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The King of Ys

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_The King of Ys_ enchanted me. It started as one of the very best fantasy series I've ever read. The setting is historical and meticulously detailed, containing a wealth of both magical and mundane details. Heck; the Andersons actually include an extensive collection of endnotes to each chapter detailing the factual elements of their story. In every way, this is a real world.

These people are not modern people stuck into a fantasy setting. They have the values of 4th-and-5th century people, exactly as they should. The gods aren't wimpy, ever-loving, beneficent friends; they're savage and demand obedience brutally. Bad things can happen to good people.

That's how I felt for the first three books, anyway. The fourth is kind of a letdown. The elements above are kept, but... I don't know. I can't go into exactly *why* it's a letdown, because I don't want to spoil the plot, but the story loses cohesion and really falls apart, if you ask me.

However, I still have to give it a "9" because, even though the last quarter was a disappointment, the first three quarters kept me riveted as few books have. Highly reccommended. And heck, you might even find more of worth in the end than I did.

The King of Ys is a historical fantasy -- it is set in our world just before the fall of the Roman Empire and it mixes in the legend of the mythical city of Ys which was built below sea level on the coast of Brittany. Many of the characters in The King of Ys (Roman emperors, Christian saints, etc) are based on legendary and real historical figures and Poul and Karen Anderson include plenty of footnotes which explain the legend of Ys and the culture and religion of the 5th century.

In Roma Mater, we meet Gaius Valerius Gratillonius, a Roman centurion stationed at Hadrian's Wall. Because of his loyalty to would-be-emperor Magnus Clemens Maximus, the commander of the Roman troops in Britannia, Maximus assigns him to be Rome's prefect in Ys so that Gratillonius can keep it loyal while Maximus goes for the purple. Ys, though part of the Roman empire, has been left to itself for years because it's spooky. According to rumors, Ys is ruled by nine witches who, among other things, control the weather to keep Ys safe from enemies intending to invade by sea. These nine "witches" are the God-chosen wives of the King of Ys who is a nasty tyrant. His nine wives use their powers to ask the Gods to bring them a deliverer -- someone to challenge the king.

And so Gratillonius and his small troop arrive in Ys and soon he finds himself king. Along with inheriting the crown, Gratillonius gets the nine witch queens, too. As he sets out to reform Ys, which has suffered under the former rule, he has a lot of unfamiliar stuff to deal with: the responsibilities of a king, the different culture, a strange land and people, clashes in religious beliefs (he covertly worships Mithras who has been denounced by the newly Christian Roman Empire, and the Ysans worship three pagan gods), and satisfying nine wives who vary greatly in age, beauty, intelligence, and appreciation for men.

At first, Gratillonius balances all of this mostly successfully, and he begins to restore the prosperity of Ys. He is well-intentioned, but he can't help but occasionally go wrong as his own beliefs conflict with his people's and their gods'. One problem is that the Ysan's believe that their gods will destroy Ys by flood if they are not obeyed. So, there is a conflict between the Ysans' expectations of Gratillonius's duties at their religious rites, his desire to keep alive the worship of Mithras, and his admiration for the Christian leaders he knows. The other big problem is that when one of his wives dies, the gods choose the replacement from the priestesses who are all descendents of the previous kings and queens and the gods don't seem to care too much about age, mental ability, or consanguinity. So, not only are there nine wives, but their family tree looks more like an M.C. Escher drawing than a tree, and this kind of behavior isn't congruent with the worship of either Mithras or Christ. (But it does make for some interesting reading.)

The first two books, Roma Mater and Gallicenae, progress rather slowly and there's not much action -- and this is really my only complaint about The King of Ys. But, by the end of Gallicenae, we've seen the ways Gratillonius has had to struggle to obey the Ysan gods, and we can be rather certain about what they're going to throw at him next ... and we know he's going to defy them this time. And, we've seen some plot threads being developed (warriors preparing overseas) that are presumably being carefully set up for use in the next novel.

In the third novel, Dahut, things really come to a head, and the fallout is spectacular. The reader then realizes and appeciates how carefully the Andersons have planned and crafted this work from page one. Well done! The fourth book, Dog and Wolf, deals with the after-effects of the events in book three, develops the characters further as their lives have drastically changed, and comes to a satisfactory conclusion.

Besides being a fascinating and original tale with real historical feel, The King of Ys is beautifully written:
"The armies met south of the River Ruirthech. That was a day when clouds blew like smoke, low above the valley, underneath a sky the hue of lead. Rainshowers rushed out of them, drenched men, washed their wounds and their dead, passed away on the keening wind. All colors were dulled except those of blood and gold. Shouts, horn calls, hoofbeats, footfalls, clamorous wheels, clash and rattle of weapons, were somehow muffled. But blows fell as heavy and sharp as always."

My favorite parts were Gratillonious's internal thoughts about his wives:
"He gazed back. Over the years she had added flesh to flesh, though her frame was quite large enough that as yet she did not appear quite gross. Her features remained good in their heavy fashion and her hair was still a burnished red-brown. It was untidely piled on her head, like the raiment on her body. He had grown used to that....Well, she had her righs, and she was by no means a bad person, and a man ought to shoulder his burdens without whining about them."

And there is poetry -- even whole chapters of poetry!
"Would you know the dog from the wolf? You may look at his paw,
Comparing the claw and the pad; you may measure his stride;
You may handle his coat and his ears; you may study his jaw;
And yet what you seek is not found in his bones or his hide,
For between the Dog and the Wolf there is only the Law."

Near the end of the story, Gratillonious meets a young soldier who is in nearly the same situation he was in when he left Britain 25 years before. Shocked, he looks back and realizes that he's not the same man he was then -- he would make different choices now. Through love and loss, we learn what's important -- that's a good story. ~FanLit.net

This is a stunning series. It has a wonderfully complex plot that weaves actual late-Roman Empire events with Breton myth, but one of its greatest attributes is the way the characters are brought to life. By the end of the books, what you remember most isn't the plot but the emotional struggle of the main character, Gratillonius, as he loses everything that was ever dear to him, and has to go on. The final scene is only a few pages long but is gut-wrenching because you feel every bit of pain it brings him. I normally don't enjoy fantasy because many books seem like a pale attempt to imitate Tolkein. This series is completely different but yet has the same ability to pull you into the story until you feel like these events actually happened. A word of warning: like the Lord of the Rings, it is written in slightly stilted, 'epic' English, which may bother some readers.

I usually don't care for fantasy, but this is certainly an exception. The story, like most of Anderson's, starts slow, but by the time you get to Book 3: Dahut, you will see the horrible events coming but will be unable to put the book down. Not only fantasy, but possibly also a classic of horror literature.

The Andersons did a great job melding the myths and legends of Europe into this epic. You will need 2 bookmarks for this book -- it includes a very thourough and interesting appendix of factual historical notes about the characters, events, etc. Anyone with an interest in dark ages history or religious history will love it. Much more than just another fantasy epic.

A superbly researched and written book. Anderson transports the reader to a historical period with wholly plausible possiblities. A should-read for any who appreciate a well written book with the ability to grab and hold one's interest with an iron grip. A must-read for any who enjoy historical-fiction/fantasy