From Publishers Weekly
When the high-fashion photographer known as Hawke tests HIV positive, it comes to light that he neglected to inform his wife, the model Susanna, that he'd enjoyed a premarital homosexual relationship?and that his partner had died of AIDS. But this doozie of a secret isn't the biggest one being kept within Norman's quirky and pedestrian, yet overblown, seventh novel (after Laura). Told mostly through flashbacks, and partly through the journals of Pete Strauss, the psychologist who finds himself in love with Susanna, the story writhes from New York to Cape Cod to Europe, chronicling Susanna's early years in a convent, her upbringing with a foster family and her courtship with Hawke, while detailing her present-day trials of operating a home for AIDS patients. There is way too much going on here, with child molestation, blackmail, rape, kidnapping and religious devotion run amok filling the pages; meanwhile, most readers will guess one of Susanna's biggest secrets long before its revelation. The narrative is of some sociological interest for its depiction of the stigmatization of AIDS victims a mere decade ago, particularly in the fashion industry. It raises important questions as well: Does avowed love mean that all is forgiven? Is there a justifiable gap between public and private rules? But they are obscured by a maudlin approach and by Norman's playing to the gallery.
Copyright 1996 Reed Business Information, Inc.
The beautiful facade of model Susanna covers a childhood of degradation that she has chosen to lock away in her mind. After the sudden AIDS-related illness and subsequent death of her photographer husband, Susanna realizes her perfect life is crumbling, and confronting the past seems the only way to maintain her sanity. Then Peter, a young psychologist who treated her husband, reaches out to her, and their friendship begins to lay the foundations for her future. But Susanna's past returns to claim her before she is ready as a blackmailer threatens her loved ones with dark secrets and cunning lies. The key to Susanna lies in her past, and someone else is holding that key. This well-crafted story embraces the joys and sorrows faced by people with or affected by AIDS and touches on the trauma of childhood abuse. Norman has been compared to Anne Rivers Siddons and Eileen Goudge and will attract the same readership.
Melanie Duncan