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Comment: A well-cared-for item that has seen limited use but remains in great condition. The item is complete, unmarked, and undamaged, but may show some limited signs of wear. Item works perfectly. Pages and dust cover are intact and not marred by notes or highlighting. The spine is undamaged.
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Killing the Blues (A Jesse Stone Novel) Paperback – October 2, 2012

407 customer reviews
Book 10 of 13 in the A Jesse Stone Novel Series

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Editorial Reviews


“It's a doozy…Michael Brandman shows that the standard that Parker set is still there…it all moves at a very fast pace.”--Lincoln Journal Star

“The mysteries are solved in Jesse's inimitable style, and he even has a little time for a new romantic interest…I love it! Killing the Blues will join the other favorites on my Robert B. Parker bookcase.”

“[An] impressive continuation of [Parker’s] series…easy, banter-filled writing, balanced with the lead's apparently limitless compassion, informed by bitter experience.”--Publishers Weekly

About the Author

Robert B. Parker was the author of seventy books, including the legendary Spenser detective series, the novels featuring Chief Jesse Stone, and the acclaimed Virgil Cole/Everett Hitch westerns, as well as the Sunny Randall novels. Winner of the Mystery Writers of America Grand Master Award and long considered the undisputed dean of American crime fiction, he died in January 2010. Michael Brandman, the award-winning producer of more than thirty motion pictures, collaborated with Robert B. Parker for years on movie projects, the Spenser TV movies, and the Jesse Stone series of TV movies starring Tom Selleck. Brandman co-wrote the screenplays for Stone Cold, No Remorse, and Innocents Lost, and supervised the screenplay adaptations of Night Passage, Death in Paradise, and Sea Change. He and Selleck were executive producers of the entire series. 

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Product Details

  • Series: A Jesse Stone Novel (Book 10)
  • Paperback: 320 pages
  • Publisher: Berkley; Reprint edition (October 2, 2012)
  • Language: English
  • ISBN-10: 0425250458
  • ISBN-13: 978-0425250457
  • Product Dimensions: 4.2 x 0.8 x 7.6 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (407 customer reviews)
  • Amazon Best Sellers Rank: #35,715 in Books (See Top 100 in Books)

More About the Author

Michael Brandman has produced more than forty motion pictures, including works by Tom Stoppard, Arthur Miller, Neil Simon, David Mamet, Elmore Leonard, Louis L'Amour, Stephen Sondheim, Horton Foote, Eugene O'Neill and Wendy Wasserstein. He co-wrote and/or supervised the writing on eight Jesse Stone movies, each starring Tom Selleck. His three Jesse Stone novels, "Robert B. Parker's 'Killing the Blues'," "Robert B. Parker's 'Fool Me Twice'," and "Robert B. Parker's 'Damned If You Do,'" are all New York Times Best Sellers. He lives in Los Angeles and is married to the award winning actress, Joanna Miles. He is the father of two sons.

Customer Reviews

Most Helpful Customer Reviews

152 of 161 people found the following review helpful By Don In Fremont on September 13, 2011
Format: Hardcover
Your reaction to the simple existence of a Jesse Stone novel written by someone who's not Robert B. Parker will likely define your approach to reading it.

If, like me, you are a long-time reader of the late, lamented Grand Master Parker, you will be rightly skeptical. The stylistic differences, coupled with clearly different skill-sets, will be off-putting. The choices Michael Brandman makes early in the book will drive you crazy. You might want to fling the book out a window, even.

If, however, you come to Killing The Blues as an admirer of the Jesse Stone TV-Movies, on which Brandman and Parker were frequent collaborators, you'll likely be spared such self-righteous angst.

Brandman seems to be blurring the lines between book and movie continuity now, to the point that Killing The Blues is much like those "tv tie-in" books that support CSI and other long-running series. The settings and characters now resemble the movies more than previous books.

