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"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
Not surprisingly, the eighth wonder of the world’s DVD treatment is nothing short of spectacular. The newly restored, digitally mastered print of the 1933 version of King Kong is sharp, well balanced, and given that this film is seventy years old, has very few scratches or blemishes. The restoration is nothing short of amazing. What may frustrate some is the audio. Though crystal clear, it is still in 2.0 Mono. The soundtrack on Kong is such an integral part of the film you really wished they could have pulled it out to at least 2.0 Surround; but this is a minor criticism. The bulk of the commentary track is by visual effects veterans Ray Harryhausen and Ken Ralston joyfully discussing the special effects of the film and discussing why King Kong is such a favorite and important film to the community of visual effects artists. Spliced between their commentaries are colorful and humorous anecdotes from director from Merian C. Cooper and Fay Wray. The two documentaries on disc two run over three and half hours long. I Am Kong! The Exploits of Merian C. Cooper is an engaging documentary on the renegade, Hemingway-like director. It is fascinating to learn that Cooper was every bit the adventurer that the fictional director Carl Denham in King Kong was in the film. RKO Production 601: The Making of Kong, Eighth Wonder of the World is a two and a half hour documentary broken into 7 parts: "The Origins of King Kong," "Willis O'Brien and Creation," "Cameras Roll on Kong," "The Eighth Wonder," "A Milestone in Visual Effects," "Passion, Sound and Fury," "The Mystery of the Lost Spider Pit Sequence," and "King Kong's Legacy." Also included is complete footage of the legendary "The Lost Spider Pit Sequence." Presenting the segments are various film historians and filmmakers including Rudy Behlmer, Cooper biographer Mark Cotta Vaz, the Chiodo Brothers (of Team America: World Police special effects fame), and directors John Landis and Peter Jackson. Here you will learn everything you would ever want to know about the making and importance of King Kong, including that the producer/director team of Cooper and Schoedsack played the pilots who shoot Kong off the Empire State Building. The highly anticipated, long-awaited release of King Kong will meet most viewers' expectations, and exceed everyone's else. --Rob Bracco
The "Classic King Kong" was done quite well for its day (1933). The special effects were also amazing, although a bit "stiff" at times. Read morePublished 6 days ago by MVivar
Great movie! The action starts quickly and continues to the end of the film. I have seen this a few times before, but it still keeps my attention until the end. Read morePublished 9 days ago by Amazon Customer
While King Kong is a good film in-and-of itself, I found the colorization to be rather poor, and not adding anything to the movie itself. Read morePublished 13 days ago by dave j pye
|Topic||From this Discussion|
|King Kong 1933, Color and/or B&W?||
King Kong (1933) b/w vs color?
The truth of the matter is that an excellent colorized version of the original King Kong does exist. It was released on laserdisk and the amount of added detail now visible in color was staggering! Although never released in color on DVD in the US, a sub-video... Read More
Dec 13, 2012 by D. McAndrew | See all 17 posts
|Nearly faultless classic sci-fi film!||
Every thing about the original King Kong is as close to flawless as the 30s could get. The fact that it's "weaknesses" are mostly subjective and related to it's age are proof that the story and the amazing way it was told survive into the 21st as a Classic. This movie struck the same... Read More
Aug 24, 2009 by John Patrick Fischner | See all 4 posts
|Did they do a new restoration for the Blu Ray?||
The blu-ray of THE GENERAL is off the camera negative. KING KONG's camera negative is gone. That said, KONG on blu-ray still looks darn good; better than ever, and as good as it is ever likely to get.
Dec 14, 2010 by Casey62 | See all 21 posts
|King Kong fought an Allosaurus and NOT a T-rex.||
Ah yes - Allosaurus, who, according to Paleontologists, was larger, meaner, and had bigger teeth than T-Rex....
Jun 15, 2012 by Anubis | See all 3 posts
|Ten Movies That Changed The World.||
Toy Story sold computer animation. And maybe the wizard of oz and or gone with the wind.
Jan 26, 2013 by FlannMann | See all 2 posts
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