Children choose their heroes more carefully than we think. From Pokémon to the rapper Eminem, pop-culture icons are not simply commercial pied pipers who practice mass hypnosis on our youth. Indeed, argues the author of this lively and persuasive paean to the power of popular culture, even trashy or violent entertainment gives children something they need, something that can help both boys and girls develop in a healthy way. Drawing on a wealth of true stories, many gleaned from the fascinating workshops he conducts, and basing his claims on extensive research, including interviews with psychologists and educators, Gerard Jones explains why validating our children's fantasies teaches them to trust their own emotions and build stronger selves.
Killing Monsters
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Editorial Reviews
From Publishers Weekly
Violent entertainment is good for kids, and demonizing it can do great harm to their emotional development, claims Jones (Honey, I'm Home!) in this provocative and groundbreaking work. Drawing on his experience as a parent and as a creator of children's cartoons, as well as interviews with dozens of psychologists and educators, Jones forcefully argues that violent video games, movies, music and comics provide a safe fantasy world within which children learn to become familiar with and control the frightening emotions of anger, violence and sexuality. He debunks studies linking violent media with violence in society and argues that children clearly understand the difference between pretend and reality. Providing realistic and helpful advice, Jones says parents need to learn to differentiate between what violent games mean to children and what they mean to adults, and to stop imposing their understanding of them on children. Adults may be horrified at the literal meaning of a video game, but children are far more interested in its emotional meaning; "through identifying with a fantasy figure who displays intense sexuality, wields destructive power, and exudes heroism, kids can help themselves feel more control over these forces." Jones speaks to adult fears of the power of popular culture and cautions that "entertainment has its greatest influence when it's speaking to something that isn't otherwise being addressed in a child's life." To lessen the impact, adults should "model nonaggression, empathy, respect, a clear distinction between fantasy and reality, and the integration of aggression and other scary feelings."
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Jones's thesis is straightforward: the violence in popular culture is to be embraced rather than feared. In his estimation, it provides a vehicle for objectifying the volatile emotions that young people already experience, presents an opportunity to learn control and to experience power in a culture that perpetuates the helplessness of children and adolescents, and affords a sense of community for those whose limited social skills often result in alienation and loneliness. Adult objections to popular culture violence, the author says, result from failing to recognize that the constructs are fantasy and not asking children about the appeal of action figures, comic books, video games, and rap music. Rather than provide a sequence of logical arguments, Jones uses the 13 chapters to repeat variations on his themes. Employing both anecdotes from his own experience and those of other professionals, and drawing upon existing scientific research, he debunks the "prevailing wisdom" that directly correlates the viewing of violence with violent behavior. Although not an academic, the author has done his homework. He presents his case convincingly, and the concluding notes provide support. Killing Monsters belongs on public library parent shelves and in collections that support teacher training, library science, and the communication arts.
Sue Burgess, Framingham State College, MA
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Sue Burgess, Framingham State College, MA
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Customer Reviews
Most Helpful Customer Reviews
41 of 43 people found the following review helpful
Format:Hardcover
I recently stumbled across this book while shopping at a bookstore, and it came at a perfect time. I have a 3-and-a-half year old son that enjoys some shows that some people feel are not appropriate for young children. Shows like Power Rangers (his all-time favorite), Pokemon, and a few others.
My son goes to a Montessori School, and we have always been quite happy with him there. One day, the head of the school pulled my wife aside and said we have a problem with my son's behavior. She stated that he was showing "aggressive behavior" and that he was the ring leader of a handful of kids that had the same problem. Our first reaction was shock and a fear that we were bad parents. Coming from someone who deals with kids all the time, you feel they would know what's best. She said that the shows he was watching were causing the problem, and that we should not let him be involved in watching those shows. That's when I started thinking about it. I asked her the next time I saw her to define aggressive behavior. She said that my son and his friends would play fight and do karate on each other. I asked if he actually ever hit anyone, and she said no. I also asked if anyone was ever hurt or if they took the playing beyond just playing. She had no answer. I even asked if they took turns winning and she said yes, and that was part of the problem!
This is when I found Killing Monsters, and I am so glad I did. The things it talks about directly related to me and my relationship with my son. I love when he watches Power Rangers, and puts on every article of clothing he owns to enhance his powerful character. He walks through the house as though he could conquer anything! He also wants us to hug and kiss him during the Barney song, and that shows another soft and incredibly gentle side that my wife and I love. Play fighting and toy swords are my son's favorite, and to have to take that away from him seemed so unnecessary.
