King Lear (MCI) (Bloom's Modern Critical Interpretations) [Hardcover]

William Golding (Author), William Shakespeare (Editor)

Book Description

ISBN-10: 087754929X | ISBN-13: 978-0877549291 | Publication Date: May 1987

King Lear is considered by many to be the finest tragedy in the English language, being our most complete and catastrophic tragedy. This volume gathers together some of the best and most diverse criticism of the play. Included in the essays are discussions of the play's greatness, a New Historicist reading, and a deconstruction of the dialectics of creation and uncreation.

The title, William Shakespeare’s King Lear, part of Chelsea House Publishers’ Modern Critical Interpretations series, presents the most important 20th-century criticism on William Shakespeare’s King Lear through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on William Shakespeare, a chronology of the author’s life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University.

Editorial Reviews

Review

Tragedy in five acts by William Shakespeare, performed in 1605-06 and published in a quarto edition in 1608. One of Shakespeare's finest tragedies, the work displays a pessimism and nihilism that make it a 20th-century favorite. The aging King Lear decides to divide his kingdom among his three daughters, allotting each a portion in proportion to the eloquence of her declaration of love. The hypocritical Goneril and Regan make grand pronouncements and are rewarded; Cordelia, the youngest daughter, who truly loves Lear, refuses to make an insincere speech to prove her love and is disinherited. The two older sisters mock Lear and renege on their promise to support him. Cast out, the king slips into madness and wanders about accompanied by his faithful Fool. He is aided by the Earl of Kent, who, though banished from the kingdom for having supported Cordelia, has remained in Britain disguised as a peasant. Kent brings Lear to Cordelia, who cares for him and helps him regain his reason. The Earl of Gloucester likewise spurns his honest son, Edgar, and believes his conniving illegitimate son, Edmund. Edmund allies himself with Regan and Goneril to defend Britain against the French army mobilized by Cordelia. He turns his father over to Cornwall--who gouges out Gloucester's eyes--then imprisons Cordelia and Lear, but he is defeated in battle by Edgar. Jealous of Edmund's romantic attentions to Regan, Goneril poisons her and commits suicide. Cordelia is hanged. Lear, broken, dies with her body in his arms. -- The Merriam-Webster Encyclopedia of Literature --This text refers to an out of print or unavailable edition of this title.

Book Description

The is the first fully annotated critical edition of King Lear to appear for forty years. Unlike previous editions, this one does not present a conflation of the Quarto and the Folio, but offers the latter as the authoritative text. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover: 155 pages
• Publisher: Chelsea House Publications (May 1987)
• Language: English
• ISBN-10: 087754929X
• ISBN-13: 978-0877549291
• Product Dimensions: 9.6 x 6.4 x 0.8 inches
• Shipping Weight: 1 pounds
• Average Customer Review: 4.4 out of 5 stars  See all reviews (61 customer reviews)
• Amazon Best Sellers Rank: #849,578 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

30 of 32 people found the following review helpful:

4.0 out of 5 stars Great Ideas--But Beware!, November 9, 2006

By 

Mark "Mark" (Boston) - See all my reviews

This review is from: King Lear (Cambridge School Shakespeare) (Paperback)

I bought this edition as a teaching supplement, not realizing that it is the folio version of the play. The words "quarto" and "folio" refer to the size of the pages in the two editions. Many secondary schools and universities use the quarto edition and a lot is left out of the folio--this version cuts out three hundred lines and adds one hundred new ones. The effect is that it alters the way the characters are shown. If you are reading the play with a class and they have a quarto version, while you are using your trusty teacher's Cambridge, chances are there will be a lot of blank expressions and confusion on their faces. The lines they see will not jibe with yours. The extra articles and class activities are great though--just make sure that if you use the Cambridge, you have your students buy only folio editions.

20 of 22 people found the following review helpful:

5.0 out of 5 stars Shakespeare at his best, July 22, 1999

By 

Andy Morgan - See all my reviews

This review is from: King Lear (Dover Thrift Editions) (Paperback)

King Lear was written at Shakespeare's most prolific period, a time in which he rapidly composed Hamlest, Othello, and Macbeth. I believe, without a moments hesitation, that King Lear is his greatest work, and probably the greatest play ever written. The plot moves quickly with excitement and action. The central themes of the play (among which are abandonment, unconditional love, and self-realization) are some of the most serious and important aspects of human nature. The play brings up many important quiestions: Why should we forgive others? Can we ever trust someone? All of these areanswered in this play. I recently saw a professional production of the play, and found myself quickly moving from emotions of fear, to laughing, to wrath, and at the climactic end of the play, breaking down into tears, having been drained by the plays rapid motion and tension. This play will live with me forever.

9 of 9 people found the following review helpful:

5.0 out of 5 stars Shakespeare's finest tragedy, February 28, 2002

By 

ilmk "ilmk" (UK) - See all my reviews

This review is from: KING LEAR (Mass Market Paperback)

King Lear is perhaps Shakespeare's most psychologically dark tragedy, though many may argue for Macbeth. The central theme is that of the family and the emotional and physical exile that can be brought about for simple material gain. The naive and pitiable Lear with his Cinderella-esque children, Goneril, Regan and Cordelia present all that is right and wrong with a father's relationship with his children. From his opening gambit:
"What will thoust say to gain
A third more opulent than thine sisters?"
We see exactly why the terrible tragedy must unfold. The side plot between Edmund and Edgar, the donning of the garb of the madman whilst Lear descends in to madness mirrored by his dying Fool is one of humanity's greatest literary tragedies. Whilst the 'baddies' lose in the end, there is no victory, only self-realisation and, ultimately, death. Lear's supporting cast of characters can only dance to the tune he sets in slow, unalterable motion, and there can be no silver lining at the end. Only a deep and terrible understanding of the destruction of the human psyche.
'Lear' drives home the failings of the human soul but ensures that inner understanding and remorse is attainable at a great price. It is Shakespeare's finest tragedy.