Kindred [Audiobook] (CD) [Unabridged] [Audio CD] [Unabridged] [Audio CD]

Octavia E. Butler (Author)

Book Description

Publication Date: 2007

The first science fiction written by a Black woman, Kindred has become a cornerstone of Black American literature. This combination of slave memoir, fantasy, and historical fiction is a novel of rich literary complexity. Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning white boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes the challenge she's been given: to protect this young slaveholder until he can father her own great-grandmother. Author Octavia E. Butler skillfully juxtaposes the serious issues of slavery, human rights, and racial prejudice with an exciting science fiction, romance, and historical adventure. Kim Staunton's narrative talent magically transforms the listener's earphones into an audio time machine.

Product Details

• Audio CD
• Publisher: Body Mind & Spirit (2007)
• Language: English
• ISBN-10: 1428198342
• ISBN-13: 978-1428198340
• Product Dimensions: 8.3 x 5.3 x 0.7 inches
• Shipping Weight: 7.2 ounces
• Average Customer Review: 4.5 out of 5 stars  See all reviews (254 customer reviews)
• Amazon Best Sellers Rank: #775,865 in Books (See Top 100 in Books)

More About the Author

Octavia E. Butler (1947-2006) was the author of many novels, including Dawn, Wild Seed, and Parable of the Sower. She was the recipient of a MacArthur Award and a Nebula Award, and she twice won the Hugo Award.

Customer Reviews

Most Helpful Customer Reviews

128 of 137 people found the following review helpful:

5.0 out of 5 stars OUTSTANDING, August 31, 2004

By 

C. Baker "cbaker" (Washington, DC) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Kindred (Black Women Writers Series) (Paperback)

Book Review by C. Douglas Baker

KINDRED is one of those rare novels that grabs you by the throat and doesn't let you go until the very end. From the first sentence, Butler's simple, straightforward prose moves the story quickly making it nearly impossible for the reader to put down.

Dana, a black woman living in Los Angeles in 1976, is inexplicably transported to 1815 to save the life of a small, red-haired boy on Maryland's Eastern Shore. It turns out this small boy, Rufus, is one of her white slave owning ancestors, who she knows very little about. Dana continues to be called into the past to save Rufus, and frequently stays long periods of time in the slave owning South. The only way she can get back to 1976 is to be in a life threatening situation. During her stays in the past she is forced to assume the role of a slave to survive. She is whipped. She is beaten. She is nearly raped, twice. She is forced to watch whippings and families being broken up. She learns to enjoy hard work as an escape from the other horrors of slave life. And she watches as a fairly unassuming small son of a plantation owner grows up to be a cruel, capricious, hot-tempered slave owner in his own right. And to be her great-grandfather many generations removed.

KINDRED is about slavery and the scars it has inflicted on American society. There are really three key factors Butler focuses on that reveal the ability of the South to institutionalize slavery. First there is the physical abuse. The constant work, especially the physically exhausting work of a field hand, kept slaves too tired to run or become insolent. Being ever on the verge of a lash or two for minor offenses kept slaves working to avoid punishment. Being beaten nearly to death after escape attempts made a slave reluctant to try again; especially if this is coupled with the abuse of the slave's family. Then there is the psychological abuse. The continual threat of being beaten or watching others be beaten broke the spirits of those in bondage. The worst punishment was sometimes having to watch a family member abused for your transgression. Encouraging slaves to marry and have children also deadened their desire to escape. Families made the slave settle down, gave him or her something to protect and care for. The selling off of a few family members had a damping effect on a slave's spirit. A most poignant example is the slave Sarah, the primary house slave; "Weylin had sold only three of her children, left her one to live for and protect". She rarely questioned slavery, thought little of freedom, because "she had lost all she could stand to lose". The risk of losing the one daughter she had left was too great. Slaves that escaped had to be willing to risk not only their own life but possibly the lives of their family.

