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  • Kagel: Solo Works For Accordian And Piano / Anzellotti, Vaes
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Kagel: Solo Works For Accordian And Piano / Anzellotti, Vaes

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Audio CD, May 4, 1999
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song TitleArtist Time Price
listen  1. Rrrrrrr...: 4 Orgelstücke 1) RondeñaTeodoro Anzellotti 2:20$0.99  Buy MP3 
listen  2. Rrrrrrr...: 4 Orgelstücke 2) RosalieTeodoro Anzellotti 1:24$0.99  Buy MP3 
listen  3. Rrrrrrr...: 4 Orgelstücke 3) Rossignols enrhumésTeodoro Anzellotti 4:39$0.99  Buy MP3 
listen  4. Rrrrrrr...: 4 Orgelstücke 4) Ragtime WaltzTeodoro Anzellotti 3:34$0.99  Buy MP3 
listen  5. MetapièceLuk Vaes 6:41$0.99  Buy MP3 
listen  6. À deux mainsLuk Vaes 5:52$0.99  Buy MP3 
listen  7. Episoden, FigurenTeodoro Anzellotti13:44Album Only
listen  8. MM 51Luk Vaes 8:05$0.99  Buy MP3 
listen  9. Passé ComposéLuk Vaes21:18Album Only

Product Details

  • Audio CD (May 4, 1999)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Winter & Winter
  • ASIN: B00000IXIU
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #756,310 in Music (See Top 100 in Music)

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9 of 10 people found the following review helpful By scarecrow VINE VOICE on October 4, 2000
Format: Audio CD Verified Purchase
This side of the Atlantic we rarely encounter the Accordeon as a seriously proclaimed instrument, a timbral minefield,or a gold vein waiting to betapped/ sapped clean. Guy Kluvicek,avant-garde composer/performer of the Accordeon and Pauline Oliveros are the only two serious devotees to this wonderful,magical Wind Box that come to mind here.
Anzellotti has made this instrument his own, he can quite literally play anyting on it, Schoenberg I've heard,and he has a comparable disc on Erik Satie.He has a marvelous sense of beauty and sensitivity to what he plays enveloping timbres while holding chords arching nicely into nothingness.
Mauricio Kagel is a creative aesthetic goldmine all to himself. He emerged from the Post-War avant-garde from South America settling in Cologne, a city that almost bears his name whenever new music expression is mentioned. He has toyed,and scoured and experimented and played with just about every genre imaginable within the avant-garde,Renaissance instruments,cinema,but theatre,musical avant-garde-theatre and the cracks and crevices which that implies has been a fruitful land for Kagel.Extremly prolific and versed in them, I've seen him perform with a bare torso, at the piano,simple chords with some mechanical device for time keeping while some yellowed costumed trombonist gets his foot stuck in his slide. His music has the strong element of Dada-esque play to it, yet ever bit a serious as the angst and dread that has been part of the ideologic existential corridors in Europe.
This music here is playful "Rondena" a marvelously simple melody yet with dirty atonal chord thrown in at the ends of phrases to unsettle the festivities. Likewise "Rosalie",captures a disarming like melos,not quite predictable yet evocative.
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