17 of 18 people found the following review helpful:
4.0 out of 5 stars
C.S. Godshalk the memsahib's Conrad?, September 11, 1999
Upon release of her debut novel Kalimantaan in 1998, award-winning short story writer C.S. Godshalk was dubbed 'the memsahib's Conrad' by the Sunday Times.
The novel, indeed reminiscent of Joseph Conrad's Lord Jim, is based on the life of James Brooke. During the golden age of British imperialism, this 19th century adventurer carved out a small piece of the East Indies for himself. First founding the settlement of Kuching on the island of Borneo he was later recognized as the 'White Rajah' of Sarawak.
In Kalimantaan (which incidentally means 'Island of raw sago' in the Dayak language) the story is mainly told from the perspective of Amelia, wife of Gideon Barr (the fiction version of James Brooke). After ten years in the wilderness Barr has returned to England to find a bride. The young woman of his choice, Amelia Mumm, accompanies her husband back to Borneo. What follows is the tale of a Victorian woman's experiences in an alien and often frightening environment.
Godshalk is a great stylist, with an astounding command of language. Blending fiction with historical and anthropological facts, she recreates the brooding atmosphere of the island's interior, where these Victorian pioneers were more or less engulfed by the Malay and Dayak culture: mysterious and impenetrable like the forest itself. There is for example a chilling description of a headhunting campaign.
However, although the book depicts a very vivid picture of the situation in Barr's little empire, the plot remains somewhat thin. In this respect it is not always clear how the vast array of characters introduced into the story are supposed to contribute to it. As a result of this multitude of personae the development of their characters leaves something wanting too.
Unfortunately, this is also true for Gideon Barr. It seems as if the author has taken to heart the warning which she lets one of the minor characters in the book give to Barr's cousin and rival, Richard Hogg. In a letter their uncle Jared Heath writes that in the East 'complex souls do not do well' and he himself had 'clung to his two-dimensionality like a raft'.
The most intriguing figure in the book is Richard Hogg, who rules over one of the remoter district's of Barr's realm. He is revered by his tribesmen, who refer to him as 'Tuan Mudah' or heir-apparent, and whom he calls in turn 'my Dyaks'. He is a brooding man, with a dark mindset and as such a 'true denizen of the place'.
The incomplete glossary of Malay and Dayak terms I find somewhat irritating. To add to the flavour the text is spiced up with numerous words from the native languages. However, while some words that might be expected to be more or less commonly known such as adat, imam and kongsi are in the glossary, one looks in vain for angat, langkan, parang and sabut.
Despite these flaws, Kalimantaan is a delightful book. While it may be a bit premature to put the author in the same category of great storytellers such as Kipling, Conrad or Marquez, I look forward to her next one.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Spell-binding, February 5, 2000
This is a fascinating, beautifully written novel, a fictionalised account of the white rajahs of Borneo. It may seem like heavy going at first but, if you stick with it, you'll soon find yourself caught up in the story. The characters spring to vibrant life and you can almost sense the dense, stifling jungle all around them. And, above all, it is a magnificent tale of love.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
Fascinating look at the failure of a long bright dream, April 23, 2003
This rich, reflective novel tells the story of a hard-headed Englishman's establishment of a private raj in Borneo.
Plot summary: In spite of antihero Gideon Barr's misplaced attention to detail, the kingdom survives attacks by pirates, headhunters, cholera and the weather, and even Barr's tragic marriage, only to finally be undone by revolution and misplaced trust.
Details of plot and place are wonderful here, but what really stands out is the characterization and the tensions of the many private and public relationships in this kingdom. More tension: the tropical environment consistently resists "civilization" or even comprehension from its European residents.
Kalimantaan doesn't put characters with modern sensibilities in front of a quaint backdrop; it's a "historical" novel only in the sense that it interrogates history and historiography.
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