Time and again, Jack Kirby created characters and premises that have gone on to inspire multiple generations of comic book readers. Though Kamandi certainly doesn't rank as one of his best remembered efforts, I truly believe it was his greatest work. Though it contains all of the trademark Kirby touches that one should expect (fantastic layouts, dynamic action, awe-inspiring splash pages, and a strong sci-fi premise) this story of the last surviving boy making his away across a post-apocalyptic American landscape dominated by evolved animals goes so much farther.
In every issue, Kamandi ventures into a new area, discovering amazing villains and support characters, unforgettable settings, and bewildering cultures, technologies, and back stories. And yet, every issue, both Kamandi and Kirby move on, leaving behind amazingly rich content that could easily have formed its own hit series, in pursuit of a new city with new potentials for amazing adventure.
That's the true wonder of Kamandi. In every issue, the story and setting are so dramatically different from the previous one, whether containing a race of Grecko-Roman inspired tigers, a 1920s Al Capone Chicago run by robots, an enormous department store that sells people, a futuristic outpost of humans representing man's next evolutionary step, or an ape cult that worships the fallen Superman, Kirby keeps producing amazing premises that dazzle the mind while his art works to dazzle the eyes.
In the end, whereas efforts like The Fourth World, The Eternals, and even Kirby's classic Golden and Silver Age works began with one fascinating premise and took it until it wore thin, Kamandi's is a premise that forces Jack to keep introducing new premises, literally each issue, and this continually works well for at least the first twenty stories. In a sense, Kamandi is the ultimate Kirby work, the recipient of the lion's share of his creative energies, because it truly is 30+ Jack Kirby premises, each given one to two issues, and each featuring a boy named Kamandi.