Kesey's Jail Journal: Cut the M************ Loose [Hardcover]

Ken Kesey (Author), Ed McClanahan (Introduction)

Book Description

Publication Date: November 10, 2003

Four years after the legendary 1964 bus trip immortalized in Tom Wolfe's Electric Kool-Aid Acid Test, Ken Kesey began serving time in San Mateo County Jail for pot possession. Transferred to an experimental low-security "honor camp" in the redwood forest, he spent six months clearing brush and immersing himself in the life of the jail community, attempting to "bring light and color" to it. "This is crazier here than the nuthouse ever was," Kesey noted, and proceeded to record the scene in numerous notebooks, illustrated with intense and brilliantly colored artwork.

Upon returning to Oregon, Kesey turned the raw notebook material into an illustrated collage that stretched across dozens of 18" x 23" boards. Upon realizing that publication of the elaborate, handwritten book was more than his publisher was willing to attempt, he put it aside. Almost thirty years later he returned to the project and brought it to completion during the final years of his life. Fans of Ken Kesey's singular American voice will rejoice to hear it again in this unique and long-overdue volume. Those unfamiliar with Kesey's artwork are in for a revelation.

Editorial Reviews

From Publishers Weekly

Author of One Flew Over the Cuckoo's Nest and the leader of the Merry Pranksters, Kesey was a seminal '60s anti-authority figure-with some consequences via The Man. His lushly illustrated account of time in prison was begun in 1968, when Kesey was serving time for pot possession in an experimental low-security "camp." Kesey drew, collaged and wrote a running narrative of his experiences in several notebooks, which 30 years later, toward the end of his life, he assembled into this single work. The original intent was to contrast the swirling, colorful collages and watercolors of his jail surroundings-many of which suggest the influence of Blake-on the verso pages with printed text on facing rectos, but his later revision and considerable expansion of the text decidedly tilts toward the text. The latter reads like a time capsule of slang and drug references that will instantly transport those that partook: "Hot Double Damn! There's four STP tabs, couple of psilocybin pills and five good old Owsley purples!" A running confrontation with a camp supervisor named John Wayne illustrates Kesey's ongoing interest in authority figures out to crush the spirit, but does not resolve as it would in a work of fiction. While often silly and funny, Kesey also poignantly and often tragically depicts issues such as racial tension, mental instability and the eternal clash between order and freedom.
Copyright 2003 Reed Business Information, Inc.

About the Author

Ken Kesey was born in 1935 and grew up in Oregon. He graduated from the University of Oregon and later studied at Stanford with Wallace Stegner, Malcolm Cowley, Richard Scowcroft, and Frank O' Connor. One Flew Over the Cuckoo's Nest, his first novel, was published in 1962. His second novel, Sometimes a Great Notion, followed in 1964. His other books include Kesey's Garage Sale, Demon Box, Caverns (with O. U. Levon), The Further Inquiry, Sailor Song, and Last Go Round (with Ken Babbs). His two children's books are Little Tricker the Squirrel Meets Big Double the Bear and The Sea Lion. Ken Kesey died on November 10, 2001.

See all Editorial Reviews

Product Details

• Reading level: Ages 18 and up
  
• Hardcover: 160 pages
• Publisher: Penguin Group / Viking; 1st edition (November 10, 2003)
• Language: English
• ISBN-10: 0670876933
• ISBN-13: 978-0670876938
• Product Dimensions: 11 x 8 x 0.8 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #634,133 in Books (See Top 100 in Books)

More About the Author

Ken Kesey was born in Colorado in 1935. He founded the Merry Pranksters in the sixties and became a cult hero, a phenomenon documented by Tom Wolfe in his book The Electric Kool-Aid Acid Test. He died in 2001.

Customer Reviews

Most Helpful Customer Reviews

16 of 16 people found the following review helpful:

4.0 out of 5 stars A Journey To Another Time and Another Place, November 30, 2003

By 

W. C HALL (Newport, OR USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Kesey's Jail Journal: Cut the M************ Loose (Hardcover)

Get ready for quite a trip...this really isn't a book, it's a time machine. Fasten your seat belt and enjoy the journey, courtesy of the one and only Ken Kesey.

Many of the icons of the counterculture movement spent 1967's famous Summer of Love in places like Swinging London, Monterrey or Haight-Ashbury. Kesey was far removed from the heart of the action during those months--he was serving out a jail sentence for his conviction on a marijuana possession charge. Thanks to his lack of a previous record, Kesey was able to do most of his time in a sheriff's honor camp, an experiment in rehabilitation nestled in the California redwoods.

Kesey managed to keep a journal of his days in confinment, pouring forth his raw emotions, vivid dreams, sometimes gentle, sometimes agressive encounters with authority figures and fellow prisoners. He supplemented his writings with a series of vivid paintings and drawings that helped capture the chaotic nature of the experience.

