From Publishers Weekly
Forcefully combining the percolating violence of his industrial strength locale with the inherent compassion of the Glasgow Police P Division, whose personal lives are made discordant by a cacophony of subtle ills, Turnbull continues quietly to dazzle with this fine series. His team moves into the suburbs here when a headless corpse is unearthed from the shrubbery of an empty house. The dead woman, who had a harsh nature and few friends, was a social worker who had drunkenly talked of cracking open a three-decades-old local mystery. P Division soon finds the two thugs responsible for her killing, but the real mystery is why Pam McArthur died, not how. Somewhere on the edge of the case is a handsome man in a Rolls Royce, dangerous and supremely confident. This eighth Glaswegian tale, coming after Long Day Monday, is slightly less gritty than the others, but Turnbull's knife-edged characterization, even among the supporting cast (a crippled young man walking the streets in the early hours to avoid abuse; a sad parade of stoic women in abusive relationships) is as incisive as ever. The pacing is languid until the coppers close in on the Rolls driver, when Turnbull looses a torrent of clues and conspiracies onto a complex father/son emotional field. The narrative's contrasting moods?assured and stately at first, then driven and brazenly ambitious?meet at the end irresistibly.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
When a car accident leads to a rotting corpse, the Glasgow police department faces a challenge: the corpse has no head or hands. Turnbull (Long Day Monday, St. Martin's, 1993) masterfully follows various members of the homicide team as they identify the body, retrace the victim's steps, track down leads, and corner suspects. The pathologist, too, has his say. The painstaking care with which police solve the case builds tension, despite multiple protagonists, an unsympathetic victim, and an expected conclusion. Good characterization, excellent detailing, satisfying prose, and a dash of prurient detail all make for good reading.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.