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Killer Instinct [Hardcover]

Jane Hamsher (Author)
3.4 out of 5 stars  See all reviews (21 customer reviews)


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Book Description

September 2, 1997
A shockingly candid, hilarious account of how two young producers broke into the Hollywood studio system--and survived the shark-eat-shark insanity to become Hollywood players.

Thousands of people dream about making it big in Hollywood, but almost all of them end up being eaten alive.  When aspiring producer Jane Hamsher and her madman partner Don Murphy set up shop in Jane's dining room after graduating from film school, they were too naive to know that people like themselves--far removed from the Porsche-driving studio elite--should never succeed in the movie business.

Then Jane and Don stumbled upon a script for a film written by a geeky filmmaker-wannabe named Quentin Tarantino; it was called Natural Born Killers, and they liked it so much they optioned it for the bargain price of $10,000.  But, suddenly, after Reservoir Dogs turned Tarantino into an overnight sensation, he and every major studio in town decided they wanted control of the script, pitting Jane and Don up against some of the meanest, toughest players in Hollywood.

This was only the beginning of their two-year roller-coaster ride through the ruthless world of studio pitbulls, idiotic film crew leeches, and unprecedented butt-kissing and back-stabbing.  When Oliver Stone became hot to direct NBK, Jane and Don could hardly believe their luck --but before they knew it, they found themselves enrolled in the "Oliver Stone School of Filmmaking," a maddening and mind-altering experience, even before the drugs, money, and fame.  Throw Robert Downey Jr., Woody Harrelson, Juliette Lewis, and a whole cast of outrageous characters into the picture and you've got not only the makings of a hit movie but a Hollywood joyride unlike any other.

From the script meetings to the movie set to the marketing and distribution process, Killer Instinct takes you behind the scenes and provides an insider's look at the "New Hollywood"--told by one who learned how to survive it the hard way.  It exposes how deals are really struck and stars are picked, and how the balance of power in Hollywood now favors the Quentin Tarantinos of the world who can add the "indie" cachet to big-budget monsters.  Fresh, witty, and irreverent, Killer Instinct provides an unprecedented look inside this wild and irresistible industry.  


Editorial Reviews

From Library Journal

At the beginning of her tale of the making of a big Hollywood picture, Hamsher finds herself in her bathrobe with the flu and not enough money to pay the rent. She goes on to chronicle the misadventures of her life with business partner Don Murphy as they try to succeed as film producers in Hollywood shortly after graduating from the University of Southern California film school. They live on their passion for movies and lunches with people who may or, more likely, may not be able to help them advance their careers. Finally, their work pays off as they buy the script for Natural Born Killers from then unknown Quentin Tarantino and convince Oliver Stone to direct it, resulting in one of the most controversial films ever made?and a great success for the young producers. Hamsher's style is gritty and to the point, she drops names, and she is unabashedly critical of the Hollywood power players and the men's world she encounters. The reader should know a bit about the film industry before reading this volume, which ultimately would make an interesting film. For academic or public libraries with film collections.?Lisa N. Johnston, Sweet Briar Coll. Lib., Va.
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews

This lean, mean, scabrously honest account of the making of Natural Born Killers amply proves the truism that moviemaking is a ``controlled accident.'' What goes on behind the scenes of certain movies is often a better, more involving story than what appears on-screen. Such is certainly the case with the notorious Natural Born Killers. One of Quentin Tarantino's early scripts, it was optioned by two ambitious recent film-school graduates, Hamsher and Don Murphy. The script was optioned when Tarantino was still an unknown; later, a suddenly hot Tarantino decided that he didn't want the film to be made. His substantial efforts to stop Murphy and Hamsher (including bad- mouthing the pair to studios) were trumped, however, when Oliver Stone decided that he wanted to make this his next film. And that's when things really spun out of control, including long, drug-fueled location-scouting trips, a prison riot during shooting, and innumerable back-stabbings. Stone's preferred modus operandi involves elaborate mindgames, playing his crew members off against each other--purportedly to energize their creativity. The results were predictably chaotic and venomous. Rarely has a book by a Hollywood player (albeit a minor one) been so confessional and recklessly revealing, detailing just how mean and twisted, petty and vindictive, the movie industry can be: ``The world of Hollywood . . . belonged to the cantankerous sons of bitches who were willing to risk any humiliation, broach any authority, get on the phone and scream until they got what they wanted.'' Hamsher freely burns bridges left and right, viciously (though apparently justifiably) damning Tarantino, sideswiping Stone, lambasting agents and studio execs. Forget lunch. After this book, she'll be lucky to do a snack in Hollywood. But her recklessness is our gain: This compelling look behind the curtain should help dispel forever any fond illusions about the ``magic'' of movies. (35 b&w photos, not seen) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Product Details

  • Hardcover: 288 pages
  • Publisher: Broadway; 1 edition (September 2, 1997)
  • Language: English
  • ISBN-10: 076790074X
  • ISBN-13: 978-0767900744
  • Product Dimensions: 9.1 x 6.5 x 1.1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #1,934,089 in Books (See Top 100 in Books)

