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King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa [Paperback]

Adam Hochschild
4.4 out of 5 stars  See all reviews (294 customer reviews)

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Book Description

October 1999
In the 1880s, as the European powers were carving up Africa, King Leopold II of Belgium seized for himself the vast and mostly unexplored territory surrounding the Congo River. Carrying out a genocidal plundering of the Congo, he looted its rubber, brutalized its people, and ultimately slashed its population by ten million--all the while shrewdly cultivating his reputation as a great humanitarian. Heroic efforts to expose these crimes eventually led to the first great human rights movement of the twentieth century, in which everyone from Mark Twain to the Archbishop of Canterbury participated. King Leopold's Ghost is the haunting account of a megalomaniac of monstrous proportions, a man as cunning, charming, and cruel as any of the great Shakespearean villains. It is also the deeply moving portrait of those who fought Leopold: a brave handful of missionaries, travelers, and young idealists who went to Africa for work or adventure and unexpectedly found themselves witnesses to a holocaust. Adam Hochschild brings this largely untold story alive with the wit and skill of a Barbara Tuchman. Like her, he knows that history often provides a far richer cast of characters than any novelist could invent. Chief among them is Edmund Morel, a young British shipping agent who went on to lead the international crusade against Leopold. Another hero of this tale, the Irish patriot Roger Casement, ended his life on a London gallows. Two courageous black Americans, George Washington Williams and William Sheppard, risked much to bring evidence of the Congo atrocities to the outside world. Sailing into the middle of the story was a young Congo River steamboat officer named Joseph Conrad. And looming above them all, the duplicitous billionaire King Leopold II. With great power and compassion, King Leopold's Ghost will brand the tragedy of the Congo--too long forgotten--onto the conscience of the West.

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Editorial Reviews

Amazon.com Review

King Leopold of Belgium, writes historian Adam Hochschild in this grim history, did not much care for his native land or his subjects, all of which he dismissed as "small country, small people." Even so, he searched the globe to find a colony for Belgium, frantic that the scramble of other European powers for overseas dominions in Africa and Asia would leave nothing for himself or his people. When he eventually found a suitable location in what would become the Belgian Congo, later known as Zaire and now simply as Congo, Leopold set about establishing a rule of terror that would culminate in the deaths of 4 to 8 million indigenous people, "a death toll," Hochschild writes, "of Holocaust dimensions." Those who survived went to work mining ore or harvesting rubber, yielding a fortune for the Belgian king, who salted away billions of dollars in hidden bank accounts throughout the world. Hochschild's fine book of historical inquiry, which draws heavily on eyewitness accounts of the colonialists' savagery, brings this little-studied episode in European and African history into new light. --Gregory McNamee --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Hochschild's superb, engrossing chronicle focuses on one of the great, horrifying and nearly forgotten crimes of the century: greedy Belgian King Leopold II's rape of the Congo, the vast colony he seized as his private fiefdom in 1885. Until 1909, he used his mercenary army to force slaves into mines and rubber plantations, burn villages, mete out sadistic punishments, including dismemberment, and committ mass murder. The hero of Hochschild's highly personal, even gossipy narrative is Liverpool shipping agent Edmund Morel, who, having stumbled on evidence of Leopold's atrocities, became an investigative journalist and launched an international Congo reform movement with support from Mark Twain, Booker T. Washington and Arthur Conan Doyle. Other pivotal figures include Joseph Conrad, whose disgust with Leopold's "civilizing mission" led to Heart of Darkness; and black American journalist George Washington Williams, who wrote the first systematic indictment of Leopold's colonial regime in 1890. Hochschild (The Unquiet Ghost) documents the machinations of Leopold, who won over President Chester A. Arthur and bribed a U.S. senator to derail Congo protest resolutions. He also draws provocative parallels between Leopold's predatory one-man rule and the strongarm tactics of Mobuto Sese Seko, who ruled the successor state of Zaire. But most of all it is a story of the bestiality of one challenged by the heroism of many in an increasingly democratic world. 30 illustrations. Agent: Georges Borchardt. First serial rights to American Scholar. Author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 366 pages
  • Publisher: Houghton Mifflin; 1st Edition(PB) edition (October 1999)
  • Language: English
  • ISBN-10: 0618001905
  • ISBN-13: 978-0618001903
  • Product Dimensions: 6.1 x 1 x 9.1 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (294 customer reviews)
  • Amazon Best Sellers Rank: #5,318 in Books (See Top 100 in Books)

