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Kathakali Dance-Drama: Where Gods and Demons Come to Play [Paperback]

Phillip Zarrilli (Author)

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Book Description

December 12, 1999 041519282X 978-0415192828
Kathakali Dance-Drama provides a comprehensive introduction to the distinctive and colourful dance-drama of Kerala in South-West India for the first time. This landmark volume:
* explores Kathakali's reception as it reaches new audiences both in India and the west
* includes two cases of controversial of Kathakali experiments
* explores the implications for Kathakali of Keralan politics
During these performances heroes, heroines, gods and demons tell their stories of traditional Indian epics. The four Kathakali plays included in this anthology, translated from actual performances into English are:
* The Flower of Good Fortune
* The Killing of Kirmmira
* The Progeny of Krishna
* King Rugmamgada's Law
Each play has an introduction and detailed commentary and is illustrated by stunning photographs taken during performances. An introduction to Kathakali stage conventions, make-up, music, acting, and training is also provided, making this an ideal volume for both the specialist and non-specialist reader.

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Editorial Reviews

Review

Zarilli has been writing about the famed South Indian dance-drama kathakali for two decades; this may be the most important work yet... His own expertise is unquestionable, his involvement extensive and intense. The list of videos available for several plays will make the book even more valuable for those who have never witnessed a kathakali performance..
–J. L. Erdman, Choice

The book will be useful for advanced undergraduate and graduate theatre students...this will be an outstanding book.
–Joan Erdman, Chicago

There is no doubt that this is a project of ample scholarly significance, one that will be welcomed by the Asian theatre community and those who look to it for a new vision.
–Kathryn Hansen

About the Author

Phillip B. Zarrilli is Professor of Theatre and Performance Studies at the University of Surrey. He is the author of The Kathakali Complex (1984) and the editor of Acting (Re)Considered (Routledge 1995).

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Inside This Book (learn more)
First Sentence:
My paraphrase of this highly reflective story about kathakali and its relationship to its audiences was told to me during my 1993 trip to Kerala, India, by my friend and colleague, V.R. Prabodhachandran Nayar - a life-long appreciator of kathakali and Professor of Linguistics at the University of Kerala. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
kathakali stage, cempata tala, kathakali repertory, kathakali texts, kathakali patronage, muri atanta, rhythmic cycle set, ekadasi rites, kathakali characters, kathakali play, kerala context, kathakali artists, kathakali actor, kathakali training, martial practitioner, following sloka, sari dance, kathakali performances, ekadasi day, performative elaboration, sacrificial paradigm, play authored, contested narratives, sacrificial destruction, dialogue portion
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Kathakali King Lear, Kerala Kalamandalam, People's Victory, Sankaran Namboodiri, Kottayam Tampuran, Appakoothan Nayar, South Asian, Gopi Asan, Message of Love, Prabodhachandran Nayar, Karna's Oath, Kerala State, Ganesha Iyer, Sree Rama, The Killing of Duryodhana, World Conscience, Kartika Tirunal, King Nala's Law, The Killing of Baka, Appukuttan Nair, Mandavappalli Ittiraricha Menon, Margi Vijayakumar, New Delhi, Padmanabhan Nayar, Ramunni Menon
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