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King Kong (Modern Library Classics) [Mass Market Paperback]

Delos Lovelace (Adapter), Edgar Wallace (Author), Merian C. Cooper (Author), Greg Bear (Introduction)
3.9 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

Modern Library Classics October 25, 2005
Introduction by Greg Bear
Preface by Mark Cotta Vaz

The giant prehistoric gorilla King Kong is one of the most recognized images in our culture. So great is the mighty Kong’s hold on the popular imagination that his story–a gripping yarn of man versus nature, coupled with a fantastical update of the Beauty and the Beast legend–has been thrice made into a motion picture (most recently in 2005) and referenced endlessly in every medium, from books to prime-time sitcoms.

Beneath King Kong’s cultural significance, however, is a tense and surprisingly tender story. One cannot help but be frightened by Kong’s uncontrollable fury, be saddened over the giant’s capture, mistreatment, and exploitation by venal showmen, or sympathize with the beast’s ill-fated affection for the down-on-her-luck starlet Ann Darrow.

This Modern Library edition of a true colossus among adventure stories is reprinted from the original 1932 novelization of the movie script, and includes a Preface by Mark Cotta Vaz, the preeminent biographer of Merian C. Cooper, producer of the original 1933 classic film.


From the Trade Paperback edition.

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About the Author

Greg Bear is the author of more than twenty-five books, including Darwin’s Radio and Dead Lines. He has been awarded two Hugos and five Nebulas for his fiction.



From the Trade Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

Even in the obscuring twilight, and behind the lightly floating veil of snow, the Wanderer was clearly no more than a humble old tramp freighter. The most imaginative, the most romantic eye could have detected nowhere about her that lean grace, those sharply cleaving contours which the landsman looks for in a craft all set to embark upon a desperate adventure.

For the likes of her, the down-at-heels support of the Hoboken pier was plenty good enough. There, with others of her kind, she blended into the nondescript background of the unpretentious old town: she was camouflaged into a comfortable nonentity. There she was secure from any embarrassing comparison with the great lady-liners which lifted regal and immaculate prows into the shadows of skyscrapers on the distant, Manhattan side of the river.

Her crew knew that deep in her heart beat engines fit and able to push her blunt old nose ahead at a sweet fourteen knots, come Hell or high water. They knew too that surrounding her engines, and surrounding also that deep steel chamber which puzzled all of them and frightened not a few, was a staunch and solid hull. Landsmen, however, drawn to the waterfront by that nostalgia which ever so often stirs those whose lives are bound by little desks and brief commuter train rides, looked over her rusted, scaling flanks and sputtered ignorantly:

“Lord! They don’t call that a sea-going craft, I hope!”

Weston, though he had taxied to the waterfront bent upon a business in which nostalgia had no part, said exactly that and drew back the hand which had been about to pass over the fare from Forty-second Street and Broadway. After all, if he had mistaken the pier, it would be a foolish extravagance to let this pirate on wheels knock down his flag and so gain the right to add an extra fifteen cents to the return charge.

Hanging tightly to his money, he lumbered out of the taxi with that short-winded dignity which marks the fat man of fifty-odd. In the same moment, an old watchman poked a cold red nose around the corner of a warehouse.

Weston hailed him:

“Hi, Cap! Is that the moving picture ship?”

Only after the cold red nose had bobbed assent did Weston pass over the cab fare, and even then there was a glint of suspicious doubt in his eye. Still hardly more than half satisfied that he had not mistaken the rendezvous, he scuffed through the light fall of snow to the Wanderer’s gangway.

“ ’re you another one agoin’ on this crazy voyage?” the old watchman demanded suddenly from the gloomy shadow of the warehouse.

“Crazy?” Weston swung around the more quickly because the adjective bolstered a conviction that had been growing in his own mind. “What’s crazy about it?”

“Well, for one thing, the feller that’s bossin’ it.”

“Denham?”

“That’s him! A feller that if he wants a picture of a lion’ll walk right up and tell it to look pleasant. If that ain’t crazy, I want to know?”

Weston chuckled. That wasn’t so far from his own estimate of the doughty director of the Wanderer’s destinies.

“He’s a tough egg, all right,” he agreed. “But why the talk about this voyage being crazy?”

“Because it is, that’s why.”