More About the Author

Adam Hochschild's first book, "Half the Way Home: A Memoir of Father and Son," was published in 1986. Michiko Kakutani of The New York Times called it "an extraordinarily moving portrait of the complexities and confusions of familial love . . . firmly grounded in the specifics of a particular time and place, conjuring them up with Proustian detail and affection." It was followed by "The Mirror at Midnight: A South African Journey," and "The Unquiet Ghost: Russians Remember Stalin." His 1997 collection, "Finding the Trapdoor: Essays, Portraits, Travels," won the PEN/Spielvogel-Diamonstein Award for the Art of the Essay. "King Leopold's Ghost: A Story of Greed, Terror and Heroism in Colonial Africa" was a finalist for the 1998 National Book Critics Circle Award. It also won a J. Anthony Lukas award in the United States, and the Duff Cooper Prize in England. Five of his books have been named Notable Books of the Year by The New York Times Book Review. His "Bury the Chains: Prophets and Rebels in the Fight to Free an Empire's Slaves" was a finalist for the 2005 National Book Award in Nonfiction and won the Los Angeles Times Book Prize for History.

"To End All Wars: A Story of Loyalty and Rebellion, 1914-1918," Hochschild's latest book, was a New York Times bestseller. It was a finalist for the 2011 National Book Critics Circle Award for General Nonfiction and won the 2012 Dayton Literary Peace Prize for Nonfiction.

The American Historical Association gave Hochschild its 2008 Theodore Roosevelt-Woodrow Wilson Award for Public Service, a prize given each year to someone outside the academy who has made a significant contribution to the study of history.

"Throughout his writings over the last decades," the Association's citation said, "Adam Hochschild has focused on topics of important moral and political urgency, with a special emphasis on social and political injustices and those who confronted and struggled against them, as in the case of Britain's 18th-century abolitionists in 'Bury the Chains'; 'The Mirror at Midnight', a study of the struggle between the Boers and Zulus for control over South Africa in the 19th-century Battle of Blood River and its contentious commemoration by rival groups 150 years later; the complex confrontation of Russians with the ghost of Stalinist past in 'The Unquiet Ghost: Russians Remember Stalin'; and the cruelties enacted during the course of Western colonial expansion and domination, notably in his widely acclaimed 'King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa', among his many other publications. All his books combine dramatic narratives and meticulous research. . . .

" 'King Leopold's Ghost' had an extraordinary impact, attracting readers the world over, altering the teaching and writing of history and affecting politics and culture at national and international levels. Published in English and translated into 11 additional languages, the book has been incorporated into secondary school curricula and appears as a key text in the historiography of colonial Africa for college and graduate students. But it is within Belgium that Hochschild's work has had the most dramatic impact, demonstrating the active and transformative power of history. The publication of 'King Leopold's Ghost' forced Belgians to come to terms for the first time with their long buried colonial past and generated intense public debate that so troubled Belgian officials that they reportedly instructed diplomats on how to deflect embarrassing questions that the book raised about the past. The book offered welcome support for others in Belgium who sought acknowledgment and accountability for Belgian actions in the Congo. . . . Few works of history have the power to effect such significant change in people's understanding of their past."

Hochschild teaches narrative writing at the Graduate School of Journalism at the University of California at Berkeley. He and his wife, sociologist and author Arlie Russell Hochschild, have two sons and two granddaughters.

