Customer Reviews

Keaton Plus

5 star:		(3)
4 star:		(0)
3 star:		(2)
2 star:		(1)
1 star:		(0)

 

 

This DVD does not showcase Buster Keaton's famous and incredible body of work (his silent films), but highlights some relatively hard to find films/outtakes of his. It is a great collection for both Keaton fans and for newcomers to appreciate the greatest film comedian of any generation.

If you are not aware of Buster Keaton's history, in the late 1920's he signed with MGM only to lose the complete creative control he had experienced in his silent films. Consequently, his body of work beyond the silent era is largely uncreative and most is very difficult to watch a genius reduced to poor scripts and shallow characters. MGM didn't understand what to do with him and basically made him a boob to Jimmy Durante's loudmouth character. Poor Buster.

However, Buster did work consistently and managed to eek out a living and find work in some tolerable films. Some of these are gathered here.

The highlight of the DVD for me was the "Silent Echoes" chapter, in which the author of the Buster book "Silent Echoes" takes us on a then/now trip through the old Hollywood of Buster's filmmaking days, mapping the film's locations to present day (or to historical photographs in the cases where the building had been demolished). I was glued to the screen for days watching this over and over.

Despite not containing Buster's more famous film clips, this is a very enjoyable collection. If nothing else, I believe it's the only place you can see the short "The High Sign" in its entirety, which, alone, is worth the price.

This assortment of bits and bobs from Keaton's career in film and TV - no gems, more some interesting oddities - is in fact the extras disc from The Art of Buster Keaton collection, which means that completists who already have three versions of many of the films on different issues (guilty as charged) don't have to buy them all over again just to fill in the gaps.

It's certainly a very mixed bag: extracts from uncompleted film Ten Girls Ago and shorts Daydreams and The Love Nest, a completely remastered print of Hard Luck, two educational shorts, Allez-oop! and Jail Bait and a TV production of The Awakening. There are also extracts from four episodes of Life with Buster Keaton as well as commercials for Phillips 66, Shamrock Oil, Kodak and, ironically considering his alcoholism, Simon Pure Beer as well as home movie footage of Keaton in Paris, and briefly, filming The General. There's a Keaton interview, extract from This Is Your Life, introductions for TV screenings of his films by Orson Welles, Lillian Gish and Gloria Swanson as well as stills and photo galleries and then-and-now location comparisons. Nothing really essential and not much entertainment value for the casual viewer, but nice little bits for the Keaton fan even if they do leave you hungry for more.

This collection is not, primarily, meant for those interested in Keaton's artistry. This is mostly meant for those interested in what Keaton did after his decline during the early sound era, and also to hear accolades from fellow film greats like Orson Wells and Lilian Gish. There are two rare Keaton sound shorts from the 1930s made for Educational Pictures. They are mere curiosities with only glimpses of the considerable talent Keaton possessed. There are also TV appearances, including TV commercials. There are also (beware: extremely short) excerpts from "lost" silent films.

There are only two things that make this collection worth examining. The first is an interactive exploration of Keaton's film locations in San Francisco and Los Angeles, based on the book "Silent Echoes". I live in San Francisco and it's fun to see images of Buster fleeing the cops through neighborhoods I drive or walk through often (San Fran, unlike LA, has not changed that much in appearance since the 1920s). I'm not sure how interesting this part of the collection is to folks not familiar with SF or LA, but I liked it.

The real gem in this collection, which seems as out of place as caviar with table scraps, is the early Keaton short "Hard Luck". Although not his best short, the star imbues the film with an energetic freshness, reflecting someone entirely confident in his creative ability, even at this early stage of his career. It aptly illustrates Keaton's remarkable ability to invent funny situations out of mundane activities like fishing or riding a horse. One feels in "Hard Luck" a link to modern masters of comic improvisation like Jonathan Winters and Robin Williams, except in Buster's case the invention is entirely visual. There is also the inherent darkness in the Keaton character, who is spending much of the film trying, unsuccessfully, to commit suicide. What's remarkable about the Keaton character in the early shorts is that he can pull off the allusion to despair and hopelessness while keeping the film light, fresh and energetic. Chaplin sometimes hits the audience over the head with pathos; never Keaton.

On the whole, however, I would not recommend this collection except for those who are seeking a complete Keaton library.

I love Keaton. In this DVD I have one excellent perfomance in a dramatic character, THE AWAKENING, and something short: the excellent HARD LUCK restored, and two talkies, ALLEZ OOP and JAIL BAIT.

On the surface, a hodgepodge video collection of old TV commercials and obscure film and TV excerpts sounds like a less-than-ideal item to purchase. But this is Buster Keaton, and it's all worth it. A big highlight for me is "The Awakening," Keaton's first dramatic role from the TV program "Douglas Fairbanks, Jr. Presents." But for all Keaton completists like myself, here's an important note. The version of "Hard Luck" included on this DVD has more footage, including the long-lost ending, than the recently released (July 2011) Kino set of Keaton short films. Apparently Kino no longer has the rights to this mostly-complete version of "Hard Luck." That alone makes it important for the Keaton fan to own this particular DVD.

I debated a long time about ordering "Keaton Plus" because I knew the Kino set was coming. I also debated between this and "Industrial Strength Keaton," wondering which one to buy. (I ended up with both -- I said I'm a completist.) I am SO GLAD that I went ahead and purchased this, and if you are a diehard Keaton fan you'll love it, too. There are Keaton jewels to be found throughout. Take it from me -- it's all worth it.

I love Keaton and think he was a genius. This dvd is worth viewing for the shorts from Keaton's "Educational Films Company" period in the thirties. Educational was considered the bottom of the barrel. If you made films for Educational it meant your career had died and you needed a way to pay the rent and put food on the table. I was under the impression that Keaton's work for them was as awful as the films Harry Langdon made for them (most of which are painful and heartbreaking to watch when you know the great work Langdon did in the twenties). It turns out that Keaton's Educational shorts are fine thirties comedy fare - not brilliant by any means or even close to his best work - but perfectly acceptable comedy shorts - and there are moments of the old Keaton inventiveness even in these quickly and cheaply made films. There is also incomplete footage from some previously lost films from the twenties. That is the good part of this dvd. The rest: grainy tv commercials, tv and film cameos, opening intros by celebrities such as Orson Welles (coming off as arrogant and haughty even while he attempts to use his time to praise Keaton), Lillian Gish (transparently reading from cue cards - you can see her eyes scan the cards from left to right), Gloria Swanson (camping it up like Norma Desmond), all fall flat. The menu is a mess and you can't always use the arrow buttons to go to anything. I had to play around a good deal with the remote to see all of this disc. If you haven't seen all of Keaton's films, don't waste your time on this disc - I doubt that anyone but Keaton devotees could sit through all of this.