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Editorial Reviews
Amazon.com
This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed
Product Description
Well, if you're going to revamp your jazz catalog, you might as well start with the greatest jazz album of all time! Includes a rare alternate take of Flamenco Sketches , and the first three songs are in their correct pitch for the first time.
Customer Reviews
Most Helpful Customer Reviews
202 of 211 people found the following review helpful
By R. Davis
Format:Audio CD|Amazon Verified Purchase
I have owned nearly every digital version of this album.
I had the first one from the wrong tape. I then got the Gold 'corrected' version, then I got the mass release of the 're-master'. I bought the SACD.
Now this re-master (by the same folks who did the first re-master).
OK... so here's my take.
Let's forget the first CD. It was a mistake.
The Gold was the right speed, but the two track master used is just dead and the mix is awful, allowing too much echo in some parts, not enough presence, and some passages of horn are just nearly impossible to hear well.
The first re-master was a revelation. The horns were right up front, the balance was greatly improved and you could tell that they remixed it from the original 3-track. I loved the new Alternate Take of Flamenco Sketches. But something was wrong. This was obviously meant for the iPod crowd, and not for audiophiles. The channels had been normalized to HOT and without using any dynamic compression. The loud horn passages were all clipped severely, resulting in a viciously harsh presentation.
The SACD is a joke. They made this a 5.1 disc for some stupid reason, adding echo - reverb - whatever, in the rear channels. Whaaaa? Come on, I just wanted to hear the original 3-track masters as faithfully as possible. Ugh... Even being DSD does not help this mess.
Finally... this last release is done right. The balance is correct. There is NO clipping. It's near perfect in its presence. The middle channel is well represented (phantom), and the soundstage is wonderful. The horns have warmth that the clipped version just couldn't create. This is finally done properly... by the same folks. So how come they got all the others so wrong??
So...... Read more ›
I had the first one from the wrong tape. I then got the Gold 'corrected' version, then I got the mass release of the 're-master'. I bought the SACD.
Now this re-master (by the same folks who did the first re-master).
OK... so here's my take.
Let's forget the first CD. It was a mistake.
The Gold was the right speed, but the two track master used is just dead and the mix is awful, allowing too much echo in some parts, not enough presence, and some passages of horn are just nearly impossible to hear well.
The first re-master was a revelation. The horns were right up front, the balance was greatly improved and you could tell that they remixed it from the original 3-track. I loved the new Alternate Take of Flamenco Sketches. But something was wrong. This was obviously meant for the iPod crowd, and not for audiophiles. The channels had been normalized to HOT and without using any dynamic compression. The loud horn passages were all clipped severely, resulting in a viciously harsh presentation.
The SACD is a joke. They made this a 5.1 disc for some stupid reason, adding echo - reverb - whatever, in the rear channels. Whaaaa? Come on, I just wanted to hear the original 3-track masters as faithfully as possible. Ugh... Even being DSD does not help this mess.
Finally... this last release is done right. The balance is correct. There is NO clipping. It's near perfect in its presence. The middle channel is well represented (phantom), and the soundstage is wonderful. The horns have warmth that the clipped version just couldn't create. This is finally done properly... by the same folks. So how come they got all the others so wrong??
So...... Read more ›
132 of 136 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
"Kind of Blue" is an album that all collectors with even a passing interesting in jazz should own. No need to review the core album as most listeners would be familiar with it by now and there are tons of testimonials for the original.
So why the special "Legacy Edition?"
This is not for everyone to be sure, but for listeners who really love this album, Miles Davis, and jazz of the 1950's and early 60's, "Legacy Edition" will give more insight into the material and help the listener appreciate more of what went into making "Kind of Blue" the great jazz standard that it is.
While it might overkill for some, true jazz lovers and "Kind of Blue" fans will not only get some nice second helpings from the album, they'll also get an idea of how Davis and his all-star cast created this gem.
One other note, those having old CD copies of "Kind of Blue," the ones with the animated profile of Miles on the booklet cover, not the recreation of the original LP cover, should definitely ditch their old CD and get the new remastered release. It is a huge improvement. Instead of sounding washed out and slightly off pitch, the remaster sounds fresh, with very high resolution, warm, and intimate, just the way Miles Davis and his stellar side kicks recorded it.
So why the special "Legacy Edition?"
This is not for everyone to be sure, but for listeners who really love this album, Miles Davis, and jazz of the 1950's and early 60's, "Legacy Edition" will give more insight into the material and help the listener appreciate more of what went into making "Kind of Blue" the great jazz standard that it is.
While it might overkill for some, true jazz lovers and "Kind of Blue" fans will not only get some nice second helpings from the album, they'll also get an idea of how Davis and his all-star cast created this gem.
One other note, those having old CD copies of "Kind of Blue," the ones with the animated profile of Miles on the booklet cover, not the recreation of the original LP cover, should definitely ditch their old CD and get the new remastered release. It is a huge improvement. Instead of sounding washed out and slightly off pitch, the remaster sounds fresh, with very high resolution, warm, and intimate, just the way Miles Davis and his stellar side kicks recorded it.
