Customer Reviews

Kaaterskill Falls [VHS]

5 star:		(5)
4 star:		(1)
3 star:		(3)
2 star:		(2)
1 star:		(4)

 

 

Here's a low budget indie shot in upstate New York with no actual written script, similar (from that angle) to Blair Witch Project, but significantly more intelligent than BWP. The premise is fine, hardly original, but a strong plot device--couple picks up hitchhiker. The beginning of the film is also strong; we see the couple and how they relate to each other and then catch a brief glimpse of the hitchhiker. The development is also really well done--that is, the movement of the characters in their shared situation after introducing them at the beginning.

The ending is a huge letdown.

Let's focus on the development--without revealing anything that would constitute a spoiler. The couple, Mitchell and Ren, are on their way up from NY City to the Catskills to get away from things. They pick up a burly hitchhiker, Lyle, who's quiet and drop him off soon enough at a motel, which he requested they do. Then he shows up again; supposedly the motel is full up. Is it really? We don't really know. They take him in.

What makes the development so strong is that the writer-directors do know something about the psychological subtleties of behavior and they do a great job displaying them as we move from the beginning through the denouement of the film. The interplay between Mitchell, Ren, and Lyle is very skillfully handled, which is what makes the first three quarters of this film so good--really good, in fact.

It would be a misconception to think that this is a typical "third person threatens couple" as in Dead Calm or Knife in the Water (Polanski) or a bunch of other films. This is, in some ways, much subtler than that, and that's what makes it all the more disappointing when a shocking ending occurs that is much too jarring to be credible and to mesh with the first three quarters of the film. This is really too bad, because I was really hooked up until then and when this climactic event happens, my rapture dribbled away into mush.

Cynics might say that the ending was done because the filmmakers were running out of money and/or film stock, or even patience with the entire project. It's possible to understand the origin of the ending shocker--i.e., why it happens--but the viewer really has to be able to make forced connections to buy into it and those connections should not be forced, but instead be natural. The only way the connections could have been natural is if the characters--especially one in particular--was revealed much more to have a mean streak, and that specific aspect of the character's personality is not developed anywhere near enough to make the ending believable. Hence the complete non-credibility.

The cinematography is excellent, the setting is truly beautiful--the title location in particular--and the actors are competent enough, as is the script. Until the completely out of whack ending.

I would look forward to other work from the same filmmakers; my guess is that their next effort will be stronger and more consistent.

"Kaaterskill Falls," at first glance, looked right up my alley as far as movies go: a young couple picks up a mysterious hitchhiker and soon discovers that the presence of this guy brings out psychological issues lingering just beneath the surface. In my world of cinematic adventures, such a psychologically driven film would result in a high body count and gallons of body sauce painting the walls and ceilings. First time directors Josh Apter and Peter Olsen decided to take a different tack with this shoestring budget indie film by foregoing bloodshed in favor of intensive dialogue and a slowly rising level of tension. According to the movie description, "Kaaterskill Falls" won a Critics Award at a Los Angeles film festival. Well, we all know critics are strange little critters who often do odd things. While I won't say "Kaaterskill Falls" is a total loss, Apter and Olsen's film left me yearning for something more substantial than what the picture delivered.

Here's the story: a young couple cruising around in a green Volkswagen Bug with a daisy on the dashboard pick up a scruffy looking hitchhiker named Lyle. The couple, named Ren and Mitchell, is a bit out of place in the Catskill region in New York. For one thing, the two are definitely techie types who cannot thrive for long without all of the opulent comforts of society. Mitchell, for example, carries his cell phone everywhere. Ren and Mitchell's urban orientation will eventually rub Lyle the wrong way, although Ren initially seems more sympathetic to the hitchhiker's ecologically minded viewpoints than does her husband. The fact that Lyle appears to pay close attention to Ren further alienates Mitchell. The hitchhiker wouldn't even present a problem if the couple didn't take him into their vacation cottage after Lyle failed to procure lodgings at the same resort spot. Like any pair of city bubbleheads who think all rural people are so "aw shucks" cute and harmless, Ren and Mitchell proceed to make Lyle feel at home. What follows is a frequently excruciating hour or so of endless dialogue about fireplaces, cooking, the aesthetics of cell phone towers, and the environment. Throw in a bottle of liquor and a glacially slow level of increasing anxiety between the three, and you have the basic outline of "Kaaterskill Falls."