By itself, Killing The Blues is a very effective story of obssession, redemption and all the themes Parker made resonate so well. It weaves a few compelling plot-lines together pretty seamlessly. It's very entertaining crime-fiction commerce.

As summer approaches Paradise, Jesse is greeted with a new wave of car thefts, all Hondas. Clearly an organized-crime expansion into His Town to feed their chop-shop appetites. Jesse wants to stop the crimes, but the Paradise Board of Selectmen want to stop the threat to The Season, which creates some cross-purposes, and opportunities for Jesse to display his ironic aversion to authority.

Jesse hears from his old boss in L.A.
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59 of 66 people found the following review helpful By Peterack VINE VOICE on September 17, 2011
Format: Kindle Edition
I will admit I was, and am an avid fan of the PARKER written Jesse Stone books. In fact as his series' got into their later incarnations I enjoyed the Stone stories (except for one) better than the later Spenser tales. Having said that there was a part of me that was excited that the books would go on, but a larger part of me dreaded the idea.

When I heard that this new author (of "Killing the Blues") worked on the Jesse Stone tv movies I was REALLY dreading this novel, and what at first looked like my prediction coming true, ended up being a nice surprise.

At first glimpse over the opening pages (or the Kindle sample) I began to fear the in quick order the "book" Jesse/Paradise, was slightly skewed so that it resembled more the "tv" Jesse/Paradise. The slight changes (no big spoilers here as this is in the first few pages) include Jesse moving from his apartment to a rental house on an inlet across from a bridge, his romance with Parker's other character, Sunny Randall, is on ice as she is now working long term on a case in England. A slight change that is difficult to miss, is that the writing style is vastly different, and this is both bad and good. The negative is that it does not have the same "feel" of the shorter chapters that end with some sort of one liner. The positive is that the author pays more attention to the story...let me rephrase that, stories - as there are multiple plot lines that kept me engaged.

Once I got past the differences and recognized that there were not to be any more and any vast changes I began to enjoy the book, and again there was much in the plot to enjoy. A released criminal from L.A. is out for revenge and causing havok in Paradise.
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39 of 43 people found the following review helpful By Goldie on October 15, 2011
Format: Hardcover Verified Purchase
This should have some kind of warning on the cover for Robert B. Parker fans: "This is NOT your guy." I tried to like this but it just ground the gears too often. Ham-handed exposition that read more like stage directions...for the love of RBP, let the characters tell us what's going on, what's gone on and why they are doing what they are doing. After stylistic differences, we have the none-too-small matter of fidelity to the Stone character. This version is way too far away from social norms (even for Jesse Stone). A lot of shooting and violence. Not exactly cerebral. The Chief of the Paradise Police Department comes off as the vigilante in charge...and his officers are paper-thin. Molly is a victim of the body-snatchers. Suit has apparently lost his marbles and his moral compass completely. The bad guys are comic book characters and a fair number of nitwits (car thief, school principal, school bully) go through some sort of magical redemption in unbelievably short order....kind of like a television episode. This guy couldn't sharpen Parker's pencils.
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31 of 34 people found the following review helpful By P. W. Peterson on September 18, 2011
Format: Kindle Edition Verified Purchase
Jesse Stone was a Robert Parker character because he spoke sparingly, didn't tell everyone everything he knew, and SHOWED us his character through his actions. A complex character, to be sure, but you always wanted to know how things were going to turn out--in the plot and for Jesse. This book is the opposite of that style. The author doesn't show you what's happening. Instead, he tells you with a million little contrived backstories, inartfully inserted so as to break the narrative drive. Also, it's a swamp of pop-psychology adjectives and behavior and pretty much every character in it is made out of low-grade cardboard. And the sexual attraction between characters was apparently ordered from the Acme Company.

Don't encourage this type of thing. Don't buy this book. Tell your Parker-loving friends not to buy this book. If you must, leaf through it when it appears (in hardcover or paperback) in the remainder pile at some bricks-and-mortar bookstore. You'll see what I'm talking about.
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