I loved this book and read it twice. I have also passed it on to friends with children that have loved it just as much. I am a young man, only 30 years old. There are a lot of parents like myself that were raised around video games and violent movies. Taking that away doesn't solve a problem. It's all about parental involvement and education. This book reinforced what I believe is the key to a healthy child.
51 of 56 people found the following review helpful
Format:Hardcover
As a psychotherapist and medical school professor, I speak regularly with parents who worry about their kids' taste in entertainment. I have commiserated with them often. After all, weren't the Columbine shooters obsessed with "Doom" and similar fare? Don't images create possibilities? Gerard Jones argues against the prevailing belief that fantasy violence makes kids violent. Close study of the literature shows that teens who watch the most violent entertainment actually commit fewer serious crimes. And among the 18 boys who perpetrated school rampages in recent years, the majority showed no interest in games. Instead of asking the unanswerable: "How does violent entertainment affect kids?" Jones poses 2 more interesting questions: Why do they love what they love? and: What is the place of fantasy violence in a world that condemns it in reality? He uses his teaching experiences and 30 years of social science research to show how children use make believe to master fears and experiment with feeling strong. In "Girl Power" Jones contends that just as girls used to identify with male fantasy figures, boys are now identifying with Lara Croft and other super-heroines. In a culture in which the male imaginary has been standard--something to which girls and women needed to accomodate--this expanding set of possibilities for kids is no small triumph. While the book is targeted to parents, it's also a solid piece of scholarship, and the author is obviously as comfortable with Freud and Bettelheim as he is Batman and Mega Zords. A fine cultural critique informs his argument. ("We don't ask whether game shows predispose our children to greed or love songs to bad relationships." "Killing MOnsters" made me think of James Joyce's hearing the word "imagination" as "the magic nation" (in "Finnegan's Wake.") Gerard Jones reminds us that we're all permanent citizens of that vast and weird republic, sometimes for worse, but much more often for better.
30 of 33 people found the following review helpful
Format:Hardcover
I first heard of this author on a radio interview. I was intrigued by what he said, but what truly struck me was the interviewer's comment afterward; he said, in effect, that all our previous efforts to deal with the power of media and violence in children's lives haven't worked but "maybe this guy has the answer." That caught my interest, because I see so many problem-solving efforts in modern America trapped in fruitless conflicts between two sides (liberal v. conservative, free speech v. watchdogs). Two sides more invested in continuing the conflict and placing blame than making any real change. Until someone steps up with a new solution that pulls together the strengths of both sides and moves the discussion forward.
My interest and hopes were very well borne out by the author's book. I don't like violent media, and I'm inclined even after "Killing Monsters" to believe that it has many negative influences on our society. What Gerard Jones makes clear, however, is that simply asserting its negative effects with increasing anger and fear does do good for anyone. Young people interpret attacks on their popular culture as attacks on them, and so they become only more defensively attached to what we criticize. Censorship is problematic because the young people most fascinated by something forbidden will be the very ones to find it anyway; and, as Jones shows well, if it is forbidden they will be unable to discuss it openly with adults but will identify with a subculture that makes that media its core. "Overidentify" is a word Jones uses several times to describe the conditions that lead to a negative reaction to media.
This, I believe, is what the host on my local radio station was referring to: if we are to change the way young people react to media (or "harness the power of media," as Jones also says) we must begin by understanding why they like what they do and what sorts of interpretations they give it. This is why this book particularly excites me: not so much that it argues that violent media is "good" but that it opens the door to reducing its negative effects. I don't know that even the author intended this as his book's primary message (indeed, I think he often errs by downplaying the reality of violence in contemporary American society), but for those of us who are concerned the culture of violence, that may be its most important argument. I believe this may indeed be the "answer" to a circular argument that has seemed for decades to make no difference to the harsh reality of our society or the content of popular culture.
The book's tone is thorough, measured, and persuasive. My sense is that it will be of greatest interest to those who are already inclined to think about these issues, whether from a personal or philosophical point of view. I, who have no children but am very concerned about the quality of contemporary culture, found it compelling. As did a friend with two young boys. Another friend, however, found it "a bit slow." Interestingly, he confessed that he agreed with nearly all of the book's points, and said he didn't feel the need of so many thorough arguments and examples to support them. Gerard Jones has created something intriguing here: a book that may be more interesting to those inclined to disagree with his initial thesis than those who agree. That, perhaps, is the mark of a truly thoughtful and thought-provoking work.
Most Recent Customer Reviews
Would be five stars but...
I deeply enjoyed Killing Monsters. I thought it was very thoughtful and convincing and provided a great way to frame the debate over violence in media that did not rely on a... Read more
Published 1 month ago by naruvoll
YES!! YES!! YES!!