Customer Reviews

This is a book that was well written and researched. John Augsbury  |  74 reviewers made a similar statement
This is a book which will be hard to ignore if one wants a better understanding of the Africa of today. Franz N. Isler  |  48 reviewers made a similar statement
Most Helpful Customer Reviews
203 of 212 people found the following review helpful
5.0 out of 5 stars "The horror! The horror!" August 27, 2005
Format:Paperback|Amazon Verified Purchase
Many of us who have read Joseph Conrad's "Heart of Darkness" think of it as an allegory tinged with racism--a tale of a European, Kurtz, who has abandoned the restraints of civilization and has surrendered himself to the barbaric despotism and primitive rituals innate to Africa. Yet Hochschild spends a full chapter of his excellent history reminding us of the novel's historical context: the figure of Kurtz is based on at least one real-life colonial administrator, and the barbarity is not one that is indigenous to Africa but imported from Europe. Conrad's contemporary readers understood that his novel was a condemnation more of colonial tyranny rather than of African primitivism.

And the ringleader of these gang of hoodlums who invaded the Congo and massacred its inhabitants was King Leopold II of Belgium. In a tour de force of characterization, Hochschild portrays Leopold as a petulant and greedy monster who decided at a young age that the way to wealth was ownership of an African colony and the subjugation of its inhabitants. Leopold initially made his profits through the exportation of ivory, but his bureaucrats struck gold with the expansion of the international rubber market.

The victims were the natives, who lost not only their land and their freedom, but often their lives. There is no pretty way for Hochschild to tell this story: Leopold's officials used unbelievably harsh methods to force the locals to collect rubber--all in the name of bringing them European civilization, Christian charity, and a Western work ethic. In addition to taking wives and children hostage (in subhuman conditions) until the men made their quotas, soldiers would torture or kill the inhabitants if they faltered. One of the most grisly aspects of this calculatingly orchestrated version of modern slavery was the severing of hands--and their collection into baskets as proof of killings--as a means of terrorizing the population. The wonder of it all is that Leopold and his agents managed to keep most of these deeds secret and even disguised his colony as a charity for the benefit of "pagan" African natives.

Yet Hochschild's narrative is not simply a gruesome account of the horrors of Leopold's personal fiefdom--which the king himself never once visited. The most fascinating part of this tale is the creation of what might reasonably be called the world's first human rights movement. George Washington Williams, the first and perhaps bravest campaigner, initially sounded the alarm, but he was ignored largely because he was African American. Later rabble-rousers had better success: E. D. Morel, whose suspicions were aroused when he noticed the imbalance of trade to the colony while working at the docks; William Sheppard, a Presbyterian missionary who provided first-hand accounts; and Roger Casement, a British consul who became an important anti-Leopold activist (and who later became an significant figure in the Irish independence movement whose closeted homosexuality provides a sad coda to his life's story).

One of Hochschild's themes is astonishment, only a century later, at the world's amnesia (including his own) regarding these atrocities. Even the thousands of annual visitors to Laeken's Royal Greenhouses and Winter Palace, Leopold's extravagant and luxurious monument, do not realize that this park was literally built with the lives of millions of Africans. Fortunately, thanks to Hochschild's best-selling book, as well as similar reassessments published by European historians during the last twenty years, even the briefest biographical accounts about King Leopold II now portray him as he was: a brutal and gluttonous colonial thug.
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64 of 68 people found the following review helpful
5.0 out of 5 stars The Epitome of Historical Tragedy September 28, 2000
By A Customer
Format:Paperback
King Leopold's Ghost provides a vivid account of an episode in the modern history of Africa that was the epitome of tragedy. In this book, Adam Hochschild concerns himself with the looting of the Congo and the destruction of its peoples by a cousin of Queen Victoria, King Leopold of the Belgians.