82 of 83 people found the following review helpful
Format:Audio CD
KIND OF BLUE has been reissued so frequently that I fear something is amiss if a year goes by without a new and improved version popping up somewhere in the world. This 2005 edition provides an audiophile surround-sound option that is compatible with regular DVD players (unlike the SACD version which requires special hardware). On both 5.1 versions the sound is subtly widened while keeping the integrity of the original mix. As a bonus option there is a 25 minute video documentary about the album, featuring interviews with prominent musical artists from different generations and genres. All but the most knowledgeable Miles fans should find it to be an informative overview of arguably jazz's greatest album of all-time.
In the documentary drummer Jimmy Cobb -- the only surviving participant -- stated that he didn't understand why KIND OF BLUE stands out above any of Miles' many other outstanding albums. Perhaps it is because the user-friendly music satisfies the listener at whatever level they prefer. If you want to get emotively involved with the music, it leads you there. If you're a musician looking to pick apart the music, you'll discover a level of sophistication attained by very few. If you want to relax, the music is soothing on its surface. If you want to hear memorable improvisations, Miles and his sidemen lead the way by avoiding the use of cliched phrases. If you want to hear teamwork, the musicians know how to create together (when to play and when NOT to play). If you want something timeless, the music's freshness has no expiration date. Yet if you have a nostalgic twinge for the cool, acoustic jazz of the 1950s, this album will take you back in time.
In the documentary drummer Jimmy Cobb -- the only surviving participant -- stated that he didn't understand why KIND OF BLUE stands out above any of Miles' many other outstanding albums. Perhaps it is because the user-friendly music satisfies the listener at whatever level they prefer. If you want to get emotively involved with the music, it leads you there. If you're a musician looking to pick apart the music, you'll discover a level of sophistication attained by very few. If you want to relax, the music is soothing on its surface. If you want to hear memorable improvisations, Miles and his sidemen lead the way by avoiding the use of cliched phrases. If you want to hear teamwork, the musicians know how to create together (when to play and when NOT to play). If you want something timeless, the music's freshness has no expiration date. Yet if you have a nostalgic twinge for the cool, acoustic jazz of the 1950s, this album will take you back in time.
277 of 300 people found the following review helpful
Format:Audio CD
If your idea of the perfect jazz record is Kenny G's Duotones, then don't bother reading this cause it talks about the REAL thing.
Well this is THE jazz album to start off with. I'm sure you've all heard that before, but, it's quite true. From Freddie Freeloader to All Blues, we are constantly reminded of what a genius time it was for jazz in that period. Just look at the all-star line-up on here, Cannonball, Coltrane, Bill - simply amazing! This is a disc that everyone has heard before at some point in their life whether they were aware or not. The saying that this is the most influential jazz record may be true, I tend to think its the most rewarding. This re-release version is superb! It contains an alternative version of "Flamenco Sketches" and original photo package to boot. the sound is by far the best this recording has ever seen. This is a recording the word masterpiece is reserved for. An absolute must own!
If this is your first jump into real jazz might I suggest, Cannonball Adderly's "Somethin Else" or Coltrane's "Love Supreme", both make excellent companions to "Kind of Blue".
Most Recent Customer Reviews
5.0 out of 5 stars
As deep as music gets but....
Okay, I've read any number of reviews and a lot of comments here. There are three things I want to say. Read more
Published 3 days ago by American Mahout
5.0 out of 5 stars
Great
This is another classic. Great sound quality. Never will go out of style. Love the instant mp3 download that comes with for the price.
Published 9 days ago by M. Palmieri
1.0 out of 5 stars
Dished
Record was warped to the point that side two is unplayable. Side one is fine, don't really get it. Bad pressing maybe
Published 19 days ago by Res Nullius
5.0 out of 5 stars
This touches my heart
How i missed this beautiful, yearning, soul-felt music for so many years is a mystery, but now i have it and i play it often. Read more
Published 19 days ago by Joanne Sandhu
5.0 out of 5 stars
A Perennial Favourite!
By today's standards, this era of Miles Davis' work sounds rather straightforward. The flowing and easy music remains a perennial favourite.
Published 23 days ago by Peter Gueckel
5.0 out of 5 stars
Kind of Blue...Kinda Awesome!
Every track is so amazing!! Miles really makes you remember all the important things in life and why they are so special.
Published 27 days ago by Sonya Hardy
5.0 out of 5 stars
Can't go wrong with Miles Davis.
I've enjoyed this vinyl more than I can say. It's also been a wonderful way to introduce my daughter to Miles Davis.
Published 28 days ago by Kara
5.0 out of 5 stars
Great classic jazz
This has to be one of my favorite jazz CDs. I've had Kind of Blue ever since it was on vinyl, and thoroughly enjoyed it. My CD wouldn't load into my Mac, so I had to get a new one. Read more
Published 1 month ago by Susan E. Anderson
5.0 out of 5 stars
Quintessential Jazz Album
This was the first jazz album I ever owned. Obviously, many people will have this exact same review with good reason. There's really nothing more to say on the subject.
Published 1 month ago by Janine Huffman
5.0 out of 5 stars
Classic
How not to love this album? I do think the vinyl sounds better but my MP3 player fits in my pocket. Outstanding musicians.
Published 1 month ago by Emma L.
Listmania!
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