To be fair, "Kaaterskill Falls" does deliver a few interesting things. Once the three go hiking in the Catskills, the story does measurably increase in the tension department. The scenery the three characters move through on their nature trek is simply stunning, with the rocks, waterfalls, and panoramic views dominating this segment of the film. And no matter how much you look for it, you will NEVER see the end of this film coming. It is a total shocker even if it doesn't make that much sense. Moreover, I enjoyed the soundtrack to the film, as well as the extremely unique editing techniques employed by the directors, a method that irritated at first until you got used to it and realized that it was an inventive way to convey the psychological distances between the characters.

In fact, I think this is my primary problem with this movie: from beginning to end, I never felt as though I got a handle on what went on between these three people. I sensed things just under the surface of what I watched, but I couldn't frame what I saw into a coherent explanation. Sure, there's something going on about the gulf between rural and urban people, but I haven't been this dumbfounded over a picture since I watched "Barton Fink." A further difficulty I had with "Kaaterskill Falls" centered on the three actors chosen to play Ren, Mitchell, and Lyle. Frankly, I didn't like any of them. Ren whined too often, Mitchell had all the allure of fingernails grinding away on a chalkboard, and Lyle offended every human sensory perception. The biggest Lyle problem? The actor who played him delivered every line as though he was an ancient college professor reading his lecture off of note cards. Ben Stein has nothing on this guy, as Lyle's monotone delivery drones on and on. Needless to say, I cheered as this film ended.

The DVD does a great job even if the movie suffers from mediocrity. The transfer is superb. Extras on the disc include several blooper outtakes, a commentary track, a trailer, and stills. You even get some factoids about the movie, where you learn that there was no script for the movie (something I wouldn't want to brag about, really) and how the three actors in the film got the job because they accepted the challenge of filming a movie in just a few days time (it took longer, of course). Overall, I recommend people use a "Get Out of Jail Free" card on this one. Why spend an agonizing hour for such little payoff?

I recently caught this film on the Sundance Channel on cable television, and it turned out to be a pleasant surprise, indeed. I originally started watching it, as it was advertised as a film in which a married couple is terrorized by a hitchhiker they pick up in the Catskill Mountain region of New York State. Having just returned from vacationing in the Catskills myself, I was intrigued. Peppered with a cast of unknowns, who, nonetheless, do an excellent job, the film was almost immediately gripping.

The young married couple, who grow on the viewer as the film progresses, pick up a slightly creepy hitchhiker named Lyle. They drop him off at his request at a motel in the Catskills, while they continue on to the cabin they have rented. They later run into him again, as it turns out that there were no vacancies at the motel. They suggest that Lyle check the place in which they are staying for any vacancies and drive him there. When it turns out that there is no one there to answer his inquiry, Lyle is ready to take to the road again, when the couple spot him and invite him back to their cabin.

As the evening progresses, a strange tension seems to take over the three of them. The husband senses an attraction and connection between his wife and Lyle, one he does not seem to care for, especially as he thinks he and his wife are there for the express purpose of getting her pregnant. The husband struggles in various ways to break the connection between Lyle and his wife. As the evening progresses, their respective personalities come to the forefront and the viewer is gripped by the subtle undertones of the film. When Lyle stays the night, it is really the beginning of the end. The next day, all three hike to Kaaterskill Falls, a remote location in the Catskills. What happens there leads to a self-defining moment for one of them.

Be prepared to see some beautiful scenery. The Catskill Mountain region is gorgeous to look at. Though it looked like the Catskills, however, I must confess that they could have shot the film in the Pacific Northwest for all I know. Still, those who enjoy beautiful scenery and hiking will especially enjoy watching the three trek through the mountains to their ultimate moment of reckoning. This is a film well worth watching.

