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Most Helpful Customer Reviews
55 of 58 people found the following review helpful:
5.0 out of 5 stars
Shamanic Epic of the North,
By
This review is from: The Kalevala: An Epic Poem after Oral Tradition by Elias Lï¿1/2nnrot (Oxford World's Classics) (Paperback)
The Kalevala is one of the greatest (and yet largely unknown) epic poems of all times. Although relatively young when compared to the works of Homer and so forth, this Finnish epic draws deep into Finland's Shamanic heritage and is indeed based off these old myths and legends. It concerns the adventures of Vainamoinen the wise Shaman, his companion Ilmarinen the smith and the bold, young Lemminkainen. Those who have studied Shamanism will already see a Shamanic aspect in the association between Vainamoien and Ilmarinen, for in many cultures smiths and Shamans are linked together. There are many more Shamanic archetypes and beliefs found throughout this book, such as a bear sacrifice which is startlingly similar to that observed amongst the Ainu and Lapps of recent times. This book, perhaps the only real direct source of Finnish mythology and religion, explores an oft neglected culture. After all, any school child can tell you of the myths of the Greeks, Romans or Germanic peoples, yet the mythology and heroes of Finland have remained largely unknown. A real pity as this epic is filled with deciet, trechery and heroism which easily could stand beside the works of Homer, Virgil or Valmiki. This translation, perhaps the best available, both for the price and in terms of being generally accessable, is certainly worth owning. Whether you are interested in mythology, history, anthropology, Finland or just like a good story, there is bound to be something in this book which appeals to you.
39 of 41 people found the following review helpful:
5.0 out of 5 stars
The Kalevala sings myriad Finnish tales to heart and mind.,
By Michelle Weiss (Texas) - See all my reviews
This review is from: The Kalevala: An Epic Poem after Oral Tradition by Elias Lï¿1/2nnrot (Oxford World's Classics) (Paperback)
Elias Lonnrot's noble achievement, "The Kalevala," sings myriad Finnish tales to a reader's heart and mind.The formidable epic poem weaves music, magic, and lusty suprahuman heroes traditional to Finland, and derives from Lonnrot's artistic assembly of oral poetry. In reading this classic, one careers through a unique culture and mythology on horse-drawn sledges and hand-crafted vessels, meeting such fantastical figures as the ever-wiseman -- and ever-bachelor -- Vainamoinen and the brawny mistress of Northland, Louhi. Comprising fifty cantos, "The Kalevala" requires unfettered time, discerning ear, and adventurous spirit to complete. Tongue-tickling alliteration and intraline rhymes help speed the journey. And anyone who has read and enjoyed Henry Wadsworth Longfellow's "The Song of Hiawatha" will appreciate Lonnrot's compilation, as Longfellow modeled his work in part on "The Kalevala." Perhaps the farfetched feats and unlikely events intrinsic to this mythological mosaic seem irrelevant to modern materialism and daily grind, but heeding the beck of such diversion will supply one not only with practical wisdom but also with the virtue of its purpose: pleasure, poetry, and historical preservation.
31 of 33 people found the following review helpful:
5.0 out of 5 stars
The Finnish Illiad,
By Kellyannl (Bronx, NY USA) - See all my reviews
This review is from: The Kalevala: An Epic Poem after Oral Tradition by Elias Lï¿1/2nnrot (Oxford World's Classics) (Paperback)
This sister to the Norse Sagas is the masterwork of Finnish mythology.In it we follow the three main heroes - the elderly Vainamoinen, wise in everything except love; his brother Ilmarinen, the presumably middle-aged master smith; and Lemminkainen, the reckless young lothario who causes his wife and mother endless headaches but who we like enough anyway that we worry about him when he gets into trouble. In some ways, it's a product of it's time. This was written in a time when women had no say in who they married; they had no recourse if their husbands were abusive; and they were virtually their mother-in-law's slaves until their younger brother-in-laws or sons got married and they weren't the low women on the totem pole anymore. Althoug Aino's story offers a message about this system, it's pretty much accepted. This is what life was really like at the time these stories were sung. In other ways, though, it's surprisingly modern. Although the results usually aren't so serious, we've almost all been taken down a peg by an elder like Joukahainen at some point in our lives when we've needed it. I would imagine that many widowers - and widows, for that matter - can relate to Ilmarinen's sense of loss when he loses his wife. And then there's Kullervo. He wins the all-time teen angst award hands down. It's fascinating how his cycle deals with a question psychologists have grappled with for centuries - are kids taught to be good, or are they just born good or bad? He's a danger to society, yes - but he may also never have had a chance. No matter what you feel about what he does, the scene where he wanders pitifully among his family asking if anyone would cry if he died until he gets what he needs to hear from his mother, can move you to tears. Just read the headlines about the latest school shooting. There really are kids almost this messed up out there.
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