The watchman emerged from his snug, protected niche the better to pursue the conversation.

“Everybody around the dock—and lemme tell you there’re some smart men around here even if they ain’t got such high and mighty jobs—everybody around the dock says it’s crazy. Take the cargo this Denham’s stowed away! There’s stuff down there I can’t believe yet, and I seen it go aboard with my own two eyes. And take the crew! It’s three times too big for the ship. Why it’ll take shoe horns to fit ’em all in!”

He paused but only for breath. Plainly he was prepared to bark out an interminable succession of charges against the Wanderer. Before he could re-open his critical barrage, however, a young authoritative voice put a permanent stop to it.

“Hey, on the gangway there! What do you want?”

Weston looked up toward the low deck rail amidship. Light streaming from a cabin astern and higher up outlined a figure; and in the illumination Weston felt sure, from Denham’s descriptions, that he was seeing the Wanderer’s personable first mate. There, unmistakably, was the long, young body Denham had praised. There were the reckless eyes, the full strong mouth. Weston, whose experiences had taught him to guard against spontaneous regard for any stranger, however personable, yielded for once to a swift liking. There, he admitted, was as pleasant a young fellow as a man could hope to meet—as any woman could hope to meet, he added, on second glance.

“What do you want?” the brisk demand came down a second time as Weston made his inspection.

“Want to come aboard, Mister Driscoll,” Weston replied; and grown a little more cheerful because of his liking for the mate he began a cautious ascent of the wet and slippery gangway.

“Oh, you must be Weston.”

“Broadway’s one and only,” Weston admitted. “Weston, the ace of theatrical agents, even if,” he added as he began to puff a little from the ascent, “my wind is not what it used to be.”

“Come aboard! Come aboard!” cried Driscoll. “Den-ham’s wild to hear from you. Have you found the girl?”

In the darkness Weston’s cheer evaporated. He made a wry face and said nothing, but followed Driscoll’s springing stride aft and up a ladder to the lighted cabin.

This low inclosure was invitingly spick and span, but it was furnished with the spartan simplicity which characterizes womanless quarters. The sole decorations were a mirror on one wall and a well filled pipe rack on another, unless one counted an overcoat or two with attendant hats. For the rest there were only four chairs, an oblong table of the broad squat sort favored by men who like to spread out maps for studying, an open box containing black corrugated iron spheres larger than oranges but smaller than grapefruit, and a brightly polished brass cuspidor which stood close by a foot of one of the two men waiting in the cabin.

This man was lean, and of no more than middle height. Behind a heavy moustache, his hard jaw worked slowly upon a generous mouthful of plug cut. He was in vest and shirt-sleeves. Above these a captain’s uniform cap lent an air of command, but this did not keep him from stepping definitely aside in order to leave the center of the stage to his companion.

His companion was just such a well tailored, well groomed man of thirty-five as you might run into at any stock broker’s desk; although there you would rarely encounter such an air of solid power, of indomitable will. Bright brown eyes, shining with an unquenchable zest for the adventure of living, flashed toward Weston as he entered, and an impatient voice said without preliminary:

“Weston! I was just going ashore to ring you up.”

“If I’d known that I’d have waited,” Weston answered, eyeing his wet shoes.

“Shake hands with the Skipper, Captain Englehorn,” Denham pushed on.

The man in the captain’s cap, turning from a center shot into the bright cuspidor, held out a rough, thick hand and after it had been shaken moved the box of corrugated iron spheres to make more room at the table for Weston’s chair.

“I take it you’re already acquainted with Jack,” Den-ham added, and as Weston nodded smilingly at Driscoll who smiled back, he went on, “Well! Then you’ve met a pair you’d never come across on Broadway, Old Man. Both of them were with me on my last two trips and I’ll tell you if they weren’t going on this one I’d think a long time before I started.”

There fell that little restless silence which always burdens men upon whom extreme praise has been bestowed. Then Denham dropped into his chair and eyed the theatrical agent.

“Where’s the girl, Weston?”

“Haven’t got one.”

“What!” Denham struck the table. “Look here, Weston! The Actors’ Equity and the Hays outfit have warned every girl I’ve tried to hire. And every agent but you has backed away. You’re all I’ve got left. You know I’m square. . . .”

