Customer Reviews

King of California [HD DVD]

5 star:		(14)
4 star:		(10)
3 star:		(7)
2 star:		(2)
1 star:		(3)

 

 

KING OF CALIFORNIA may not break any records for innovation of thought or script but it is a tightly made little film that allows veteran actor Michael Douglas a lollipop of a wacky role to remind us that he does have comedic talent! It also gives 20-year old Evan Rachel Wood the opportunity to compete with a Pro and come out an equal - quite a feat for such a young actress. Written and directed by Mike Cahill the story does have appeal, especially since it is set in Santa Clarita, California, a rapidly developing 'hinterland' that is suffering from the effects of too rapid industrialization, changing from a picturesque remnant of California raw beauty into yet another perky little town.

Charlie (Michael Douglas) has been in and out of mental institutions for his wacky behavior. His life as a jazz bassist and entrepreneur has always veered off the map, leaving him alone with his only daughter Miranda who has survived her father's irresponsible life by keeping the old family home (in the midst of a huge housing development) with the money she makes double shifting at the local MacDonalds. When Charlie is released his focus is on discovering the gold left behind by Catholic priests in the mid 1600s, a fact he has researched while hospitalized, on the Internet, and from the journal of one of the priests. Miranda slowly buys into Charlie's madcap scheme and adventure as a gold hunter and the caper results in a bonding between father and daughter that has been teetering on the brink of disaster for years. The manner in which Charlie, Miranda, and an old ex-con friend Pepper (Willis Burks II) go after the treasure provides most of the energy of the film.

Yes, there are bits and pieces of this project that have been done many times before (and often better), but the pleasure of KING OF CALIFORNIA lies in the bravura and touching performances by Douglas and Wood. This is a pleasant excursion of a movie, worth an evening's gander. Grady Harp, February 08

You can read the synapses above and I can't do any better so I'll just give my opinion.

I enjoyed this movie a lot. The wacky-father straight-laced daughter interactions are what make it so fun. I also loved Michael Douglas' character in this film. His character reminds me a lot of a castaway (both in appearance and in his quirky mannerisms). There are tinges of other movie genres in this as well but the director puts the whole project together in a good way that gives is a fresh twist and feeling.

This is a great movie for a Saturday night with a bowl of popcorn and you'll probably tell your friends about it too (I did).

These days, the lines between an independent film and a hollywood film are becoming more and more blurred. Films like Little Miss Sunshine and Eternal Sunshine of the Spotless Mind boast that indy feel, the themes and look and ideals that come with those trappings, yet they pack some real star power both on and off screen.

Kind of California is another one of those films, but after watching this great little gem of a film, I realized it really doesn't matter if this film is more of an indy flick or a Hollywood flick... in the end, when the movie is this good, who cares?

We could use more films like King of California, no matter who makes them. Michael Douglas and Evan Rachel Wood are fantastic here, at times quirky and manic, other times truly sad and tragic characters. I find it hard to believe anyone could not fall in love with these characters, and in turn not completely enjoy this film.

A must-see, and a must-buy, one of the better surprises of the year, hands down.

Hoping to replicate the overwhelming positive critical response he received for his performance in Wonder Boys, Michael Douglas plays another quirky outsider in King of California. Despite being produced by Alexander Payne (Sideways (Widescreen Edition)), the film enjoyed a brief theatrical run and finally makes its debut on DVD.

Michael Douglas is excellent as the wildly eccentric Charlie. There is a mischievous glint in his eyes when he feels like he is getting closer to the treasure. The older Douglas gets and the more films he does, the more comfortable an actor he becomes. He delivers a nuanced performance that never veers off into showy scenery-chewing territory. With his mountain man beard, Douglas certainly looks the part of an ex-mental patient and, at times, seems to be channeling Jeff Bridges in The Big Lebowski (Widescreen Collector's Edition).

