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The King of Ragtime (Ragtime Mysteries)
 
 
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The King of Ragtime (Ragtime Mysteries) [Audio CD]

Larry Karp (Author), Mirron Willis (Narrator)
4.4 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

Ragtime Mysteries October 2008
It's 1916, and time's running out for Scott Joplin. Before he dies, he wants to provide for his wife and to secure his place in musical history. He's written a musical drama. His young piano student, Martin Niederhoffer, who works as a bookkeeper at Waterson, Berlin, and Snyder Music Publishers, convinces him to try to get Irving Berlin to publish and produce the work. The next day, Niederhoffer walks into his office and finds Joplin crouched over the blood-soaked body of a young man. He hustles his teacher away; unfortunately, the two are seen leaving the building. Nell Stark, daughter of Joplin's first publisher, John Stark, hides Joplin and Niederhoffer from the police and calls her father in from St. Louis to help sort out the mess. After Berlin flatly denies ever having received Joplin's play, young Niederhoffer breaks cover and engages the services of hit man Footsie Vinny, who gives Berlin a five-day deadline to come up with the manuscript. And just when things couldn't get worse, Niederhoffer's girlfriend, Birdie, is kidnapped. Nell and John Stark must get around Joplin's fragile mental and emotional state, Berlin's dogged resistance, Niederhoffer's impulsiveness, the police, and their own loving but edgy relationship in order to locate Joplin's work, find Birdie, and exonerate the composer and the bookkeeper.
--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

From Publishers Weekly

Set in Manhattan in 1916, Karp's well-crafted second homage to ragtime (after 2006's The Ragtime Kid) charts Scott Joplin's race against time and the effects of a ravaging illness to secure his musical legacy. Joplin has written a musical play that he wants Irving Berlin to publish and produce. In the past, Joplin has accused Berlin of plagiarizing his music, but Martin Niederhoffer, a piano student of Joplin's and an employee of Berlin's firm, persuades Joplin to try Berlin again. When Niederhoffer and Joplin are seen fleeing the scene of a murder, they're forced into hiding while Scott's friend Nell Stanley, a musician, and her music publisher father try to find the real killer. Going undercover at Berlin's publishing company, Stanley proves to be a formidable detective, though her investigation uncovers some painful truths about both Joplin and her father. Karp's meticulous research helps create a vivid picture of the time and locale. Memorable, authentic characters are another plus. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

Karp dishes up another serving of music and murder, with a side of racism, in the second volume in his ragtime mystery trilogy (after The Ragtime Kid, 2006). It’s 1916, and Scott Joplin, anxious to have his new musical drama published, approaches the lily-white New York music publishing firm of Waterson, Berlin, and Snyder, where he stumbles on a murder in which he is soon implicated. Joplin, his physical and mental health deteriorating from syphilis, is helped first by an admiring young bookkeeper at the firm, then by old friends Nell Stanley and her publisher father, John Stark. As a kidnapping and another killing ensue, the intrepid father-daughter duo seeks the actual instigators. Once again, Karp populates his mystery more with historical figures than fictional characters, capturing the hostile nature of Irving Berlin (whom Joplin still resents for stealing his tune for “Alexander’s Ragtime Band”) and depicting the prejudice of the time. An extensively researched and eminently readable historical mystery, this is a must for ragtime fans. --Michele Leber --This text refers to the Hardcover edition.

Product Details

  • Audio CD
  • Publisher: Blackstone Audiobooks; Unabridged edition (October 2008)
  • Language: English
  • ISBN-10: 1433252007
  • ISBN-13: 978-1433252006
  • Product Dimensions: 6.8 x 6.9 x 1.2 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (7 customer reviews)

More About the Author

Larry Karp grew up in Paterson, New Jersey and New York City. He worked as a specialist in complicated pregnancy care for 25 years, founding the Prenatal Diagnosis Center at the University of Washington, and Swedish Medical Center's Department of Perinatal Medicine. Residents in the Family Practice Programs at both Swedish and Providence Hospitals named him Teacher of the Year.

During his medical years, Larry wrote newspaper and magazine articles on a wide range of subjects, as well as a monthly column of commentary for the American Journal of Medical Genetics. He also wrote three nonfiction books. The View from The Vue described life as a med student and intern at New York's Bellevue Hospital; The Enchanted Ear was a collection of anecdotes about collecting and restoring antique music boxes. Genetic Engineering: Threat or Promise discussed the newly-emerging fields of genetic manipulation in humans. (Of this work, the author of a major genetics textbook wrote, "Of the many recent books on genetic engineering the only one that...carefully delineates the limits of current knowledge and tries to evaluate the significance of recent advances without resorting to sensationalism is by Karp").

Larry collects and restores antique music boxes, and is a regular contributor to Mechanical Music, the magazine of the Music Box Society International. In 1997, the Society presented him the Bowers Literary Award "for outstanding literary contributions to the field of automatic music."

