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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. So What | |||
| 2. Freddie Freeloader | |||
| 3. Blue in Green | |||
| 4. All Blues | |||
| 5. Flamenco Sketches | |||
| 6. Flamenco Sketches (alternate take) | |||
| 7. Freddie Freeloader - studio sequence | |||
| 8. Freddie Freeloader - false start | |||
| 9. Freddie Freeloader - studio sequence 2 (previously unreleased) | |||
| 10. So What - studio sequence 1 (previously unreleased) | |||
See all 15 tracks on this disc
| |||
| Disc: 2 | |||
| 1. On Green Dolphin Street | |||
| 2. Fran-Dance | |||
| 3. Stella by Starlight | |||
| 4. Love for Sale | |||
| 5. Fran-Dance (alternate take) | |||
| 6. So What (previously released in unauthorized form) | |||
Editorial Reviews
This 2-CD set lets you inside the making of Miles' masterpiece; two-plus hours of audio include never-before-heard session talk, false starts and alternate takes, and extensive liner notes get deep into detail. You'll hear a 17-minute live So What from 1960, plus the studio version; Freddie Freeloader; Blue in Green; All Blues , and Flamenco Sketches one of the most bewitching, beguiling albums of all time!
Customer Reviews
Most Helpful Customer Reviews
127 of 131 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
"Kind of Blue" is an album that all collectors with even a passing interesting in jazz should own. No need to review the core album as most listeners would be familiar with it by now and there are tons of testimonials for the original.
So why the special "Legacy Edition?"
This is not for everyone to be sure, but for listeners who really love this album, Miles Davis, and jazz of the 1950's and early 60's, "Legacy Edition" will give more insight into the material and help the listener appreciate more of what went into making "Kind of Blue" the great jazz standard that it is.
While it might overkill for some, true jazz lovers and "Kind of Blue" fans will not only get some nice second helpings from the album, they'll also get an idea of how Davis and his all-star cast created this gem.
One other note, those having old CD copies of "Kind of Blue," the ones with the animated profile of Miles on the booklet cover, not the recreation of the original LP cover, should definitely ditch their old CD and get the new remastered release. It is a huge improvement. Instead of sounding washed out and slightly off pitch, the remaster sounds fresh, with very high resolution, warm, and intimate, just the way Miles Davis and his stellar side kicks recorded it.
So why the special "Legacy Edition?"
This is not for everyone to be sure, but for listeners who really love this album, Miles Davis, and jazz of the 1950's and early 60's, "Legacy Edition" will give more insight into the material and help the listener appreciate more of what went into making "Kind of Blue" the great jazz standard that it is.
While it might overkill for some, true jazz lovers and "Kind of Blue" fans will not only get some nice second helpings from the album, they'll also get an idea of how Davis and his all-star cast created this gem.
One other note, those having old CD copies of "Kind of Blue," the ones with the animated profile of Miles on the booklet cover, not the recreation of the original LP cover, should definitely ditch their old CD and get the new remastered release. It is a huge improvement. Instead of sounding washed out and slightly off pitch, the remaster sounds fresh, with very high resolution, warm, and intimate, just the way Miles Davis and his stellar side kicks recorded it.
197 of 207 people found the following review helpful
By R. Davis
Format:Audio CD|Amazon Verified Purchase
I have owned nearly every digital version of this album.
I had the first one from the wrong tape. I then got the Gold 'corrected' version, then I got the mass release of the 're-master'. I bought the SACD.
Now this re-master (by the same folks who did the first re-master).
OK... so here's my take.
Let's forget the first CD. It was a mistake.
The Gold was the right speed, but the two track master used is just dead and the mix is awful, allowing too much echo in some parts, not enough presence, and some passages of horn are just nearly impossible to hear well.
The first re-master was a revelation. The horns were right up front, the balance was greatly improved and you could tell that they remixed it from the original 3-track. I loved the new Alternate Take of Flamenco Sketches. But something was wrong. This was obviously meant for the iPod crowd, and not for audiophiles. The channels had been normalized to HOT and without using any dynamic compression. The loud horn passages were all clipped severely, resulting in a viciously harsh presentation.
The SACD is a joke. They made this a 5.1 disc for some stupid reason, adding echo - reverb - whatever, in the rear channels. Whaaaa? Come on, I just wanted to hear the original 3-track masters as faithfully as possible. Ugh... Even being DSD does not help this mess.
Finally... this last release is done right. The balance is correct. There is NO clipping. It's near perfect in its presence. The middle channel is well represented (phantom), and the soundstage is wonderful. The horns have warmth that the clipped version just couldn't create. This is finally done properly... by the same folks. So how come they got all the others so wrong??
So... even if you have the last releases, this one (the 50th Anniversary) has to be purchased because it is the only one that is correct. It is the only one that actually represents the best possible 2-channel CD-quality mix. Obviously it's not perfect in that it is still only 16bit - 44.1khz, but it's a vast improvement.
Enjoy!
I had the first one from the wrong tape. I then got the Gold 'corrected' version, then I got the mass release of the 're-master'. I bought the SACD.
Now this re-master (by the same folks who did the first re-master).
OK... so here's my take.
Let's forget the first CD. It was a mistake.
The Gold was the right speed, but the two track master used is just dead and the mix is awful, allowing too much echo in some parts, not enough presence, and some passages of horn are just nearly impossible to hear well.
