King Lear (BBC Radio) [Audiobook] [Audio Cassette]

William Shakespeare (Author), Alec Guinness (Author), Cyril Cusack (Author)

Book Description

Publication Date: September 3, 1996 | ISBN-10: 0679449264 | ISBN-13: 978-0679449263

A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering.

Each Edition Includes:
• Comprehensive explanatory notes
• Vivid introductions and the most up-to-date scholarship
• Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
• Completely updated, detailed bibliographies and performance histories
• An interpretive essay on film adaptations of the play, along with an extensive filmography


From the Paperback edition.

Editorial Reviews

Review

Praise for William Shakespeare: Complete Works

“A remarkable edition, one that makes Shakespeare’s extraordinary accomplishment more vivid than ever.”
–James Shapiro, professor, Columbia University, bestselling author of A Year in the Life of Shakespeare: 1599

“Two eminent Shakespeareans . . . have applied modern editing techniques and recent scholarship to correct and update the First Folio. . . . Superb.”
–The New York Times

“A feast of literary and historical information.”
–The Wall Street Journal

“I look forward to using it over many years, enjoying Bate’s perceptive comments, trusting Rasmussen’s textual scholarship.”
–Peter Holland, president of the Shakespeare Association of America and editor of Shakespeare Survey


From the Trade Paperback edition.

Book Description

The is the first fully annotated critical edition of King Lear to appear for forty years. Unlike previous editions, this one does not present a conflation of the Quarto and the Folio, but offers the latter as the authoritative text. --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Audio Cassette
• Publisher: Random House Publishing Group (September 3, 1996)
• Language: English
• ISBN-10: 0679449264
• ISBN-13: 978-0679449263
• Product Dimensions: 8.5 x 4.8 x 0.8 inches
• Shipping Weight: 1.6 ounces
• Average Customer Review: 4.5 out of 5 stars  See all reviews (62 customer reviews)
• Amazon Best Sellers Rank: #3,416,951 in Books (See Top 100 in Books)
  • #58 in Books > Books on Cassette > Authors, A-Z > ( S ) > Shakespeare, William

Customer Reviews

Most Helpful Customer Reviews

31 of 33 people found the following review helpful:

4.0 out of 5 stars Great Ideas--But Beware!, November 9, 2006

By 

Mark "Mark" (Boston) - See all my reviews

This review is from: King Lear (Cambridge School Shakespeare) (Paperback)

I bought this edition as a teaching supplement, not realizing that it is the folio version of the play. The words "quarto" and "folio" refer to the size of the pages in the two editions. Many secondary schools and universities use the quarto edition and a lot is left out of the folio--this version cuts out three hundred lines and adds one hundred new ones. The effect is that it alters the way the characters are shown. If you are reading the play with a class and they have a quarto version, while you are using your trusty teacher's Cambridge, chances are there will be a lot of blank expressions and confusion on their faces. The lines they see will not jibe with yours. The extra articles and class activities are great though--just make sure that if you use the Cambridge, you have your students buy only folio editions.

20 of 23 people found the following review helpful:

5.0 out of 5 stars Shakespeare at his best, July 22, 1999

By 

Andy Morgan - See all my reviews

This review is from: King Lear (Dover Thrift Editions) (Paperback)

King Lear was written at Shakespeare's most prolific period, a time in which he rapidly composed Hamlest, Othello, and Macbeth. I believe, without a moments hesitation, that King Lear is his greatest work, and probably the greatest play ever written. The plot moves quickly with excitement and action. The central themes of the play (among which are abandonment, unconditional love, and self-realization) are some of the most serious and important aspects of human nature. The play brings up many important quiestions: Why should we forgive others? Can we ever trust someone? All of these areanswered in this play. I recently saw a professional production of the play, and found myself quickly moving from emotions of fear, to laughing, to wrath, and at the climactic end of the play, breaking down into tears, having been drained by the plays rapid motion and tension. This play will live with me forever.

13 of 15 people found the following review helpful:

5.0 out of 5 stars Nothing will come of nothing, May 24, 2000

By 

C. Colt "It Just Doesn't Matter" (San Francisco, CA United States) - See all my reviews
(REAL NAME)   

This review is from: King Lear (Dover Thrift Editions) (Paperback)

"Nothing will come of nothing" the fatal line Lear utters to Cordelia sums up the entire play. The wizened king believes he is urging Cordelia not to refrain from expressing her love for him when in fact he is unwittingly prompting her to use the same insincere flattery as her sisters. When Cordelia refuses to acquiesce to Lear's wishes, he banishes her from the kingdom and divides it among her nefarious sisters Goneril and Reagan. In doing this Lear accepts their empty flattery instead of Cordelia's austere profession of paternal love. Goneril and Reagan quickly betray Lear and then turn against each other. Thus Lear's preference for empty flattery (nothing) destroys his authority and embroils his kingdom in civil strife (generates nothing).

This theme runs like a thread through other parts of the play. Gloucester's blindness toward the nature of his sons results in his literal blindness later in the play. Metaphorical blindness generates physical blindness (nothing comes of nothing). Similarly, after Edgar is banished he avoids further harm by shedding his identity and disguising himself as a vagrant. In the new order of things eliminating one's status results in no harm (another version of nothing coming from nothing).

The motif of nothing coming from nothing has psychological and political ramifications for the play. From a psychological point of view Lear fails to realize that the type of adulating love he wants from Cordelia no longer exists because Cordelia is no longer a child. Her refusal to flatter Lear is, in a sense, an act of adolescent rebellion. Lear's failure to recognize the fact that Cordelia still loves him but not with the totality of a child proves to be his undoing. From a political point of view the fact that Lear divides his kingdom on the basis of protocol (who is the most flattering) instead of reality (whose words can he really trust) also proves to be his undoing. The fact that Lear sees what he wants to see instead of what he should see is the fulcrum of destruction throughout the play.

It is interesting to note that "King Lear" was staged barely one generation after England endured a bitter war of succession (The War of the Roses). The sight of Lear proclaiming his intention to divide his kingdom must have shocked contemporary audiences in the same manner that a play about appeasing fascists might disturb us today.