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Kill All Your Darlings: Pieces 1990-2005 Paperback – September 18, 2007

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Kill All Your Darlings: Pieces 1990-2005 + Low Life: Lures and Snares of Old New York
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Product Details

  • Paperback: 300 pages
  • Publisher: Yeti Publishing; 1st edition (September 18, 2007)
  • Language: English
  • ISBN-10: 1891241532
  • ISBN-13: 978-1891241536
  • Product Dimensions: 6 x 0.8 x 8.5 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #479,926 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

New York City is fated always to remain my home, writes Sante, who became permanently linked with the city through the underground history he recounted in Low Life, and the lead-off essay in this collection revisits the frame of mind he was in when he conceived that book in the Lower East Side of the early 1980s. The best essays that follow maintain that strong personal connection, such as an eyewitness account of a riot in Tompkins Square Park or the time he lived in the same apartment building as Allen Ginsberg (who suffered me, if not especially gladly). The book and music reviews that make up the bulk of the remaining material are usually insightful and occasionally contain striking imagery: he describes, for example, how the punk-country band the Mekons built an imaginary America out of pocket lint. But collecting disparate pieces in a single volume is a risky proposition, and sometimes an awkward skip, as in a chapter on two books by photographer Michael Lesy, temporarily exposes the anthology's patchwork nature. It's worth working through those rough patches, however, to soak up Sante's various observations on the long legacy of outsider culture, from Rimbaud through Buddy Bolden to Bob Dylan. (Aug. 20)
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From Booklist

Creative social critic Sante has electrifying things to say about intriguing subjects, ranging from New Year's to Walker Evans, but it is his feint-and-jab prose that makes him noteworthy. At once tough in his thinking, empathic in his analysis, and liberated in expression, Sante selects barbed details, tunes in to danger and suspense, and dispenses wry humor and sure insight. In a memoirist mode, he chronicles a precollege stint in a small and brutal plastic factory in New Jersey, and writes evocatively about living in New York during its decline in the 1970s and 1980s and under Giuliani. His passion for music inspires a fresh look at the blues, a sharp assessment of Bob Dylan, and a caustic takedown of the Woodstock myth. Revisiting Victor Hugo and Rene Magritte yields unexpected results, as does an inquiry into the many meanings of dope. And then there's his tribute to the lost pleasures of cigarettes, in which he concludes, "We may all have stopped smoking, but we continue to burn." Sante is certainly on fire. Seaman, Donna

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12 of 12 people found the following review helpful By R. M. Peterson TOP 1000 REVIEWERVINE VOICE on November 30, 2007
Format: Paperback
KILL ALL YOUR DARLINGS is a collection of Luc Sante pieces originally published, although many in somewhat different form, in journals or newspapers (such as The New York Review of Books or The Village Voice) between 1990 and 2005. The individual pieces, 25 in all, deal with New York City and its environs or with significant (and, in several cases, not-so-significant) figures or events in American music, literature and belles-lettres, the visual arts, or pop culture broadly construed.

Inasmuch as I had read and valued highly two of Sante's previous books ("Low Life" and "The Factory of Facts"), I bought this book with high expectations simply because it was by Luc Sante. But reading 25 disparate pieces, with no real unifying threads or themes, was not quite as smooth sailing as I had anticipated. I could only read two or three at a time, over several weeks. And, unfortunately, the least interesting pieces (at least to me) were the ones on New York City at the beginning of the book. But the intrinsic interest picked up after the first 110 pages, with the high points, to my mind, being the pieces on Bob Dylan, Buddy Bolden, the origin/invention of the blues, Hegre and the Tintin books, Walker Evans, two of Michael Lesy's books of American photographs, and Robert Mapplethorpe.

Sante is a keen observer and often insightful commentator regarding popular and "middlebrow" culture as well as the underbelly and detritus of American life. He writes well and with a distinctive voice. (An example: "All kinds of thoroughly debunked specimens -- the noble cowboy, the contented housewife, the edenic small-town past -- continue to stagger along in the collective imagination because of their proven effectiveness as topical analgesics for reality-based headaches.
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5 of 5 people found the following review helpful By David M. Giltinan on February 18, 2011
Format: Paperback Verified Purchase
"Kill all your Darlings" is a collection of essays by Luc Sante, a writer with a breathtaking command of the English language. This may have something to do with his learning English as a second language as a child (he was born in Liege, Belgium in 1954 and his family moved to the U.S. in the early 1960s) -- one thinks of Nabokov, another writer for whom English was not the first language, but who achieved a mastery of the language superior to that of most native speakers. At any rate, Sante writes so fluidly, with such grace (but without showing off), that the reader is happy to buy whatever story he's spinning.

The essays in this collection include pieces on art, photography, poetry and music, and some more idiosyncratic meditations -- on cigarettes, on factory work, on 'hipness', on the harm done to New York City by Rudy Giuliani, on the particular madness that characterizes New Year celebrations. Sante's Belgian origins are reflected in essays about Magritte and Tintin, respectively. Other pieces deal with Victor Hugo, the photography of Walker Evans and of Robert Mapplethorpe. There is a moving tribute to Allen Ginsberg, who lived in the same NY apartment building as Sante for over ten years.

Though I had no great prior interest in the musical evolution of Bob Dylan or the origin of the blues, Sante's writing is so seductive that I read both pieces, and was riveted throughout. He's just that good. This is an awe-inspiring collection.

My favorite essay was hands-down the one about cigarettes. Though Tintin was pretty fun as well.
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4 of 4 people found the following review helpful By Ben Sonnenberg on February 19, 2008
Format: Paperback
This is a wonderful book. Literally. That is, it is full of wonders. At his not infrequent best -- in his essays on jazz and the blues -- Luc Sante reminds this reader of Edmund Wilson. Like Wilson, Sante is dogged and forensic. Without showing off, he tells you things you didn't know and puts you gratefully in his debt. And at his most casual (for instance, his piece on Rudolph Giuliani), Luc Sante is a joy to read.
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4 of 5 people found the following review helpful By Dr. Lorenzo Kincade on March 5, 2014
Format: Paperback Verified Purchase
Purchased as I thought it was a 'How-to' book. Turns out it is not. I was disappointed at first, but then I started reading this collection of essays by Luc Sante (and what, this guy can't go and spell his name 'Luke' like God intended), and it's truly fantastic. So, despite the fact that I secretly think the author worships Satan (a theory based solely on the spelling of his name), this book knocks it down! Great read! Highly recommended, from an obviously smart person.
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0 of 1 people found the following review helpful By Simon Barrett 'Il Penseroso' on August 24, 2012
Format: Paperback
The Buddy Bolden piece and Our Friend the Cigarette are the keepers in this ultimately unsatisfying collection. Nice to know, though, that someone other than me and the late Charlie Gillett thinks Bob Dylan produced no good work between Blonde on Blonde and Love and Theft - namely, Bob Dylan himself! (Personally, you can keep Blonde on Blonde, folks, which is definitely a fall-off from Highway 61; the decline started here.) This might suit someone who's a bit out of the cultural loop. Hip? I don't think so
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