From Publishers Weekly
The story is well known: the frail, anxiety-ridden young man in Prague who suffers under an overbearing, uncouth father. Every day he trudges off to his boring job at an insurance company. He is drawn to women yet agonizes about every relationship. At night, he writes away but wins scant recognition. He contracts tuberculosis, and his last, truly miserable years are spent in and out of sanatoriums. His final wish is that all his manuscripts be burned, but his best friend violates the request. Within a few years of his death in 1924, Franz Kafka's writings about characters ensnared by the world around them for no apparent reason are recognized as brilliant manifestations of literary modernism. Murray (
Bruce Chatwin, etc.) is an experienced biographer and effectively relates Kafka's brief life, trying valiantly to depict a more normal Kafka, a man who lived in society with good friends, enjoyed sex, had wide-ranging intellectual interests and became enamored of Judaism. In Murray's account, Kafka's employer valued him highly, and under the imprint of no less a figure than Kurt Wolff, he experienced some literary success. Despite Murray's best efforts to contain Kafka's idiosyncrasies, though, the writer remains the tormented soul who created out of his personal anxieties and agonies some of the most acclaimed works of the 20th century.
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So intrinsic is Kafka's work to the modern sensibility that its unnerving power has been concentrated into one broadly useful word,
Kafkaesque. And so mythologized has his life become, it might seem as though there is nothing left to learn. But as adept biographer Murray (his previous subjects include Aldous Huxley and Bruce Chatwin) proves, Kafka's stunningly fabulistic, emotionally intense, and socially discerning fiction yields new revelations with each reading, and Kafka's cruelly abbreviated life (he died of tuberculosis at 40 in 1924) holds fascinating, heretofore unexamined revelations. Clarifying and companionable, Murray portrays the precocious, hypersensitive, curious, and angst-ridden Kafka as a born artist with a "deep ambivalence toward his family," especially his bullying father, and as a successful executive--Kafka was an industrial risk assessor for a workers' insurance institute, the source of his searing vision of the pitiless aberrations of bureaucracies and factories--who despaired suicidally over having too little time to write. Murray judiciously explicates Kafka's obsessive romantic entanglements, illuminates his savvy navigating of Prague's tricky and anti-Semitic cultural politics, and parses Kafka's influences, particularly his love for Yiddish theater. Kafka's work remains as galvanizing as ever, and now the literary genius himself emerges whole and vital.
Donna SeamanCopyright © American Library Association. All rights reserved