After his release, Kesey had hoped to publish the journal, but found that the available printing technology couldn't do his illustrations justice. By the mid 1990s, he had revived the project, and was in the final stages of preparing it for publication at the time of his death in 2001. So, if you are a lover of Kesey's works, get this volume, read it, celebrate it, and hold it close. This is a stream-of-consciousness, often profane, nakedly honest record of a pivotal summer in one of the great creative lives of the 20th century.--William C. Hall

12 of 12 people found the following review helpful:

5.0 out of 5 stars An Immediate Work of Art, An Important Piece of History, July 6, 2005

By 

Nicholas G. Roehl - See all my reviews
(REAL NAME)   

This review is from: Kesey's Jail Journal: Cut the M************ Loose (Hardcover)

The main question examined in this boisterous, original work of art is when you should "hold your mud." Ken Kesey - Hippie Number One - spent the summer of love incarcerated for a drug conviction. He was America's most promising young novelist when he announced that he was taking an indefinite break from writing novels. His first creative work after this was an unfinished marathon film of a bus ride to Furthur. What he produced next was an amalgam: a personal collage that grabs the reader's eyes and heart on every page.

If Kesey's Jail Journal had been published in its entirety when it was finished, (instead of decades later with some pages lost to prison guards) it probably would have been a sensation. At least it would have gotten a wide audience to see how a blend of images and words could be more immediately affecting and powerful than straight prose. Most pages of printed text are accompanied by that text incorporated into a collage drawing he made in jail. These pages appear like displays of Japanese Calligraphy at the Met. The words are given extra meaning by how they are presented visually.

His illustrations are disarming and masterful. The accompanying text tells easily understood stories in simple, poetic prose. These are seemingly small snippets of life, but Kesey uses them to demonstrate the power structures, personal motivations, and racial tensions underlying every interaction. Kesey wants to create, be free and play - but he must hold his mud enough to keep from losing all of his privileges; along with the book that he is making - which begins to have an importance of its own.

Every page of this book is an ode to the artistic spirit. In prison and at a work camp, Kesey has to contend with the whims of guards and their rules in order to keep his book alive as he creates it. On some pages, he has more varied materials to draw with than on others. The dance between Kesey's creative impulse and the repression of the state institution plays out within and above the book. The effect is a touching display of creativity rising above the obstacles it encounters.

Anyone who wants to have a discussion or book group on "One Flew Over the Cuckoo's Nest" should read this genre-busting book. From the institutional setting; from the imprisoned individuals who have transgressed society's mores; from the blunt way rules are imposed on the deficient; from the wily, red-haired, Oregonian protagonist; from the detailed look at the daily mechanisms of an on-going power structure; all the way down to the farcical (and mandatory) group meetings: there are numerous parallels to Kesey's first novel.

But this was Kesey's real life, not McMurphy's fictional morality play. Kesey has a wife and kids on the outside. He does not reach a point (like McMurphy does in "Cuckoo") where he sees a moral imperative to throw himself into a bitter and mortal struggle on behalf of his fellow inmates. In his Jail Journal, the real Kesey is careful to hold his mud: keeping a lid on his emotions, allowing guards to paint over his decorated shed, at times hiding and smuggling his book.

While he looks out for himself, he looks out at others and provides touching portraits of interesting characters he meets.

Kesey is a master at understanding power and how it is used and abused. His Jail Journal (which the publisher, holding his mud, calls "Kesey's Jail Journal" instead of its real title, "Cut the M************ Loose") is a universal description of the struggle of the individual against the institution. (played out externally against the power structure's guardians and within the individual who pits his courage and principles against his pragmatic self-preservation)

It is also an important document of its time. Kesey sees and unflinchingly displays the divisiveness of race - the veneer of calm on the surface with root conflicts simmering below. Kesey also demonstrates the distrust of the establishment towards drugs, and how conservatives viciously defended the status quo on day-to-day behavior in the sixties. His fate and his evolving ideals serve an important counter-point to the standard tales of reckless freedom and blindness to consequence that are often set in the summer of 1967.

Highly recommended.

12 of 12 people found the following review helpful:

5.0 out of 5 stars Very interesting narrative from a great writer, June 23, 2004

By 

Jon M. Lepine "jaycatt" (Springfield, OR United States) - See all my reviews
(REAL NAME)   

This review is from: Kesey's Jail Journal: Cut the M************ Loose (Hardcover)

I recently saw the original Jail Journal on display in Eugene, Oregon at an art museum. It was filled with excellent illustrations (very 60s, of course) and some wonderful diary entries by Kesey (who really has a way with words). I had a great time reading the pages, which were arranged on the walls in order, and am going to be pruchasing this book so I can have a version at home to look at in the future.