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Kaputt Pb (Oscar classici moderni) (Italian Edition)
  
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Kaputt Pb (Oscar classici moderni) (Italian Edition) [Paperback]

Curzio Malaparte (Author)
2.0 out of 5 stars  See all reviews (1 customer review)


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Language Notes

Text: Italian

Product Details

  • Paperback: 437 pages
  • Publisher: A. Mondadori; 1. ed. Oscar classi moderni edition (1995)
  • Language: Italian
  • ISBN-10: 8804395680
  • ISBN-13: 978-8804395683
  • Product Dimensions: 7.7 x 5 x 1 inches
  • Shipping Weight: 10.6 ounces
  • Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #6,800,305 in Books (See Top 100 in Books)

 

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6 of 21 people found the following review helpful:
2.0 out of 5 stars European Classic????Maybe.., September 26, 2003
By A Customer
This review is from: Kaputt Pb (Oscar classici moderni) (Italian Edition) (Paperback)
There are two very effective descriptive paragraphs in the book. The first passage describes the eyes of a Jewish child `living' in a ghetto; the second passage depicts a field of sunflowers whose faces follow the movement of the sun. These scenes are so vivid, the reader could be standing there, right next to Malaparte. These beautiful word-pictures are the reason the book got two stars.
The majority of the book was disappointing with a reoccurring attempt to justify the actions of Nazi Germany and the inaction of Malaparte and other Europeans who knew what was happening, but did nothing.
Three specifics points:
A) Malaparte praises the accomplishment of the German people: culturally, intellectually, even citing their wonderful sense of humor and efficiency. However, as Malaparte puts it, Germans are also human, and have one small, irrational flaw, namely, a fear of the weak and helpless. Malaparte frames the flaw to elicit sympathy for the Germans, saying the German people should be pitied for having such a ridiculous failing. (This `explanation' of the teeny-tiny flaw in German character is so nonsensical that I thought the book was a `bad translation' from Italian to English. It became clear, with Malaparte's continual attempt to whitewash this `little blemish', that the translation was probably accurate. I don't accept the premise that Germans are/were so afraid of weak and defenseless people, that the German's have/had no choice but to imprison, torture and kill defenseless people. This explanation is beyond me.)
B) Not only does Malaparte minimize Germany's actions in W.W.II, but he repeatedly justifies his own (and Europeans) inaction. One example from page 111...."if I had only been able to do something to prevent the pogrom. But....I did not feel like walking as far as Copau ..." It is an interesting attitude : do nothing because you feel like doing nothing. Claim to care and be interested, as long as no follow-through is required.
C) Finally, adding insult to injury, Malaparte seems to implies that maybe the people being persecuted, the weak and defenseless, deserved what they got.

The book presents a great example of European attitude, especially if you're having trouble understand their word/ action disconnect.
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