In 1995, Larry left medical work to write full-time. He chose to write mysteries because the genre demands stories to be well-paced and tightly-constructed, but does not preclude the possibility of presenting characters and ideas which refuse to leave the reader's mind once he or she closes the back cover of the book. Larry set his well-received Music Box Mystery Series (The Music Box Murders, Scamming the Birdman and The Midnight Special) in present-day New York City. For his next book, First, Do No Harm, a World-War II home-front standalone involving complex and troubling medical ethical issues, he moved back to 1943 to a fictionalized Paterson.

Then, Larry ranged further back and farther away to write a historical-mystery trilogy, three books which blended fiction into history to look at signal events, social attitudes and racial relations at the birth, death, and revival of ragtime music in America. The first book, The Ragtime Kid, was set in Sedalia, Missouri in 1899, when white music-store owner John Stark made the extraordinary and unexplained offer of a royalties contract for a tune, "Maple Leaf Rag", by a young, little-known black composer named Scott Joplin. The second book in the trilogy, The King of Ragtime, was set in New York City in 1916, and centered on a real-life dispute between Joplin and Irving Berlin over an accusation of musical plagiarism and theft. The third book, The Ragtime Fool, completes the trilogy, as Brun Campbell, the old Ragtime Kid, comes back to Sedalia in 1951 to take care of some unfinished business.

What's the latest? During his first career, Larry served as Medical Director of Swedish Medical Center's Reproductive Genetics Facility and delivered the first baby in the Pacific Northwest conceived through in vitro fertilization. He drew on that experience to write A PERILOUS CONCEPTION, the story of an overly-ambitious young obstetrician in the Pacific Northwest, secretly trying to make medical history by producing the world's first IVF baby. Unfortunately, that sort of secret is hard to keep, and the upshot is blackmail and murder.

Larry's books have been finalists for the Daphne and Spotted Owl Awards, and have appeared on the Los Angeles Times (The Ragtime Kid, December 2006) and Seattle Times (The King of Ragtime, November 2008) Fiction Best-Seller Lists.


 

Customer Reviews

7 Reviews
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Average Customer Review
4.4 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

4.0 out of 5 stars If you like Jazz..., May 24, 2011
In the summer of 1916 Martin Niederhoffer worked for Waterson, Berlin, and Snyder, Music Publishers as a bookkeeper with an eye to his future. He also took piano lessons from Scott Joplin. Martin loved Scott's music and convinced Mr. Joplin to take his musical drama "If" to Irving Berlin to be produced. With bad blood over an earlier piece of music between Joplin and Berlin, and Scott already a very sick man, this was a situation ripe for confrontation.

Martin has discovered discrepancies in the company books pointing to someone skimming money from the company. After spending all day working on the missing money, Martin is told to stay late to finish up his regular work. Birdie, his girlfriend and assistant, has already gone home when his friend Sid Altman arrives to wait for Martin to finish so that they can go to the fights. Martin goes to the men's room and when he returns to his office he finds a dead body and Scott Joplin standing over it with the weapon in his hand.

From here on it is a race to keep the police from finding Scott Joplin and to find "If." The problem of Scott's missing music is taken up by his former publisher, John Stark, at the request of Stark's daughter Nell. still a close friend of Joplin.

This is a tightly written story with ample twists and turns. The characters spring to life with an flourish that is delightful. Mr. Karp caught New York in the summer, and especially the summer of 1916, in a truly admirable manner. I could almost smell, hear, and taste the city of the story. Each character is almost a story on its own. The blending of the different personalities was a delight and I found myself humming ragtime in my head.

I would highly recommend this book to anyone with an interest in music, history, or just a desire for a finely tuned mystery.


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3.0 out of 5 stars King of Ragtime Not Quite A Knockout, June 2, 2010
By 
Ragtime Bill (Broken Arrow, OK USA) - See all my reviews

I read this book along with the other two in the trilogy, and in my estimation it suffers a bit in comparison with the other two. Karp may or may not have nailed the historical characters, but somehow they don't quite come to life as well as, say, Brun Campbell in the latest work. One thing that kept catching me off guard was poor proofreading, particularly in the misuse of quotation marks. Yes, the words were there but I found it distracting.

Another distraction was historic anachronisms, like having a girl singer using a microphone (in 1916?!!) and a reference to a neon-lighted sign. Don't think those came along in popular use quite yet, Larry; and also reading about a character on a train leaving from East St. Louis bound for New York and traveling through the Missouri countryside. Mr. Karp, East SL is in Illinois...

Maybe I am just too much of a purist, but I was distracted from enjoying this book. He has done a better job on the others, imho.
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5.0 out of 5 stars A Fine Mystery, Set in the Ragtime Era, March 24, 2009
Larry Karp's The King of Ragtime takes on the double challenge of fictionalizing real historical figures and capturing their time and place with authority. Karp meets both challenges fully, and then hands us a crackling good murder mystery. As a reader who knows more than a little about the book's leading characters, Scott Joplin and Irving Berlin, I thought I'd find myself merely caught up with the author's portrayal of these men. Wrong. It's a murder mystery. Before long he had me exactly where he wanted me: "Who Done It?"

Max Morath
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