The first re-master was a revelation. The horns were right up front, the balance was greatly improved and you could tell that they remixed it from the original 3-track. I loved the new Alternate Take of Flamenco Sketches. But something was wrong. This was obviously meant for the iPod crowd, and not for audiophiles. The channels had been normalized to HOT and without using any dynamic compression. The loud horn passages were all clipped severely, resulting in a viciously harsh presentation.
The SACD is a joke. They made this a 5.1 disc for some stupid reason, adding echo - reverb - whatever, in the rear channels. Whaaaa? Come on, I just wanted to hear the original 3-track masters as faithfully as possible. Ugh... Even being DSD does not help this mess.
Finally... this last release is done right. The balance is correct. There is NO clipping. It's near perfect in its presence. The middle channel is well represented (phantom), and the soundstage is wonderful. The horns have warmth that the clipped version just couldn't create. This is finally done properly... by the same folks. So how come they got all the others so wrong??
So... even if you have the last releases, this one (the 50th Anniversary) has to be purchased because it is the only one that is correct. It is the only one that actually represents the best possible 2-channel CD-quality mix. Obviously it's not perfect in that it is still only 16bit - 44.1khz, but it's a vast improvement.
Enjoy!
80 of 81 people found the following review helpful
Format:Audio CD
KIND OF BLUE has been reissued so frequently that I fear something is amiss if a year goes by without a new and improved version popping up somewhere in the world. This 2005 edition provides an audiophile surround-sound option that is compatible with regular DVD players (unlike the SACD version which requires special hardware). On both 5.1 versions the sound is subtly widened while keeping the integrity of the original mix. As a bonus option there is a 25 minute video documentary about the album, featuring interviews with prominent musical artists from different generations and genres. All but the most knowledgeable Miles fans should find it to be an informative overview of arguably jazz's greatest album of all-time.
In the documentary drummer Jimmy Cobb -- the only surviving participant -- stated that he didn't understand why KIND OF BLUE stands out above any of Miles' many other outstanding albums. Perhaps it is because the user-friendly music satisfies the listener at whatever level they prefer. If you want to get emotively involved with the music, it leads you there. If you're a musician looking to pick apart the music, you'll discover a level of sophistication attained by very few. If you want to relax, the music is soothing on its surface. If you want to hear memorable improvisations, Miles and his sidemen lead the way by avoiding the use of cliched phrases. If you want to hear teamwork, the musicians know how to create together (when to play and when NOT to play). If you want something timeless, the music's freshness has no expiration date. Yet if you have a nostalgic twinge for the cool, acoustic jazz of the 1950s, this album will take you back in time.
In the documentary drummer Jimmy Cobb -- the only surviving participant -- stated that he didn't understand why KIND OF BLUE stands out above any of Miles' many other outstanding albums. Perhaps it is because the user-friendly music satisfies the listener at whatever level they prefer. If you want to get emotively involved with the music, it leads you there. If you're a musician looking to pick apart the music, you'll discover a level of sophistication attained by very few. If you want to relax, the music is soothing on its surface. If you want to hear memorable improvisations, Miles and his sidemen lead the way by avoiding the use of cliched phrases. If you want to hear teamwork, the musicians know how to create together (when to play and when NOT to play). If you want something timeless, the music's freshness has no expiration date. Yet if you have a nostalgic twinge for the cool, acoustic jazz of the 1950s, this album will take you back in time.
Most Recent Customer Reviews
5.0 out of 5 stars
Kind of Blue...Kinda Awesome!
Every track is so amazing!! Miles really makes you remember all the important things in life and why they are so special.
Published 1 day ago by Sonya Hardy
5.0 out of 5 stars
Can't go wrong with Miles Davis.
I've enjoyed this vinyl more than I can say. It's also been a wonderful way to introduce my daughter to Miles Davis.
Published 1 day ago by Kara
5.0 out of 5 stars
Great classic jazz
This has to be one of my favorite jazz CDs. I've had Kind of Blue ever since it was on vinyl, and thoroughly enjoyed it. My CD wouldn't load into my Mac, so I had to get a new one. Read more
Published 3 days ago by Susan E. Anderson
5.0 out of 5 stars
Quintessential Jazz Album
This was the first jazz album I ever owned. Obviously, many people will have this exact same review with good reason. There's really nothing more to say on the subject.
Published 12 days ago by Janine Huffman
5.0 out of 5 stars
Classic
How not to love this album? I do think the vinyl sounds better but my MP3 player fits in my pocket. Outstanding musicians.
Published 12 days ago by Emma L.
5.0 out of 5 stars
MILES DAVIS GREATEST PERFORMANCE
"KIND OF BLUE," is by far Miles Davis greatest performance. I enjoy his playing the muted trumpet horn on all tracks on this cool jazz cd. Read more
Published 21 days ago by Thomas J. Smigo
5.0 out of 5 stars
Premium pressing.
I have nothing to say about the music. The historical and musical importance of this album is very well documented. Read more
Published 26 days ago by Nolet
4.0 out of 5 stars
Great album!
I plan to spend many happy hours listening to this album. I recommend it to anyone who loves great Jazz.
Published 28 days ago by Amy
4.0 out of 5 stars
The Miles I Know !
His greatest album; one of the great recordings in jazz. Miles was an innovator from start to finish and you can't go wrong when you include such luminary icons as John Coltrane... Read more
Published 1 month ago by Roger W Davis Sr
5.0 out of 5 stars
The quintesential jazz album of all time
I guess if you are starting up in jazz or want to start someone up, this is the album to do it. Quite accesible, the coolness of it is mesmerizing.
Published 1 month ago by Steve Bonilla
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