Keren Ann

Keren Ann | Format: MP3 Download

Product Details

• Original Release Date: April 16, 2007
• Release Date: April 16, 2007
• Label: BLUE NOTE
• Copyright: (C) 2007 Delabel, a division of EMI Music France
• Total Length: 43:24
• Genres:
• ASIN: B000TEPEE4
• Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #103,082 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

17 of 22 people found the following review helpful:

4.0 out of 5 stars Subtly beautiful., May 8, 2007

By 

Micki Zackary (Bombay, India) - See all my reviews

This review is from: Keren Ann (Audio CD)

Critically-acclaimed singer / songwriter Keren Ann Zeidel returns with her fifth album. Often favourably compared to Françoise Hardy, Nico, Serge Gainsbourg, Mazzy Star, Rufus Wainright and Suzanne Vega, Keren Ann is a truly special and engaging artist, one whose work evolves and grows, often with every listen.

"Keren Ann" is the follow up to 2004's Nolita, which was greeted with rave reviews around the globe proclaiming Keren Ann's voice "as alluring as that of Astrid Gilberto and with an emotional languor that would have done Chet Baker proud".

The new self-titled album has been produced by Keren Ann and mixed by Joe Barresi (Tool, Queens of the Stone Age, Alanis Morissette).

I was a little nervous about this new one, since Nolita was not an excellent album in my opinion.

Pretty much immediately after starting it, the new album sounded so stunningly beautiful and different.

It was like a city of ice slowly melting as the sun sinks sending rays of warming glow over the ice melting it filling the land with sparkles. So that was a little ridiculous for a comparison beteen the new album and the previous, but it is so clean and twinkly, the sound is crystalline even.

Her vocals are nearly whispery soft, parts of the album are nearly spoken because of her delicate voice. Even though they are so light and airy, and there is something so aged and sexy about it. Without a doubt, they are the focus of the album.

The instrumentation is merely there to compliment the mood of her voice, it's so wonderfully melded together. There are actually many instruments being used, but so softly it gives a dream like illusion to the music.

Most of the self-produced tracks burns slowly, but intricate details add sparkle: Hand claps open "Lay Your Head Down", and tinkling piano closes "In Your Back".

Towards the end she even utilized a choir without having it be overpowering to her dainty songs. The only song that nearly fell out of this mood was the fifth song "It Ain't No Crime", which features a crunchy guitar sound, and it is somehow subtilely forceful but still quite jewel toned.

The album is entirely in English which is rather different for Keren Ann, but I hope it gains her a wider audience for she surely is talented and has a lot to offer if only people were willing to listen

Highlights include also "Lay Your Head Down", which is propelled by handclaps, harmonica, and a mix of strings

Don't miss Keren Ann on tour later on this year.

4 of 6 people found the following review helpful:

4.0 out of 5 stars "It Ain't No Crime" to Love This CD, September 10, 2007

By 

Jay Murphy "Jay Thing" (Landover Hills, Maryland United States) - See all my reviews
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This review is from: Keren Ann (Audio CD)

On this, her fifth album, Keren Ann really nails it. With echoes of the Velvet Underground & Nico, Mazzy Star & Hope Sandoval and a bit of Suzanne Vega, this CD sounds like having a waking dream. This is only the second CD I own of hers. I didn't enjoy "Nolita", having listened to my brother's copy but I am quite fond of "Not Going Anywhere". As much as I enjoyed that effort, this one knocks me out. The arrangements, both instrumental and vocal are at once subtle, complex and surprisingly unexpected and fresh. A few of the disc's shining high points include the Mazzy-infused "It's All A Lie" with its buzzing guitar swaths propelling the rhythm and great atmospherics adding color; the infectious hand-clap-happy "Lay Your Head Down". These have got to be the most intricate hand-claps I've ever heard- really cool. There's also an excellent string section and some Laurie Anderson-like "ah-ah-ah"s near the song's end that echo the rhythm of the previous hand-claps. With its squalling guitar and dirty-sounding minimalist drums reminiscent of the V.U.'s Mo Tucker, "It Ain't No Crime" sounds just slightly out of place with the rest of the set but it somehow works just the same. We end our journey in "Caspia" and I anxiously await Keren's next CD.

2 of 3 people found the following review helpful:

4.0 out of 5 stars Keren Ann refines herself again, but still against the norm in this excellent album, January 22, 2008

By 

Bryon McDonald "bryonmcdonald.blogspot.com" (Lawrence, KS, USA) - See all my reviews
(REAL NAME)   

This review is from: Keren Ann (Audio CD)

Keren Ann Zeidel's self-titled fifth studio album (third in English) is, if you've never heard her, something new. If you're looking for something a little deeper, varied, and against the norm...look no further. Basically Zeidel oscillates between and incorporates elements of a contemporary Mazzy Star (a la So Tonight That I Might See), an unassuming under-the-radar folk-pop princess, and a guitar-playing chanteuse. The result is an entirely unique sound: one that changes from song to song but remains undeniably her. As Q Magazine (7/01/07) stated, the album "remains resolutely unconcerned with commercial clutter. Its nine songs are introspective and exclusively indifferent to anything outside its own self-created world."

For some reason, this album sucks you into that world; it is essential to listen to the album straight through, because the songs move you from one feeling to another, like stops along a journey through an emotional and imagerial dream. In the first two tracks, I felt like I was trapped in a dark cell, then released into a sun-lit, breezy garden with a view of the sea. She takes you sailing, down a slummy alleyway, into a cabaret, and floating across the sea (in a song that reminds me very much of Moby's "God Moving Over the Face of the Waters"), then reflects on it in a fun and completely carefree epilogue...all in 43 minutes.

Her voice is smokey, laden with a distinct flavor of complexity (in its variations between hopeless depression and euphoria), but also pronouncedly delicate. The instrumentation is somewhat minimal, but very diverse, ranging from typical rock-band elements, to backing orchestral and choral arrangments, beautiful piano, and even some twangy guitar (reminiscent of Nancy Sinatra's "Bang Bang," e.g.). A common criticism that I hear of many bands is that "all their songs sound the same;" well, my feelings on that statement notwithstanding, none of these songs (even her voice in each one) sound alike. I recommend this album highly, especially since it's best experienced as a whole.