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The story is based on a Cold War event kept secret for decades. It's 1961, and the Soviet's first atomic powered ballistic missile submarine, the K-19, is scheduled for an operational shakedown cruise in the North Atlantic. The USSR wants to show the United States that the latter is not the only world power with waterproof big guns, so to speak, seeing as how the U.S. Navy has put Polaris subs within missile-lobbing range of Leningrad and Moscow.
Filmed in Canada and Moscow, this "Hollywood" version of the story has Captain Polenin (Liam Neeson) as commander of the K19 while it's still under construction in Murmansk. In a bad career move, he's vociferously unhappy about the quality of the boat's construction, and outspokenly suggests it's not ready for its first sea trial. Enter Captain Vostrikov (Harrison Ford), an in-law of a Politburo big shot, who takes command with Polenin as his executive officer. The submarine is duly launched, though the champagne bottle fails to break - a harbinger of bad luck, and off it goes to prove itself as the newest protector of the Motherland. At first, it looks like the operational sea trial will be a smashing triumph when the K19 successfully launches one of its three ballistic missiles. Take that, you Yankee imperialist dogs! But then, on its way under new orders to take up a patrol station off the eastern U.S. seaboard, the K19 develops a leak in its nuclear reactor's cooling system that gives a new dimension to the phrase "in hot water".
Borrowing and fixing up an actual Russian sub on permanent display in Florida (only in America!) for the exterior shots, and re-creating ten submarine compartments accurate down to the smallest details for the interior camera work, the producers of K19: THE WIDOWMAKER have achieved perhaps the most authentic looking sub film since DAS BOOT. (The interior sets of the film make Sean Connery's "Red October" look like the starship Enterprise.) And, something you don't see every day, there are no female players to clutter things up with mushy stuff outside of a very brief scene where the girls left behind are kissing the sailors good-bye. Otherwise, this is all Guy Stuff spearheaded by two superb performances from Ford and Neeson. Though the former will be perceived as the actor in the leading role, Neeson is right there breathing down his neck, and an argument could be made to nominate both for an Oscar in the Leading Role category. Perhaps not since HEAT (Pacino and De Niro) have two major male stars played so powerfully well together.
K19 serves to remind Americans that in the Cold War, or any war, heroism, sacrifice, honor and duty are not attributes limited to just the home team. I consider it the best major film I've seen to date for the 2002 film season.
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