From School Library Journal
Grade 3-6-Riordan opens his Arthurian cycle with a confusing but exciting dream sequence and ends it with Arthur's second coming in some nebulous time "to restore glory to this once-great land." The tales in between tell of the dragons under Vortigern's castle, the sword in the stone, Excalibur, the Green Knight, Guinevere and Lancelot, Morgana and Mordred, war, death, and Avalon. The stories read well but don't always work together as the author forces the focus on Arthur. He makes Arthur the young seer at Vortigern's castle, and with such foresight, how could he marry Guinevere or leave the kingdom in Mordred's hands? Furthermore, in this adventure, Arthur announces he will be king, which takes some of the punch out of the sword in the stone episode. A reference to "football" is jarring and about five centuries too early. Riordan ignores the fact that Mordred is Arthur's misbegotten son. He gives Gawain's adventure with the Green Knight to Arthur, leaving in the knight's wife's attempted seduction of the king. Notes defending his choices cite Nennius's Historia Brittonum as his source for the dragon story, but Nennius called the boy-seer Ambrosius. Arthur appears later in that history. Even so, Riordan can write and Ambrus's dynamic ink-and-wash paintings and black-and-white illustrations bring the action to life. This is an Arthur to browse, enjoy, and take with a grain of salt.
Helen Gregory, Grosse Pointe Public Library, MICopyright 1999 Reed Business Information, Inc.
Gr. 5^-7. Riordan draws from a number of traditional sources to create his own version of Arthurian legend. Since he concentrates on developing the beginning and end of Arthur's story, the book leaves out most of the adventures linked to Arthur and his knights, a part of the legend that has drawn many children to the period. The most fully developed here is a version of "Sir Gawain and the Green Knight," in which Arthur replaces Gawain in the lead role. Victor G. Ambrus' ink drawings with washes appear on every spread. Black-and-white pictures alternate with those brightened by brilliant watercolors, which complement the energy of Ambrus' drawing style. Larger libraries will want to include this large-format book as an interesting interpretation of the British lore.
Carolyn Phelan