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Average Customer Review
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49 of 64 people found the following review helpful:
2.0 out of 5 stars ., January 19, 2003
This review is from: Killer Instinct (Paperback)
I give 'Killer Instinct' this much: it was a quick and entertaining read -- a fun ride. The type of book you tear right through in a night. However, I find it difficult to take seriously Jane Hamsher's account of events. I find it curious that every single woman in this book is portrayed as a sweet, strong-willed, honest-to-goodness saint, worthy of enormous sympathy -- (not least of all, Jane Hamsher herself!) -- while almost every single man (save for one writer friend of hers) is portrayed as, more or less, an utter demon (at times, almost literally.)* Even her "partner in crime," Don Murphy is shown, at times, in a critical light -- but never Iron-Willed Jane. She is the very picture of patience and professionalism, often beset upon, but rarely (if ever) in error. It's interesting that at several points, particularly on the production of NBK, it is implied that a lot of people on the set are losing patience with her and are irritated by her presence -- but unfortunately, we don't have their side of the story, and as far as Jane is concerned, it is (always!) all miraculously due to their inability to handle the fact that she's a woman. (!!!) Don't get me wrong, I don't doubt there's plenty of sexism in Hollywood, but Hamsher's account, with its suspiciously unfailing tendency to portray every single woman as a flawless, tough-hearted angel, leads me to believe that this is not just a one-sided account, but quite possibly entirely out-of-whack, the rays of truth refracted wildly through Hamsher's "feminist fairytale" vision of her own experiences.

Additionally, I find it interesting that while initially very smitten with Tarantino's ideas and scripts, that as their professional ties go south, he magically turns into a thoroughly talentless hack, milking stolen ideas for all they're worth. But then she remembers that NBK is her dream project, and it was, of course, scripted by him -- drats! Thinking fast, she asserts that by far the best part of the script -- the TV sitcom parody -- was the work of her writer friend, not Tarantino. Well, uh ... OK.

Particularly priceless, though, is her initial (and I think only) direct encounter with Lawrence Bender, Tarantino's producer. They meet at a party, he says hello and is perfectly friendly and polite to her, and that's pretty much the extent of her experiences with him. Given that, it's pretty amazing (and terribly questionable) exactly how much hostility she has towards him and how much dirt she shovels in his direction throughout the rest of the book. Upon meeting him, she feels "queasy," shakes, and has to immediately leave the room for some air when they part! Why? Because she feels intuitively that she has just been in the presence of -- I believe she uses the term "jackal" -- but given the incredibly over-the-top way she describes it, the impression is more that of a "demon."* And why does she feel that way? Well, it's not one of those things you can explain, see, but essentially, it seems to mainly have to do with the fact that his eyes have a distant look to them. (They "recede into an emotional abyss when he speaks" according to Hamsher.)

I've never met Lawrence Bender, and I have no trouble believing that Quentin Tarantino and Oliver Stone and the host of other male Hollywood stars and hopefuls that appear in Hamsher's tale have their fair share of shortcomings and ballooned egos. Maybe a few of them really are even bad, dishonest people, through and though. Maybe. What I find more difficult to believe is that Hamsher and her coterie of oppressed agents and starlets and mother-figures are half as immaculate as they seem in the version of events she gives us here.

I also question the motivation for writing this book. A fun ride through the Hollywood system, or just an excuse to trash-talk people who've gone on to have more successful careers than she? Looking through Hamsher's filmography, I notice her unfailing tendency to grab interesting projects and turn them into mediocre films with mediocre earnings. It seems unlikely that Hamsher would ever deign to admit to an emotion as base as jealousy, but one wonders all the same.

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5 of 5 people found the following review helpful:
2.0 out of 5 stars Ultimately Pointless, November 19, 2008
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This review is from: Killer Instinct (Paperback)
Paying no heed to some scathing reviews of this book, I decided to purchase this as I am a fan of Oliver Stone's 'Natural Born Killers'. I was hoping that it would give some insights to the creative process that went into making the film--such as how the director approached certain scenes, or some input from the cinematographer (as this is a visually arresting film) etc. But expect for a few tidbits here and there, there's nothing that is worthwhile--you don't feel like you gathered any knowledge, expect for the fact that Hollywood is corrupted (gasp!) and run by men 'who want to get laid by a better class of people'.

As many other reviewers have said, all the men in this book are either 'geeks' or players, back-stabbing individuals while the women are virtuous and innocent.

Oliver Stone is portrayed as a drug user and womanizer, and his crew are equally in bad light. Maybe some of the accounts have credibility considering Stone's reputation, but then this would be a gossip tome--which it ultimately becomes, although sometimes entertaining to read.

Frankly, if you have Natural Born Killers on DVD, there's a segment called 'Chaos Rising: The Storm Around Natural Born Killers'--which details most of the accounts in this book in 30min. Other than that, the only things you'll be missing from this book is the author's obsessive ire at Tarantino and his success (she calls him a geek), and her incessant bragging about her partner Don Murphy.
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8 of 10 people found the following review helpful:
4.0 out of 5 stars A book that's not afraid to blast the industry., October 1, 1998
By A Customer
This review is from: Killer Instinct (Hardcover)
It was refreshing to read a book by Hollywood insiders that isn't afraid to be honest. Hamsher's often-scathing perspectives on big egos such as Quentin Tarantino and Oliver Stone was both satsfying and entertaining. Natural Born Killers wasn't a great film but this book gives you an idea of what might have been...
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First Sentence:
10:00, and into my apartment bounded all 6'2", 220 pounds of Irish-American twenty-something film-student-turned-wannabe-producer. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
movie jail, boot truck, location scout
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Oliver Stone, Don Murphy, Warner Brothers, Los Angeles, Quentin Tarantino, Reservoir Dogs, Natural Born Killers, Bob Richardson, Dave Veloz, Peter Rice, Budd Carr, William Morris, Cathryn Jaymes, Woody Harrelson, Victor Kempster, Wayne Gayle, American Maniacs, Hank Corwin, Pulp Fiction, Santa Monica, True Romance, Lawrence Bender, New Mexico, New Regency, Tom Sizemore
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