I am using the book as part of my own research for a class on the subject of violence with youth and video games. Let me tell you something, this book is the answer! Read more
Published 5 months ago by JadeKiss23
Killing Monsters
Jones argues that fantasy violence is more than okay for children, it's helpful, perhaps essential. Although he does allow for people becoming trapped in fantasy and the need for... Read more
Published 10 months ago by Evan Day
An even-handed explanation of why kids need violence and adventure
As a dad and pop-culture contributor, Media violence and how it affects our kids is an important topic to me. Read more
Published on October 14, 2009 by Adam J. Creighton
A fresh perspective
Psychologists, sociologists, teachers, and religious ideologues stand against other psychologists, teachers, game developers, and gamers themselves in the argument over whether or... Read more
Published on March 30, 2009 by Kermit
Solid
All in all Jones' arguments are coherent, strong, persuasive, and based in reality. Too often, in their zeal to `do right', people on both ends of the political spectrum rush to... Read more
Published on October 6, 2008 by Cosmoetica
True Premise , False Conclusion
Of course children need great methods of dispersing anger (drive discharge psychological model), however as our household saying goes "you can't shoot people or pets". Read more
Published on December 28, 2007 by C. Campbell
Strong on Dragons
"Most of us know what we should expect to find in a dragon's lair, but, as I said before, Eustace had read only the wrong books. Read more
Published on December 20, 2007 by Kendal B. Hunter
Surprising Book
I bought this book to inform my daughter about the role of fantasy, especially violent fantasy games in young people's lives. Read more
Published on October 17, 2007 by Peter Calvet
Changed my views on violent play
I have always had major issues with violent play and my children. I grew up in a household where any type of violent game, tv, or play was shunned and banned. Read more
Published on March 19, 2007 by Alyssa Tuininga
Inside This Book
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First Sentence:
My first memory is of tearing the monster's arm off. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
shooter video games, entertainment violence, shooter games, violent entertainment, aggressive kids, action entertainment, doll corner, media violence, violent stories, fantasy violence, violent media, violent play Key Phrases - Capitalized Phrases (CAPs): (learn more)
Power Rangers, Britney Spears, Star Wars, Indiana Jones, Lynn Ponton, Natural Born Killers, New York, Wonder Woman, Helen Smith, James Bond, Payne Trust, Duke Nukem, Lara Croft, Lenore Terr, Dragon Ball, Harry Potter, Jack Kirby, Mary Cotter, Mortal Kombat, Stuart Fischoff, Surgeon General, Carla Seal-Wanner, Charlie's Angels, Columbine High School, Edwin Cook New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
My first memory is of tearing the monster's arm off. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
shooter video games, entertainment violence, shooter games, violent entertainment, aggressive kids, action entertainment, doll corner, media violence, violent stories, fantasy violence, violent media, violent play Key Phrases - Capitalized Phrases (CAPs): (learn more)
Power Rangers, Britney Spears, Star Wars, Indiana Jones, Lynn Ponton, Natural Born Killers, New York, Wonder Woman, Helen Smith, James Bond, Payne Trust, Duke Nukem, Lara Croft, Lenore Terr, Dragon Ball, Harry Potter, Jack Kirby, Mary Cotter, Mortal Kombat, Stuart Fischoff, Surgeon General, Carla Seal-Wanner, Charlie's Angels, Columbine High School, Edwin Cook New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 83
books:
See all 83 books this book cites
14
books
cite this book:
See all 14 books citing this book
- The Uses of Enchantment: The Meaning and Importance of Fairy Tales by Bruno Bettelheim on 4 pages
- The Case for Television Violence by Jib Fowles on 4 pages
- Boys and Girls: Superheroes in the Doll Corner by Vivian Gussin Paley on page 61, Back Matter (1), and Back Matter (2)
- Play and Learning ([The Johnson and Johnson pediatric round table ; 3]) by Brian Sutton-Smith in Back Matter (1), Back Matter (2), and Back Matter (3)
- Actual Minds, Possible Worlds (Jerusalem-Harvard Lectures) by Jerome Bruner on page 19, Back Matter (1), and Back Matter (2)
See all 83 books this book cites
- It's Not The Media: The Truth About Pop Culture's Influence On Children by Karen Sternheimer on page 14, and page 68
- Our Faith in Evil: Melodrama and the Effects of Entertainment Violence by Gregory Desilet on page 144, and Back Matter
- Action Chicks: New Images of Tough Women in Popular Culture by Prof. Sherrie A. Inness in Front Matter
- Digital Shock: Confronting the New Reality by Herve Fischer on page 229
- Born to Buy: The Commercialized Child and the New Consumer Culture by Juliet B. Schor in Back Matter
See all 14 books citing this book
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