The story is told through a succession of biographical sketches of the principal villains and heroes, the former being Leopold's accomplices and the latter his opponents. Hochschild, though bent on illuminating a great human tragedy, allows himself and the reader several curious and even piquant digressions. The first suspicion that these digressions are only there to spice up the story is belied when the author manages to make them highly relevant, such as the connection between Leopold's unsuccessful wedding night and his all-consuming desire in the Congo.

Hochschild begins this book by reminding us of the figure of Affonso I, the sixteenth-century Christian King of the Kongo, pious son of a ruler converted by the Portuguese. Affonso wrote a series of eloquent letters to the Portuguese king complaining that the slave traders were depopulating his kingdom and even seizing members of the royal family. The Portuguese, however, had meanwhile discovered a traffic more profitable than gold and they were not about to give it up.

Leopold, the figurehead monarch of a small country, successfully acquired a realm larger than France, Italy and Germany combined. For many of the new imperial powers, collecting colonies was not particularly profitable, but Leopold, through a strange mix of luck, cunning, ruthlessness and breathtaking hypocrisy, managed to gain a huge fortune.

Leopold favored a quick killing in the Congo because it was clear that the boom in wild rubber would eventually be overtaken by the planting of commercial rubber plantations. He joined forces with others to suppress forces within the Congo and bleed it dry. Leopold's Force Publique had an officer corps of well-paid desperadoes recruited from all over Europe, characters resembling Kurtz in Conrad's chilling Heart of Darkness.

Leopold's vicious experiment combined some of the latest techniques of European industry steamboats, machine guns and railways with a sure understanding of traditional African bondage and brigandage, and of the ways they could be bent to his purpose. The slave-traders became the best recruiters both for the Force Publique and for the porters who carried the rubber to the river or to the railhead.

Sadly, Leopold's enterprise enjoyed the blessing of the United States despite the fact that it flew in the face of its supposed anti-slavery, anti-colonial and republican principles. The indulgence of Europe's colonial powers was less surprising given the rampant racism and imperialism of the time.

There were a few anti-slavery zealots who objected to the "magnificent work of exploration" with which Leopold was credited. (Interestingly, Leopold maintained tight personal control without ever going near the Congo.) The journalist George W. Williams wrote an angry pamphlet denouncing Leopold's brutal regime but died shortly afterwards.

Hochschild does not end this book on a comfortable note. Conditions in the Congo barely improved, and the harsh but effective methods pioneered by Leopold were taken up by yet other colonial powers. The outbreak of war in Europe soon furnished its own lessons in industrial slaughter, making Leopold's war on the people of the Congo seem like little more than a dress rehearsal.

Although tragic, King Leopold's Ghost is an exemplary piece of history writing: urgent, vivid and most compelling.

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35 of 37 people found the following review helpful
4.0 out of 5 stars An excellent non-fiction companion to Heart of Darkness February 19, 2005
Format:Paperback
This is an extremely readable book, but its title is deceptive. While the full title is King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa, the book is not about Africa at all. Instead, the vast majority of this book is about diplomacy and protest movements in Europe and, to a lesser extent, the United States with regards to Belgian rule in Congo. If you pick this book up looking to find the details of the governance and rule of the Congo Free State or the history of the major rebellions against Belgian rule, you will be sorely disappointed.

This is not a criticism of the author, who likely didn't select his own title anyway. If you look at the book from the standpoint of what Hochschild wanted to write, it is a good but not great work. Hochschild was mostly interested in European/American personalities and focuses on them instead of a chronology of events either in the West or in Africa. At times, this makes the book confusing, as Hochschild does not use a lot of dates to help the reader sort out the order of events. On the other hand, the personalities of the day are vivid and fascinating. Hochschild has mined the vast majority of the available evidence to give us stunningly detailed (and at times salacious) details on King Leopold and his major opponents.