They kept showing this movie on the Sundance Channel so I decided to watch it late one night. This movie is the biggest heap of crap I have ever seen. Extremely bad acting, absolutely no plot and features some of the most boring, drawn out scenes ever filmed with even worse dialogue. While a movie like Elephant features the same things, eventually all the parts of the puzzle come together in one dramatic resolution. Kaaterskill Falls leaves viewers empty and befuddled by what has just taken place on screen--thats if the viewer hasn't changed the channel or fallen asleep by then, which 99% most likely will. The only redeeming quality of this film is the cinematography and on-site location.

"Kaaterskill Falls" proclaims itself to be low budget from moment the `Low Fi' logo appears on the screen, and it doesn't take long to realize that this film was made on a shoestring by Hollywood standards. Yet, despite this - or maybe even because of this - there's an intimacy in this film that drew me in and made me feel like a voyeur. When we meet Ren and Mitch, a sophisticated New York couple driving somewhere in rural Upper New York state in the early spring (the grass is green but the trees are leafless), we are sitting in the back seat of their car struggling to eavesdrop on their plans for the weekend (we later learn that they are "trying to make a baby"). Picking up the hitchhiker, Lyle, doesn't seem like a smart thing to do, especially when he turns out to be rather truculent. But when Ren and Mitch invite him to stay in their rented cottage, I found myself shouting "Don't do it!"

We are present at an improvised dinner that evening with Lyle, Ren, and Mitch. The presumably unscripted conversation meanders in several not very significant directions. Lyle's big complaint is about the incursion of cell phone towers in his beloved woods; perhaps by extension he laments also the incursion of the cell-phone-bearing city boy, Mitch. As the evening wears on, stereotypes are broken: the rural Lyle is savvy in the kitchen with Pasta Puttanesca, but fails miserably at making a fire, which the gentrified ex-boy scout, Mitch, gloatingly teaches him to do. Beyond the words, however, can be sensed the growing attraction between Ren and Lyle, an attraction not lost on Mitch.

Surely it cannot have been a case of sloppy movie-making that the next day, when Lyle agrees to lead the couple on a hike to Kaaterskill Falls, the formerly-barren trees are in full leaf? Can their lush green canopy be a proxy for the unfolding passions of the three characters, long curled up inside tight buds within them? Symbolic or not, something base and primitive suddenly commandeers the characters' instincts and commands their actions with shocking results. Or was it all a dream? Whatever it was, this film stayed with me and kept me pondering for the next twenty-four hours. And I like a film that makes me think.

The movie previews on Sundance got my attention instantly. The atmosphere of the characters driving to their anticipated weekend at Brookside Cottages through the gloomy countryside --along with the intriguing music-- is absolutely captivating. If a movie doesnt get my attention within the first 5mins I'm changing the channel. This movie had me sitting still for the entire showing.The characters are so real. People that you would know on a day to day basis. I was so moved that I plan on possibly taking some time to visit Brookside Cottages in NY being that I live in PA. I taped the movie the next time Sundance ran it & have watched it several times since. I wouldnt believe any of the negative reviews that are posted on this site. They obviously were written by negative people that have issues in their life beyond the movie!!! Watch it with an open mind & you'll truly enjoy every aspect of it. Im planning on watching it again tonite. It's truly well worth the 86mins of your time.

Hypnotic. Intense. Evokes the evils of mankind with chilling precision. This film is much more than a story about a couple and a hitchhiker. It forces you to sit back and think about what's going on in the world today. A refreshing suprise to all the Big Budget crap Hollywood has been putting out!

This movie was shot without a script...and it shows. Terrible acting makes it even worse. I was hoping for something along the lines of FUNNY GAMES or WITH FRIENDS LIKE HARRY but what I got was something unfit for public access tv. I'm sure the director thought his edits were hip and artsy too but they only compound the problems. Worthless tripe.

I guess I'm in the minority, but don't waste your time on this one!

From the film's description, I was expecting a disturbing bloodbath - thankfully, it wasn't. The autumnal scenery combined with the interesting soundtrack are riveting, the story with its covert psychological implications draws you in - then, unfortunately, we are left with a totally non-believable ending that insults the rest of the film as well as the viewer. I just think I would have ended it differently.