compelling. An absolutely spellbinding drama. You'll want the video, but see the film today before it leaves the Big Screen!

13 of 13 people found the following review helpful

5.0 out of 5 stars A dramatic tale of an important, hidden chapter of history December 11, 2002

By The Blue Raja VINE™ VOICE

Format:DVD

After scanning some reviews I've decided to add my 2 cents, since I just got the DVD & saw the movie for the first time. To those who say it has very similar elements already visited in films such as "Crimson Tide," "U-571", etc., my reaction to that is, yes, you're right. The first half hour of this movie I was a bit concerned about where it was going. It had the "been here, done that" feel to it in regards to other "sub movies." I didn't buy Ford's accent at first (why? Because I know him from other movies, whereas if some unknown actor played the role, I wouldn't have questioned the authenticity or even the accent delivery at all), but as time passed, I didn't notice it as much and thought it was fine. In regards to the why do Americans put accents on in the first place when speaking English, it's really no big mystery, it simply adds to the setting. I suppose if you went the other extreme and gave them all harsh U.S. Southern accents, it would pull you even further away from believing in who they are portraying, so it's just like an extra prop that enhances the presentation.

To those historic critics who try to rip up every attempt Hollywood makes to tell a story, I have this to say: Sad as it may be, but if I had not seen "Schindler's List," I would not have as much an appreciation for the Holocaust. I don't read much history, so if Hollywood with it's jaded glitz & glamour can emotionally move me to appreciate a moment of history, then so be it! And speaking of important moment's of history, you should check out "Uprising," another great historic drama that deserves attention (about the Jewish ghetto uprising).

At any rate, now for why I give K-19 five stars. I enjoyed the drama, the tension, the cast, and the story. It's that simple. I still think "U-571" is the best sub movie I've ever seen, perhaps because of how tightly the movie went with not a second of downtime, but K-19 is a more human, dramatic story that is important to see. The DVD has several documentaries on how they made the movie that should be seen by the history critics, as it certainly seems like they did much research on the topics & history before shooting the film. If the director had a gap, then it needed to be filled, and a story has to be interesting or it becomes a bad movie. Never will everyone be happy, and that's why most reviews will differ. So take it from a person who watches movies to be entertained, moved, and even educated at times, K-19 is an excellent movie.

23 of 26 people found the following review helpful

5.0 out of 5 stars A singularly impressive debut for National Geographic August 12, 2002

By Joseph Haschka TOP 500 REVIEWERVINE™ VOICE

K19: THE WIDOWMAKER is a most impressive debut for National Geographic Feature Films, one of the movie's principal production partners.

The story is based on a Cold War event kept secret for decades. It's 1961, and the Soviet's first atomic powered ballistic missile submarine, the K-19, is scheduled for an operational shakedown cruise in the North Atlantic. The USSR wants to show the United States that the latter is not the only world power with waterproof big guns, so to speak, seeing as how the U.S. Navy has put Polaris subs within missile-lobbing range of Leningrad and Moscow.

Filmed in Canada and Moscow, this "Hollywood" version of the story has Captain Polenin (Liam Neeson) as commander of the K19 while it's still under construction in Murmansk. In a bad career move, he's vociferously unhappy about the quality of the boat's construction, and outspokenly suggests it's not ready for its first sea trial. Enter Captain Vostrikov (Harrison Ford), an in-law of a Politburo big shot, who takes command with Polenin as his executive officer. The submarine is duly launched, though the champagne bottle fails to break - a harbinger of bad luck, and off it goes to prove itself as the newest protector of the Motherland. At first, it looks like the operational sea trial will be a smashing triumph when the K19 successfully launches one of its three ballistic missiles. Take that, you Yankee imperialist dogs! But then, on its way under new orders to take up a patrol station off the eastern U.S. seaboard, the K19 develops a leak in its nuclear reactor's cooling system that gives a new dimension to the phrase "in hot water".

Borrowing and fixing up an actual Russian sub on permanent display in Florida (only in America!) for the exterior shots, and re-creating ten submarine compartments accurate down to the smallest details for the interior camera work, the producers of K19: THE WIDOWMAKER have achieved perhaps the most authentic looking sub film since DAS BOOT. (The interior sets of the film make Sean Connery's "Red October" look like the starship Enterprise.) And, something you don't see every day, there are no female players to clutter things up with mushy stuff outside of a very brief scene where the girls left behind are kissing the sailors good-bye. Otherwise, this is all Guy Stuff spearheaded by two superb performances from Ford and Neeson. Though the former will be perceived as the actor in the leading role, Neeson is right there breathing down his neck, and an argument could be made to nominate both for an Oscar in the Leading Role category. Perhaps not since HEAT (Pacino and De Niro) have two major male stars played so powerfully well together.

K19 serves to remind Americans that in the Cold War, or any war, heroism, sacrifice, honor and duty are not attributes limited to just the home team. I consider it the best major film I've seen to date for the 2002 film season.