The physical and psychological abuse imposed on the slave made it so much easier to accept one's lot in life and avoid the unpleasantries that recalcitrance entailed. The ease with which Dana falls into the routines of everyday life as a slave shocks her. Work is a refuge from the other toils of slave life and the patterns become the norm. There is even an ambiguous feeling toward the slave owner. The slave owner is hated for the physical and psychological abuse imposed on the slave. But at the same time the slave loved the owner in a familial sense, even though the slave owner was seldom worthy of this. Thus slavery became for many the accepted norm of life, even if this acceptance was a tenuous and unhappy one at best. This acceptance was generational. Dana at one point espies children playing at selling each other on the auction block and haggling over price.

Many times throughout history sheer terror has been used to subdue a population and sap it of its strength. One only has to look at the Tsar's of Russia like Ivan the Terrible, Peter the Great, and Stalin to realize the extent to which terror can be used to subjugate a people. The Southern aristocracy of the United States practiced a similar terror till 1864 and beyond.

There is much historical evidence for the Butler's depiction of slavery and its effects. KINDRED is patterned after the slave narratives becoming more widely read today. These include Frederick Douglass' NARRATIVE OF THE LIFE OF FREDERICK DOUGLASS, AN AMERICAN SLAVE and Harriet A. Jacobs INCIDENTS IN THE LIFE OF A SLAVE GIRL. Butler could have depicted the beatings and physical abuse in more graphic detail to have a greater impact on the reader.

Slavery even has its effects in 1976. The scars Dana brings back to 1976 are symbolic of the scars slavery has left on contemporary society. Some will heal with time. Some can never heal. Others will scab over and be just below the surface. But they are all there. But in another sense healing has taken place. Dana is married to a white man, Kevin, who is transported to 1815 with her once. While there they both fall easily into the pattern or act of slave owner and slave concubine, roles they must assume to survive. The ease with which they fall into these roles brings about a greater consciousness of their ethnicity. But through this relationship Butler leaves the reader with hope. Dana's love for Kevin is what really pulls her through the most harrowing terrors she faces and in the end gives her the strength to survive this horrible test.

KINDRED is written at the young adult level and moves along at a brisk pace. I highly recommend it for teenagers and adults.

50 of 55 people found the following review helpful:

5.0 out of 5 stars A Note on the Passing of Ms. Butler, February 27, 2006

By 

Laura B. Monteros - See all my reviews
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Amazon Verified Purchase

This review is from: Kindred (Black Women Writers Series) (Paperback)

I heard today of the weekend passing of Octavia Butler. She is is in the "Hall of Fame" as an alumna of John Muir High School, Pasadena, which all four of my children attended.

"Kindred" was, for many years, required reading at Muir. It was through this connection that I was introduced to her writing by my daughter. She is my youngest son's favorite author, a tribute to her ability to transcend gender, race, and age in presenting ideas that no one else could ever have imagined. We were looking forward to meeting her as part of Pasadena's "One City, One Story" program which had chosen "Kindred" as this year's selection.

Butler was certainly not a "black author" in any limiting sense at all. She blasted open the SciFi gates of gender and color with her extraordinary vision, imagination, and courage. The choice of "Kindred" is a fitting tribute to the diversity of her hometowns of Pasadena and Altadena and the Pasadena Unifed School District in which she was educated.

It is rare that a passing of someone I have not personally met so saddens me. She is in a world without limits now.

26 of 29 people found the following review helpful:

3.0 out of 5 stars A blending of two genres., June 22, 2008

By 

E. S. Charpentier (Brainerd, MN United States) - See all my reviews
(REAL NAME)   

This review is from: Kindred (Bluestreak) (Paperback)

Ms. Butler combines the slave narrative with conventions of science fiction in this novel. Dana is a black woman living in the late 1970's with her white husband Kevin. She is transported back in time to the 1800's in order to save the life of her white, slaveholder ancestor. Once, Kevin is transported with her. She spends quite a bit of time in this period and is treated as a slave. Her 20th century upbringing and sensibilities quail at this and she tries to affect some change, at times with disastrous results. She is forever changed, both physically and mentally by this experience.
While I am quite used to stories of time travel, the slave narrative is new to me. This book was loaned to me by my African American co-worker when she found out I liked science fiction. I would imagine this book reads more like a slave narrative than science fiction, as the time travel is just a device to place the protagonist in this setting. Her experiences are heartbreaking, and remind us that it wasn't too terribly long ago that people of African decent were treated as less than human.