Amazon.com: Customer Reviews: Karsh: A Biography In Images
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This book contained many pleasant surprises. I've been a long time fan of Karsh since he was a guest lecturer at Ohio University in 1966 and flattered me by asking to have copies of some of the candid photographs I'd taken of him interacting with the students of the O.U. Art School. I still have some of the nice notes he sent me on his specially made stationary (which is mentioned in the book) framed and hanging on the walls of my office.
The surprises in this "biography in images" were of several varieties. Some of his virtually unknown earlier work was fascinating. His early portrait of his mentor Boston Portrait Photographer John H. Garo was but one example. Two other surprising images were of nudes: one from 1935 and the other three nudes entitled "Elixir, 1938" were from his experiment in optics and Surrealism. Numerous self-portraits from his early career included "Self-portrait in garden ball, 1930" and a 1952 portrait with him holding up and examining an 11 X 14 inch glass negative. In the book, it's across from a beautiful 1963 loving portrait of his second wife Estrellita.
One of my new favorite Karsh photos is a 1953 circular pattern picture called "Quebec City: Nun on steps in convent." I'd never seen any other Karsh image like it before. "Calgary: Stampede 1953," which appears to be some kind of dusty rodeo scene is also totally unlike any other picture I've ever seen by the famous photographer. It reminded me of Bill Allard's classic cowboy photo coverage.
A stunning photo of a workman eating his lunch while sitting atop huge rolls of unrolled paper that was unrolling off the press is called "Great Lakes Paper Co.: Man Eating Lunch 1953." I rather suspected he workman wasn't really eating his lunch in that location where he might have ruined hundreds of feet of a 30- foot wide roll of paper by spilling his lunch on it. The subject certainly made a fascinating picture in any case.
I'd forgotten how much I liked Karsh's portraits of famous artists framed within some of their artworks. While I thought the cover shot of "Pablo Picasso 1954" appeared phony because of the artist's expression, which made it appear he was about to break out laughing at the silliness of the pose with it appearing the artist is punching himself in the chin, rather than resting his chin on his fist, the framing was still wonderful, as it was with all the other artist and many of the musician portraits. The more famous of his portraits hardly need amplification here, because they and their stories are well known. It's really the other not-so-famous photos that make this book interesting.
Having just read Karsh's earlier work, 'In Search of Greatness: Reflections of Yousuf Karsh", I was surprised to find most of the text in this new book lifted from that work--not that there was anything wrong with that because it was Karsh's writing, it just seemed odd. It became more interesting when it continued to cover his life after the earlier memoir had been published. Most people have probably not read the earlier, much longer, more detailed version of his life anyway, so it worked fine in this book as well.
This book, which was published by the Boston Museum of Fine Arts, is a wonderful addition to anyone's reference library of Karsh work. It's interesting that Karsh returned to Boston after leaving it to set out on his own career path nearly 50 years before. It says much for the city and how much he appreciated his early experiences working there. He moved to Boston permanently in 1997 and he died in that city in 2002. Before his passing he donated the largest collection of finished Karsh exhibition prints to that institution (the MFA) although the majority of negatives and work prints from his 15,312 portrait sittings are part of the National Achieves of Canada. This biography is a winner because it has some new insights into Karsh's thinking and craft.
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on March 26, 2013
When I think about photography, most of the time I am looking at the instruments (the cameras and lenses) and not the art in the pictures.
Only recently, I discovered Karsh (looking at his famous picture of Churchill!) I decided to look for some books on him and I bought this one.

It is great! Karsh has the ability of revealing the soul of his subjects! His pictures are works of art, the book is a great sample of the many pictures he took during his life.
I am amazed by the number of incredible people he photographed. He had an incredible life!! He photographed the XX century!

This book is a book to learn and enjoy.
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on March 25, 2010
Karsh took some amazing portraits. This book shows an interesting selection of them and each photo is accompanied by a short anecdote. Nice print quality. I've been passing this book around to friends and family and every single one of them was amazed by the quality of his portraiture. Great and inspiring book, good value for money.
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on June 5, 2013
This a subvert book on a single photographer who has one acclaim through the United State, UK, and his homeland of Canada. I highly recommend it.Simply put Karsh is a n artist with his camera and lens. He also did a masterful job in the darkroom. While I own one of his images, I wish I was in a position to collect others. THis books serves as a handbook to collectors and a beautiful art book to others. Buy it!
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on October 7, 2011
I really enjoy looking at masters of the art and Karsh was the best. The talent and effort is somewhat lost in the digital age. Good book.
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on September 11, 2015
I was fortunate to have met him in the late 70's and this book brought back memories of our conversations and some of the stories that he gave us. The book is a wonderful addition to my photography library. I look forward to acquiring additional books.
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