Perhaps the most important feature of Hochschild's writing is that he doesn't shy away from the imperfections of his heros or try to brush away the moral ambiguities of his subject. He is the first to admit that slavery was a problem even before the first major European contact with central Africa even while showing how the European/American system was far more pernicious and devastating than anything the natives had devised. He acknowledges that some of his protagonists are conceited and provides the background to show why they became so; this makes the ultimate sacrifices of some of his heroes that much more significant.

Hochschild is a journalist by training, and this explains many of the strengths and weaknesses of King Leopold's Ghost. The two main strengths are this books readability and accessibility. I am not normally a fast reader but I flew through this book thanks to its clear prose and Hochschild's highly developed sense of irony. I also read this book as someone who knows relatively little about African history, but I never felt as though Hochschild was either condescending or assuming a level of knowledge that the average reader would not have.

However, there are some weaknesses that result from the journalistic style as well. Most significant of these is the relative paucity of bibliographic information, as Hochschild only provides specific sourcing to direct quotations. Hochschild is the first to admit that it is nearly impossible to find African sources for his material, but that makes the identities of those sources that much more interesting, especially for readers who want to learn more about the subject at hand. Finally, this is likely a book that will not interest experts on African history, both because of its superficial treatment of what actually happened in Africa and because of the lack of analysis of the causes of events other than psychological sketches of Leopold, his supporters, and his opponents.

That said, this is a superior work overall. If, like me, you read Heart of Darkness in a high school English class without getting any of the background on Conrad's time, you will find this work to be revelatory. Even if you have only a passing interest in Africa, you will find yourself more intrigued by its history when you finish than when you started.
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Most Recent Customer Reviews
5.0 out of 5 stars Leopold the Bad
Sad and not so shocking that another myth of civilized countries committing unspeakable act because they can. Read more
Published 3 days ago by Joseph Macri
5.0 out of 5 stars one of the greatest atrocities, described and told in detail, in a...
This is a must read book in my mind. Written in depth, it tells of the atrocities done in the forming of Belgian Congo, a subject every educated person should know.
Published 6 days ago by gil
2.0 out of 5 stars Excruciatingly detailed
I am an avid reader and normally can read 1-2 books per week, of all different genres. However, I could not get through this book. Read more
Published 11 days ago by Zogster
5.0 out of 5 stars King Leopold's Ghost
Good reading for anyone who enjoys the era of colonialism and the scramble to take over African
property by greedy European nations. Read more
Published 12 days ago by Carol Vidal
5.0 out of 5 stars The Best Work of Narrative Non-Fiction I Have Ever Read
King Leopold's Ghost is the riveting account of one king's quest to turn the Congo into his personal fief. Read more
Published 14 days ago by SKB
5.0 out of 5 stars the pictures in it are devastating
One picture of an African man sitting with the arm of his child. the childs arm was cut by belgian colonial authorities because his father could not deliver enough rubber.
Published 21 days ago by rafe
4.0 out of 5 stars Informative
Great book if you read biographies for fun. It highlights the horrors of the congo, rubber trade, and king Leopolds attempt to rise above his own ego.
Published 1 month ago by Melissa M. Steele
5.0 out of 5 stars A Compelling Read--a true page-turner!
I can't add anything else to the outstanding reviews (which persuaded me to buy this book), except to say that reading King Leopold's Ghost was so enthralling that I practically... Read more
Published 1 month ago by Beth Searfoss
5.0 out of 5 stars Riveting page turner.
In the annals of recorded holocausts, rarely do we think of the deaths of the many millions of enslaved Africans murdered, tortured, starved, or worked to death by European... Read more
Published 1 month ago by Cristina Canziani
5.0 out of 5 stars King Leopold's Ghost
I picked this book up at a used book store, having no idea what it was about as I had no knowledge whatsoever of who King Leopold was nor of that part of Africa's history. Read more
Published 1 month ago by Ms. Nancy C. Werner
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