Evan Rachel Wood plays Charlie's extremely patient daughter and narrator of this unusual tale and so, naturally, our sympathies lie with her because she's, y'know, the sane voice of reason. Miranda is the responsible one to Charlie's childish antics. Wood is the ideal foil to Douglas, the straight man to his kooky eccentric.

King of California belongs to Douglas and the film sinks of swims based on how well he sells his character's mad quest - kind of like Robin Williams' traumatized bum in The Fisher King. And while Mike Cahill is no Terry Gilliam, Douglas is more than up for taking on this wild ride with the charisma to draw us in, much like Charlie convinces Miranda to follow him.

There is an audio commentary by writer/director Mike Cahill, cinematographer Jim Whitaker, production designer Dan Bishop and first assistant director Richard L. Fox. Cahill talks about how a lack of money forced him to rewrite the opening scene and improve on it. Everyone takes turns pointing out the various locations used in the film which is as boring as it sounds. They also point out dry technical details like the wonders of colour timing. It's amazing that this commentary can be so dull with all of these skilled artists at hand but unfortunately this is the case.

"The Making of The King of California" your standard electronic press kit with soundbites from the cast and crew mixed with clips from the film. Douglas claims that this was one of the best scripts he has ever read and compares his character to Don Quixote. Cast and crew talk about the film's two main characters and gush about the film in general.

"Outtakes" is a fairly amusing collection of blown lines, miscues and goofs.

Finally, there is a theatrical trailer.

....and find an old dream underneath waiting to resurface.

This bittersweet film about a madman and his long-suffering daughter takes place against the backdrop of the ongoing "development" (ecological destruction) of Southern California, forcing the viewer to wonder: Who are the truly insane in this film?

A lot of humor goes with this grim implication (the scene with the cop on the golf course is hilarious, if short; the filmmakers also shot a funny golf course scene for SIDEWAYS). I also liked the McDonald's shift manager looking over Miranda's shoulder to make sure she assembled a quarter cheese correctly--this actually happened to me when I was sixteen, working in a Southern California franchise. Some things never change. Miranda and her father stand in for everyone who tries but fails to live in peace with the standardization and industrialization going on all around them.

They also have whatever it takes to "follow your bliss" and try to find some sense of meaning in an increasingly orderly and planned and therefore quite insane urbanized landscape literally covering over the once-verdant earth walked by the so-called savages who appreciated and tended it.

Incidentally, although shot as a romp about a parentified daughter trying to give her bipolar father a sense of purpose, the film bears out what I've written about in Deep California: Images and Ironies of Cross and Sword on El Camino Real and in Terrapsychology: Reengaging The Soul Of Place: what happens to traumatize a colonized and paved-over place never goes away until we find some way to heal the recurring themes by understanding them and reshaping them from within them. Costco and McDonald's are but commercialized and updated missions to convert the locals to a globalized existence that eats their souls and landscapes. The counter-mission resides in the loving heart pursuing its dreams or helping others to, as well-named Miranda does in this Californian tempest.

p.s. For those of you with some knowledge of California history: yes, you're right: no Spanish expeditions during the 1620s. After Cabrillo had been by, landing his ships but making no tours through California, Vizcaino did another sail-by in 1602. After that, no known Spanish incursions came through the state until 1769, when Junipero Serra and his merry band came colonizing. "Santa Clarita" got its name from the river they named "Santa Clara" as they marched through. Incidentally, Miranda's mission history lesson was correct, and not only for the Chumash of the Central Coast: most of the Indians who entered the missions never came out again.

p.p.s. The part about how California got its name is true. The bestseller Miranda refers to was called THE EXPLOITS OF ESPLANDIAN. The author's name was Montalvo. He died just before it got into print.

Michael Douglas is one of my favorite actors and he does a great job with his latest film "King of California". The story overall is so so and fairly simple. A 16 year old girl has had to fend for herself since her mom has moved on and her father has been locked away in a psychiatric ward is now reaquainted with her father. Is his idea of finding gold in the suburbs of Santa Clarita residual craziness or can he really be onto someting? The two have good chemistry but aren't helped much by such a simple plot. This film pales in comparison to most of Douglas's other films but is still enjoyable.

