From Booklist
For 18 years, Porcellino has self-published
King-Cat Comix. Two books of extracts,
Perfect Example (1999), about his stressful eighteenth year, and
Diary of a Mosquito Abatement Man (2005), about a summer gig during college, vaulted him into the front ranks of autobiographical comics creators. Now here's a heaping helping of the rest of
King-Cat, with 15 pages of annotations (including more comics) appended to make the book as impressively self-reflexive as Andrew Boyd and Ryan Yount's
Scurvy Dogs (2005--hard to beat
those notes). The book contains many more of Porcellino's dream stories, some of the most dreamlike in all comics (Rick Veitch develops his dreams much more elaborately--see
Crypto Zoo, 2004--but they're much more diffuse). Porcellino started
King-Cat intending never to censor himself or record things unimportant to him. He is as unabashedly unzipped as James Kochalka (
American Elf, 2004), though not as often. Some stories are fictional, such as the adventures of Racky Raccoon, and all are drawn with a bold line and lots of white, like
Peanuts drained of detail.
Ray OlsonCopyright © American Library Association. All rights reserved
Review
“Punk rock was a revelation to the young John Porcellino, showing him that anyone could make art without formal education or technical virtuosity. However, unlike many people who have taken this lesson to heart, Porcellino is a born artist, someone whose nerve endings seem more sensitive to both the pain and the mystery at the center of this existence.” —Baltimore City Paper
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