“Everybody knows you’re square,” Weston grunted, breathing audibly. “But everybody knows, also, how reckless you are. And on top of that how can you hope to inspire confidence about this particular voyage when you’re so secretive?”

“There’s truth!” drawled Englehorn, and leaned down to his cuspidor.

“Absolutely!” cried Driscoll, rubbing his handsome young jaw. “Why not even the Skipper and the mate know where this old ship’s going. . . .”

“There you are!” Weston spread his palms up. “Think of my reputation, Denham. I can’t send a young, pretty girl, or for that matter even a homely one if you’d have her, on a job like this without telling her what to expect.”

“And what is she to expect?” Denham demanded.

“To go off for no one knows how long, to some spot you won’t even hint at . . . the only woman on a ship that carries the toughest mugs my wise old Broadw...

Product Details

  • Mass Market Paperback: 192 pages
  • Publisher: Modern Library (October 25, 2005)
  • Language: English
  • ISBN-10: 0345484967
  • ISBN-13: 978-0345484963
  • Product Dimensions: 4.2 x 0.5 x 6.9 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,002,873 in Books (See Top 100 in Books)

 

Customer Reviews

7 Reviews
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Average Customer Review
3.9 out of 5 stars (7 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Lost World classic, January 7, 2006
By 
Stephen Balbach (Ashton, MD United States) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   
This review is from: King Kong (Library Binding)
King Kong was initially conceived as a screenplay by Wallace and Cooper, but Lovelace was commissioned to novelize the screenplay. It was released before the movie came out. It's a fast easy read non-stop action (like a movie). There is nothing particularly literary since it's just a written version of the movie (indeed it serves to reveal how shallow movies can be compared to literature) but the language is priceless 1930s wise guy with lines like "look here" and "tough egg" and "shove off" peppered throughout (and not in a nostalgic way this is the "genuine article"). King Kong is of course part of the "Lost World" genre which started with H. Haggard's "King Solomons Mines, but the story is most influenced by Edgar Burroughs "The Land that Time Forgot" and Arthur Conan Doyle's "The Lost World". Given what a short book it is (3-5 hour read for an average reader) if you liked the movie this is a great afternoon escape, part of the Lost World canon.
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5 of 7 people found the following review helpful:
1.0 out of 5 stars Puzzling, September 1, 2005
This review is from: King Kong (Library Binding)
"A four-page photo insert including two never-before-seen images from the original movie"? Four whopping pages? And how did they determine that two images are "never-before-seen"? The photos are actually quite common.

A very odd, low-rent hardcover version of the public domain story by a major publisher. There are (and will be) far better versions available in months ahead - PASS on this.
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4.0 out of 5 stars THE END OF KONG RUNS OUT OF GAS., March 23, 2009
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This review is from: King Kong (Library Binding)
Okay,

This story is a classic no doubt. But, I was feeling like it was the classic up until the end. The pace is great from the moment the story begins to the most memorable moments on top of the Empire State Building! My only problem is that there was not more time being spent on keeping the excitement going during this gut-wrenching action when Kong is protecting Ann before the DRAMATIC FALL.

Our fearless hero Driscoll is Awesome in a "Indiana Jones" way of saving Ann from the clutches of Kong. The somewhat possessive and obsessive Denham, really shows why he is the master of manipulation with everyone and everything during the whole story on his quest to have the ultimate prize to display for his movie company. But obviously he has compassion at times (which are few and far between) which makes him more realistic than your typical antagonist or cowardly bad man.

The love and romance that takes place between Driscoll and Ann is warm and touching and quite fun in their attraction to eachother. It reminded me of the great movie "The African Queen". I really felt like I was there with them on this journey all the way through ti' ll we get to the famous and classic scene at the end. It just did not hold much water for me. I actually started to view in my mind the end in the 1976 movie version of the same scene and it was AWESOME and climactic on knowing that Kong was so in touch with his feelings for his blonde beauty that he sacrificed himself with dignity and respect. In the book I did not get enough of that. The surface was only touched when it should have been the jugular!

All in all, it is worth reading and worth owning. But just be prepared for a lack-luster ending in my opinion.

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
plug cut, beast god
Key Phrases - Capitalized Phrases (CAPs): (learn more)
King Kong, Edgar Wallace Merian, Cooper Delos, New York, Tenth Avenue, Captain Englehorn
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