I thoroughly enjoyed this film. The story and performances were funny and touching. What I found interesting was the fact that there was really more than one story being told. The obvious comedic one of the strained (at times) relationship between a "nutty" father and his daughter. The 2nd story was slightly more subtle, and that was the State of California's fall from grace.

Michael Douglas' character is in pursuit of gold treasure, in the Golden State. It's the dream that brought fame to California. The journal of the Spanish explorer Father Juan Florismarte Garces describes a wild, beautiful and intriguing land filled with possibility, as we hear of this great land we are treated to scenes of over-development, and strip malls.

The dream's been buried and replaced with the mundane, and yet crazy Charlie gets his daughter to start to believe in this dream, the California of old.

Father and daughter come together and realize their dreams and are richer for both what they share, and what they discover.

Great movie! Too bad about what has happened to the now tarnished State of California, it's Golden no more.

This little film shows that great movies can be made on a shoestring.

(In the DVD commentary, the director/writer mentions that the couldn't afford a dog, so they wrote that character out.)

It's the story of a man (Michael Douglas) released from a mental institution who goes back to live with his 16-year-old daughter (Evan Rachel Wood). Though Douglas is in his 50s or more, he is clearly the child of the pair, and Wood the parent.

Douglas blithely squanders what little they have (Wood works 2 shifts at McDonalds to make ends meet) to chase his crazy idea of Spanish doubloons buried in 1624.

Wood gets reluctantly sucked into the idea, and the plot takes wacky twists and turns.

Although it's a comedy, it's mostly a study of character and family--as well as the importance of dreams.

Douglas is wonderfully manic, and Wood is intriguing as the stoic, troubled, but changing Responsible One.

THE KING OF CALIFORNIA (2007) is, I suspect, another near-Disney experience intended to boost the career of the darling and talented Evan Rachel Wood. Before she did THE LIFE BEFORE HER EYES, she starred alongside Michael Douglas (bless him, just recovering from throat cancer at age 66) in KING.

To be brief, a teen (Wood) receives her father (Douglas) back home after a 2-year mental hospital stint. It has to be said that Douglas has lost none of his charm or his riveting half-loony-bird abilities. I remember him in THE STAR CHAMBER as a very young man - he was as riveting back then. Here he convinces his daughter, with good proof, that he knows the location of some large Spanish treasure.

Traipsing wildly around California, they find the landmarks and areas precisely where they ought to be (in large part thanks to Douglas' hand-held and symbolic Magellan GPS, and he also yanks out an awesome metal detector named "Excalibur").

There are such hints, very small, about finding the New World. Wood's narration from an old (mythical) Spanish account of the New World parallels their adventures magnificently. (Inside a Costco store, she narrates from the book, "we saw the caves covered with the natives' childish drawings".)

The ending I did not like, but this is an excellent family film and quite a lot of fun to watch in any case. The incredibly funny and endearingly droopy-faced Willis Burks II plays Pepper, the reliable sidekick, funny as all get-out - and the actual adventure, though on the unbelievable side, is a lot of fun to follow.

2006's dreadful TILLAMOOK'S GOLD (vid. my review) is much like this. My suspicion is someone got wind of this project, stole its basic premise, then quickly shot and released TILLAMOOK. One hopes not, but it looks that way to me and is very common. However, TILLAMOOK is a 300% throwaway film, whereas KING OF CALIFORNIA is not, in my opinion.

Throwaway or not, this film ranks pretty highly among my "fun" picks good for any occasion. You'll love it.

King of Califonia starring Michael Douglas and Evan Rachel Wood is an unique and special film. Not too many films focus on a father/daughter relationship, that's probably why I enjoyed this rare little gem so much. Douglas and Wood are two amazing actors, their chemistry is sweet and strangely realistic. I can't stop thinking about this movie, I highly recommend it - enjoy!